Toss the name Lucio Fulci into a decent horror film conversation and it’s quite possible it may turn into some sort of cranky debate about a few of his more outrageous films that feature copious amounts of gore and violence (often against female characters). There’s an excellent video essay by Kat Ellinger called Hell Is Already In Us included on the fantastic Arrow Video restoration of Fulci’s Don’t Torture A Duckling that drives home the point that the director was merely holding up a mirror to some of society’s madness and letting his camera do the dirty work. While not as relentless as his later work, what’s here is a pretty effective blend of thriller and pointed social commentary that’s still got a mean bite all these years later.
Considered by the director to be one of his personal favorites, Duckling’s blend of Italian countryside setting, shocking (off-screen) child murders and handful of suspects where everyone has either a direct motive or abnormal/amoral proclivities that can be seen as motives makes for a pretty unsettling experience. Adding to the film’s grim tone, Fulci also skewers his faith but good here with some knife-twisting fierceness and a killer finale that’s either going to make you cringe or crack up laughing (or preferably, both). This is a film that’s tough to watch, but extremely well made and even thought provoking in its own manner.

Mario Bava, again. Watching his films or more precisely, rediscovering them after a few decades is turning into a revelation on how insanely creative he was as an all-round filmmaker. Writing/co-writing, directing, designing and a special effects whiz working on limited funds and more. While not all of his work is great, there’s a lot of greatness to see in how well a lot of it came together.
Some years ago I made the big mistake once of looking up how many 

Don’t feel a bit sorry for poor Aldo (Joe Dallesandro) in 


I somehow missed out on Frank Henenlotter’s
One of those interesting “message” pictures of the 50’s, Robert Aldrich’s 1955 filmed version of Clifford Odets’ 1949 play
Ovidio G. Assonitis’ 1981 horror flick