Random Film of the Week: Master of the World

Master of the WorldAh, Master of the World… you’re so well intentioned but when all is said and done you’re just not as good a film as you wanted to be… and that’s too bad. Even the great Vincent Price reading the words of the great Richard Matheson (who reworked elements from two of the great Jules Verne’s books into a screenplay) can’t save you from your crushing mediocrity. Nope, those barrel bottom visual effects work and an unfunny comic relief chef character tossed into the rather serious story can’t keep this Albatross afloat at all. That said, it’s an OK flick if you don’t mind it reminding you of a few better ones it tries so hard to template.

Now, call me crazy… but I think the idea of a war-hating kind of madman flying around the world and waging war against people who wage wars is both nuts and necessary in this day and age. However, this film fails to excite on a few levels other than giving Price his juicy lead role and Charles Bronson a chance to play a rugged-looking 19th century good guy for a change. For all its explosions and shouting, it makes the idea of Price’s bomb-dropping anti-war antihero Robur a pretty dull one and the film wears out its welcome around the halfway point… Continue reading

Random Film of the Week(end), Too: The Night Digger (The Road Builder)

(Thanks, Night of the Trailers!) 

the night diggerI used to get The Night Digger and The Night Visitor confused when I was younger, but that’s since been rectified (and nope, I’ve been fortunate enough to NOT confuse any of them with The Night Porter). Both films are from 1971 and bother are psychological thrillers, with the former film being the more “horror” oriented one on a few fronts. However, neither is a straight up slasher flick and both have elements that make them superior to typical genre entries.

Here, Patricia Neal gives a powerful performance as Maura Prince, a woman living with and caring for her blind mother Edith (Pamela Brown), with both women falling prey to the charms of the handsome young Billy (Nicholas Clay) who rides up one day on his sleek motorbike and asks for a job. He’s not just good with his tools, folks… he’s also a violent sex criminal and murderer who has a handy way of disposing of his victims. In a bizarre twist (one of a few the film socks you with), the film turns into a very strange love story where you may find yourself rooting for that emotion to take hold and win over all, but there’s that air of inevitability and gloom thanks to the plot turning as it does and a beautiful and haunting Bernard Herrmann score that will raise a few hackles (if you haven’t gone and shaved them off like the kids do with their hair in certain spots, ewww)…
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Random Film of the Week(end): The Night Visitor

(Thanks, vivendientertainment!) 

the night visitorAs a child, the poster to Laslo Benedek’s The Night Visitor used to scare the heck out of me, but when I finally saw the film after it popped up on TV a few years later, I wasn’t frightened all that much. Granted, it took a few more viewings as I got older to really appreciate what’s here and it’s a nifty little thriller worth tracking down (it’s been out of print for years on DVD). While it’s not the best nor most coherent suspense flick out there (calling it a “horror” movie is a bit of a mistake), the casting is solid (Liv Ullman, Max von Sydow, Trevor Howard, Per Oscarsson), the script has its moments and you may even get a surprise or three as this creepy little tale plays out.

Von Sydow plays Salem, a rather crafty resident of a supposed “escape proof” mental asylum who escapes a few times in order to exact some extended revenge on his sister (Ullman) and her husband (Oscarsson). Why? Well, not just because he’s nuts plus tax, kids. Salem was set up for a brutal murder by his brother-in-law and he’s not having the time of his life in that freezing hellhole. Of course, the fact that each time he escapes he’s in his underwear (Why? You’ll see, you’ll see) and he manages to make it back before its noticed he’s missing keeps the film going for a while as a local inspector (Howard) tries to find out what’s going on when some new murders start happening…
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So, It Looks As If Godzilla Is Going to Be Huge On A Few Fronts…

godzilla_MP_b(thanks, Yahoo Movies!) 
godzilla_backIf this latest poster is any indication of relative size, the upcoming star of one of this summer’s definite blockbusters is going to be using skyscraper spires for toothpicks and about ten tractor trailers for a set of funky roller skates. I like that it’s a companion piece to the poster on the left and shows how massive this monster will be provided this IS the actual scale (he said, still ticked off about John Berkey’s infamous King Kong poster from the 1976 remake of that classic film). As usual, we shall see, but I think the fans would get all fire-breathing and stompy if that lizards wasn’t as advertised. Pacific Rim at least delivered the goods (and how) when it came to making jaws drop as its monsters got larger and larger…

Random Film of the Week(end) Quickie: Dreamgirls

DreamgirlsWhile I’m a huge fan of the classics, I don’t like most modern Hollywood musicals or biopics because they try to hard to be entertaining and just feel as if they’re baked from the same stale mold. I can’t put my finger on anything other than a certain soullessness thanks to a few factors seen as “necessary” to whatever formula makes a “hit” these days.

Anyway, moving on. Despite some fine acting and singing, primo Oscar bait like Dreamworks’ big 9and massively hyped) 2006 film Dreamgirls didn’t do a thing for me either. Still, I’ve watched it in its entirety twice and one part at least two dozen or so times because it made me fall off the couch laughing the first time and stuck with me to the point that whenever the film pops up on cable, I will turn to it just for that single scene.

