Random Film of the Week: Psycho II

psycho_ii_xlgWell, it’s Mother’s Day this week as well as my birthday (tomorrow, so you still have time to get me that gift or else!), so I’m going to have fun with this week’s pick. While seen as sacrilege to some fans of the original movie, for my money Psycho II is a nice surprise that does well at following up on Norman Bates’ life post-release from the institution he ended up in thanks to his deeds in the original.

Screenwriter Tom Holland and director Richard Franklin get some great (albeit limited) mileage out of Anthony Perkins here as he portrays Norman as trying to live the “normal” life, but ends up instead plagued by forced memories from the past intended to drive him back to his old ways. Or perhaps he’s hallucinating all that bad stuff? Whatever the cause, bodies start piling up (well, the actual death count is small compared to other films of the era), the mystery deepens and it’s not until the final reel that things become clear with a double twist corker of an ending that’s still amazing… Continue reading

Random Film of the Week(end): Nights of Cabiria

(thanks, TrailerItaliano!) 

Nights of Cabiria_MPThe first time I saw Nights of Cabiria, I was wide awake and it was the middle of the afternoon, but I was so wrapped up in watching Giulietta Masina’s spectacular performance that I’d stopped reading the subtitles and missed a chink of the story. Of course, this being a Fellini film, the visuals and expressive acting spelled out most of what happened and Masina’s work as a happy go lucky hooker with a head of stone and dreams of finding love kept me entranced until the ending.

I’ve seen the film quite a few times since and have introduced it to friends with no explanation because how do you properly describe a film about prostitutes that manages to be funny and sad and human all at the same time without getting wrapped up in someone’s “Uh, so… it’s a movie about what?” eyebrow. Granted, you can always take the easy way out and make it a double feature night with Fellini’s La Strada first, as like this film, it won an Academy Award for Best Foreign Film and has Giulietta Masina giving another performance for the ages. That SHOULD wipe away any smudgy thoughts about pedigree and content.

Continue reading

100 From 2001 Is A Pretty Prime Number!

0jjLyP2 - Imgur 
EDIT: Duh, I forgot to put the link in. See below for that link. Heh, sorry!

2001_ASO_MPA friend sent me a link to “something wonderful” the other day and after taking the ultimate trip through this amazing imgur gallery of stills and behind the scenes production shots from the filming of one of my favorite films, Stanley Kubrick’s 2001: A Space Odyssey, I’m reporting back and sharing the link for all to discover on their own time. I’ve seen a handful of these here and there over the years, but the entire gallery all at once is amazing and quite educational on a few fronts.

As with any film, I knew there were bits shot and discarded, but I’m now wondering about that lovely futuristic (well, for 1966-67) automobile among other things. Was that a mere production still or was/were there a scene or scenes shot on earth? Anyway, the placement of the images seems to follow the film’s plot, but if you’ve never seen 2001 before, fear not. Not knowing a thing about it means you’ll be scratching your head until you DO finally see it. Which is a good thing, of course…

Still… let me slightly not “ruin” things with this trailer (thanks, the cultbox!):

Trust me, you didn’t EVEN have anything spoiled there, as this film demands you pay attention. A few times, at that.

X-Men: Days of Future Past Poster Blitz

XMDoFP_Wide 
I’m not sure how many “official” posters there are for this upcoming blockbuster, but Comic Book Movie has a nice set of nine new ones up today to check out, all of which are pretty darn cool. Add the ones at the Imp Awards gallery and that’s eighteen posters with who knows how many more to come before the film arrives here on May 23, 2014. I’m glad I don’t collect these things anymore, as I’d need a warehouse for each film that comes out I’m interested in or like already. Ah well… someone is doing the living vicariously stuff on that front for me out there, so no worries…

Alien Abduction: (So Far) This One’s Not For The Birds…

AlienAbduction_1sheet 

(thanks, Joblomovienetwork!) 
Hmmm. Usually, these modern sci-fi/horror flicks don’t phase me one bit because it’s all the same thing they try for and often fail at miserably on a few fronts. I do like what I see here so far from Alien Abduction, although I may be the only one who finds films about alien abductions pretty dull in general (sorry, Barney and Betty Hill!). That said, this is one to watch for me when it suddenly pops up on cable a few months from now. The sci-fi/horror genre certainly needs a good kick to the pants, so here’s to hoping this one delivers the goods and then some…

?able Humor: Get Me Re(re)write!

(thanks, frankpilarski!) 

So, today I was bad, bad, bad. Well, just bad, but I think I tend to over-magnify stuff for excess emphasis. Anyway, I needed to go over some older posts and start the process of re-writing or re-rewriting them so some can be used as parts of a few upcoming blogathons I’m participating in. Some of the older posts are a wee bit on the short side and need a bit of expanding, so that’s what’s going on. Or WAS supposed to be going on.