If you know what I’m talking about, then good for you and you’re chuckling already. If you don’t, well here you go. Mister Jimmy Early… do your stuff! Um… you may want to have a seat there, kiddo.  Oh, and don’t drink anything while watching this clip if you’ve yet to see the movie (spoiler alert? I guess so):

 
I had to leave the room for a few minutes, as if I have to see this clip again, I might pop something inside. Heh. Gets me every time. As for the rest of the film? Meh. I have my Motown and Stax memories and the actual music from that era to keep my ears, brain and (if I feel like shaking a tail feather) hips occupied. So I don’t need any expensive (but nice looking and well intentioned) films that want me to “feel” something for the people in it when all I care about are the old tunes and memories those classic songs bring forth. That said, Eddie Murphy kills it dead here. “Jimmy got soul” indeed. Heee.

Random Film of the Week(end): The Boys From Brazil

(Thanks, DEATHTRAP TRAILERS!)

The Boys From Brazil_MPDepending on your frame of mind, The Boys From Brazil will either creep you out of make you laugh a wee bit too much. It will do both if you’re somewhere in the middle on the mental front (or are a first time viewer), but I’ll leave you to let this one settle where it lands. Franklin J. Schaffner’s signature directorial style is on full display here as this semi sci-fi/dramal/horror flick does its thing with some interesting casting choices, dialog ripe with amusing yet nasty situations and a number of creative demises for a few characters.

Granted, the subject matter is a bit touchy to some, what with the book and film positing real-life Nazi war criminal Dr. Josef Mengele (Gregory Peck!) as alive and kicking and still working on a pretty outlandish experiment that involves almost a hundred little Hitlers. But the film pulls you in right from the start and keeps you watching as the bad, mad doctor’s plans slowly but surely come to fruition. Well, sort of…

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Random Film of the Week(end): Before The Devil Knows You’re Dead

(Thanks, THINKFilmNY!) 
BTDKYD_MPThe late, great director Sidney Lumet’s final motion picture, Before The Devil Knows You’re Dead is a brilliantly made film that hits harder today thanks to the death (allegedly by heroin overdose) of actor Philip Seymour Hoffman. While the film got a somewhat limited theatrical release in North America and was completely ignored at the Academy Awards, it’s a mesmerizing, must-see crime drama that shouldn’t be missed. Its non-linear structure and use of flashback scenes presented from different characters’ perspectives adds a layer of tension to an already compelling story and every single actor here more than earns their keep, perfectly playing their roles.

If you’ve never seen this before, I’ll not reveal very much of the story, as the film rolls it out for you from a few angles and watching these characters roll fate’s dice and lose to varying degrees makes the movie. Hoffman and Ethan Hawke play brothers desperate for money for assorted reasons. An armed theft planned by one brother goes wrong in the worst possible manner and the consequences spiral out of the control of just about everyone affected by it. Just when you think things are bad enough, they manage to get worse and those awful ripples reach pretty far before heading back to their source…

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Random Film of the Weekend: Under Fire

(Thanks, robatsea2009!)

Under Fire MPIf it were released today, Roger Spottiswoode’s excellent drama Under Fire would probably carry an unfortunate “inspired by a true story” label it really didn’t require. While the film is a fine work on its own right, it’s at least partly inspired by the 1979 killing of ABC News journalist Bill Stewart and his translator by Nicaraguan National Guard forces, a tragic event that was shot on the sly by his cameraman from a nearby van and televised worldwide.

In the film, this moment comes fairly late in its running time, is staged differently and happens to one of the three American reporters we get to see go through hell as they try to survive the upsurge in violence that sweeps the country and eventually targets them…

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Random Film of the Week: A Mighty Wind

A_Mighty_Wind_MPAs a comedic take on the folk music scene, reunion concerts, one-hit wonder “where are they now” musicians and a few other choice targets, A Mighty Wind works on every level provided you have at least some small interest in the subject matter. Granted, most of the jokes and songs score because they’re so darn well written and delivered by a great cast, but I’ve seen this film with some people who don’t quite get or appreciate all the subtleties of some of the films funnier moments.

Christopher Guest’s great under-appreciated 2003 “mockumentary” features plenty of comic talent on display showing off their singing skills as well as pulling off some great bits that make this one constantly amusing and even laugh out loud hilarious at times… Continue reading

Random Film of the Week(end): Repo Man

(Thanks, spamanator666!)

repo_man_MP“Never broke into a car, never hot-wired a car. Never broke into a truck. ‘I shall not cause harm to any vehicle nor the personal contents thereof, nor through inaction let the personal contents thereof come to harm’ It’s what I call the Repo Code, kid!”

Even when I saw it back in 1984, I never considered Alex Cox’ outstanding first film Repo Man a purely “punk” movie. Sure, it’s got one of the best (if not the best) soundtracks of any film of that year (some say “ever”, but they’d be dead wrong) and yes, it’s got characters who play “punks” as well as enough of a vibe that makes you think it’s a dopier film than it actually is.

Then, as you’re being entertained by what’s onscreen, one of a few unexpected things happen as the film pops into different genres. As Emilio Estevez’ bored punk Otto Maddox goes from getting fired from his crappy minimum wage job stocking supermarket shelves with generic food to making bigger bucks as a repo man and characters toss out priceless lines like “The more you drive, the less intelligent you are…” or “I don’t want no commies in my car. No Christians either.”, the next thing you know you’re hooked in for the duration… Continue reading