Anyway, I was going over a few posts and then got distracted with a movie I’d wanted to see, so that was that for productivity for most of the afternoon. Yeah, it happens. NO, it wasn’t Star Crash, I was sidetracked by (Oh, hell nope!). That’s just to show my desire to stop time for long enough to do all the crap I need to do and feel HAPPY at the end of each day. Eh, I’ll figure this all out eventually. I still want a damn time machine, though.

As I update the older posts, I guess I’ll tweet them out (which means they’ll pop up on facebook as well). Keep an eye peeled…

Random Film of the Week(end): Zardoz

(thanks, tubesoda!) 

zardoz_xlgHow amusing that I had a dream about Zardoz and TCM (Turner Classic Movies) just so happens to be showing it this evening (EDIT: Okay, at 2am Sunday). John Boorman’s wonderfully gorgeous and somewhat, okay, EXTREMELY bizarre follow up to the 1972 smash Deliverance was and is a weird mix of science fiction, black comedy and violence that baffled many critics and moviegoers of the time and while it’s a more popular cult film today with a loyal following, still has a polarizing effect on a few fronts. If anything, the film’s oddball mix of impressive and cheap visual effects and some stunning cinematography go a long way in holding one’s interest as the plot zooms all over the landscape.

From the killer opening sequence with a floating stone head issuing marching orders (“The GUN is GOOD! The PENIS is EVIL!”) to some well-armed men (well, the stone head is the one arming them with PILES of firearms), to one of those well-armed men (Sean Connery!) sneaking aboard that head to do a bit of surprising disposal work (how do you kill a “god”? Here’s one way if you need a hint!), Zardoz continually surprises, even when it’s getting too meta for its own good. Then again, that seems to be what Boorman wanted to do with this film. This is one of those experimental flicks that does an excellent job of making you pay attention right from the start and slowly draws you deeper into its odd characters and world. Granted, your suspension of disbelief is being kidney punched the entire way through, but such is art and films such as this one… Continue reading

Random Film of the Weekend: The Racers

(thanks, Jon Clark!)

The Racers MP Henry Hathaway’s 1955 potboiler The Racers isn’t exactly the best Kirk Douglas vehicle out there, but the actor gives it his usual all in this zippy yet easily forgotten melodrama that features some excellent real life races in gorgeous European locations race fans will approve of highly. Unfortunately, mixed in with these lovely tracks are some of the worst laughably out of place front, rear, and side screen projected driving scenes outside of a slapstick comedy. In fact, these projection sequences are so obvious that they give the otherwise slickly made movie more of an odd comic tone today than they probably did back in theaters in 1955. Then again, I can’t imagine anyone being fooled back then either.

Granted, it’s more than obvious that the otherwise wise filmmakers didn’t want Douglas whipping around in uncontrollable circles in an open cockpit roadster or flying off a track because of a stray poodle to crash through some hay bales and a stone fence (the first hilarious wreck in the film). On the other hand, given the character he plays is a bit of a jerk as he steps on a few toes on his way to the top of the auto racing heap, I guess a little less fake looking fakery may have made this more memorable a time killer… Continue reading

Random Film of the Week: The Colossus of New York

the colossus of nyThe first time I saw Eugène Lourié’s The Colossus of New York, I think I was about ten or eleven and stayed up all night on a Friday or Saturday just because it came on at something like 2 or 3am. I recall falling asleep somewhere in the middle and waking up for the ending, disappointed that I missed whatever robot rampage the cloaked metal man went on. It turns out that I didn’t miss much of a “rampage” at all, although the thing did wreak some havoc on some poor important folks down at the United Nations before getting shut down for good without the military blowing it to scrap metal with a bunch of rockets.

Anyway, featuring some fine performances and an brilliant (and sometimes unsettling) piano score by Nathan Van Cleave, this is an interesting albeit flawed sci-fi film with a more human side to its fantastic bits thanks to the internal conflict of Jeremy Spensser (Ross Martin) who finds his brain in that bulky cyborg after he dies in an auto accident and his genius dad (Otto Kruger) and second genius (but somewhat devious) son (John Baragrey) decide to keep him living in that metal shell… Continue reading

STRIPPED: Mr. Bill Is Back On The Boards For This Comic Documentary

Stripped_MP 

Ever since Calvin & Hobbes disappeared from newspapers in 1995, the great Bill Watterson has been missed by many fans of his work. However, as you can see here, the man is back with a funny poster for the serious documentary about the dying print newspaper comics business, STRIPPED, now available for pre-order (ironically) on iTunes. Me, I’ll hold out for a Blu-Ray/DVD release because I like owning my movies and holding them in my grubby little hands. I hope people watching this now on their small screens can appreciate what’s being said and maybe think about how they consume their media in the future. But of course, you can’t beat convenience and enforced evolution colliding as they squeeze out some who formerly made a decent living doing what they love. Ah, my old fogey card is showing here, I guess…