Blu-Ray Review: Children of the Corn

COTC_AV106Back in 1984, I didn’t see Children of the Corn because if I’m not mistaken, I believe I was “Stephen Kinged Out” by so many adaptations of his work popping up in theaters and not being all they could be. Amusingly enough, when this screener of the nicely restored 2K version popped up from Arrow Video in my mailbox, I’d actually been thinking about films made from King’s novels and short stories thanks to the recent arrival of IT into theaters.

I’d read a long time back that King wasn’t too fond of director Fritz Kiersch’s film partially thanks to the rewritten script by George Goldsmith altering and adding elements to King’s original short story. Let’s just say that the end result is a mixture of good intentions and lousy cost-cutting and leave it at that. Well, okay – that would mean this review would end at that last sentence, so I’ll elaborate if you care to read any further.

The best things about the film are the principal actors giving it their all, a few very effective shots and a nice reliance on “less is more” when it comes to onscreen violence. The worst things are some truly crummy visual effects that weren’t good back in 1984 (and really stink now), the abrupt ending that feels as if was added in post-production and the addition of two annoying kid characters (and a voice over narration) that give the film a sappy gloss that lessens the horror factor geometrically.

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Review: The Coma: Recut (PS4)

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The Coma Recut PS4Ah, high school days. The loads of homework, Salisbury “steak” and canned veggies for lunch, getting shoved into lockers by bullies, and that curvy teacher you’ve got a secret crush on transforming into a hideous axe-wielding demon-thing who will try really hard to chop you to pieces after hours…

Wait, what?

Okay, that last bit is why you’ll be way up too late on a school (or work) night and all bleary-eyed and freaked out in the morning if you’re playing The Coma: Recut. This remastered version of the Korean survival-horror cult classic, The Coma: Cutting Class manages to be pretty scary stuff from developer Devespresso Games and publisher Digerati. If you’re a fan of games such as Clock Tower (both the Super Famicom original and its first sequel on the original PlayStation), this one’s well worth snapping up.

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VCI’s Fall 2017 Lineup: Eclectic, To Say The Least

VCI logoVCI Entertainment has been around for decades (I’ll let you read their “About Us” page at your leisure) and with a library of over 5000 titles from vintage to modern in nearly every genre available in physical, download, or digital rental format, you’ll very likely find something to watch.

The company’s fall 2017 lineup is a small but nice one with a bit of horror, history and a little rock ‘n roll to get the neighbors out of bed and pounding on your door late at night if your TV is up too loud. Hmmm… perhaps they’re all bringing over some popcorn and beverages so they can join in on the fun at that hour… as they’re not getting in otherwise. Anyway, let’s take a peek at what’s coming below the jump.

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Blu-Ray Review: Brain Damage

BD_AV090 (Custom)I somehow missed out on Frank Henenlotter’s Brain Damage when it was first released back in 1987, but it’s been on my very long list of films to see for quite some time.  Arrow Video’s recent restoration is pretty awesome and is filled to the brim with some great bonus features. Depending on your tastes this is one of those outrageously creative films that you’ll love or hate, but like Henenlotter’s other exploitation flicks (the three Basket Case movies, Frankenhooker, Bad Biology), your best bet is to jump in feet first and enjoy the wild ride.

When a somewhat phallic-shaped brain-eating parasite named Aylmer (or Elmer) escapes from the apartment of the elderly couple keeping it as a twisted addiction source and ends up a few doors away with a new host, Brian (Rick Herbst), things get gory quite quickly. The old couple had been feeding Aylmer fresh from the meat market calf brains thinking they could sate his hunger, but you know how these things go in movies like this, right? Yes, there’s an explanation for how the parasite ended up in the apartment of that couple, but that comes later on in the film and I’m not telling.

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Blu-Ray Review: Madhouse (1981)

Madhouse_AV094Ovidio G. Assonitis’ 1981 horror flick Madhouse (aka And When She Was Bad and There Was a Little Girl and not to be confused with 1974’s Madhouse) is a good-looking but ultimately disappointing genre flick that throws a few interesting ideas around but doesn’t quite know how to fit them all together. But man, does it make a killer opening impression as well as pack in a few unsettling kills. That said, it’s easy to see why the film has its following despite some oddball flaws that keep it from being truly great.

That haunting opening still packs a wallop, though. As a creepy lullaby plays, one young twin gently rocks another in a darkened room before suddenly stopping to smash her in the face with a rock or brick of some sort. It’s definitely jarring, but actually has nothing to do with the film unless it’s meant to set the overall mood.

Yes, we find out that one sister had indeed been incessantly mean to the other throughout their childhood. But it’s Julia (Trish Everly), now a teacher for deaf children who was the victim of her sister Mary’s (Allison Biggers) cruelty. Julia’s got flawless skin and not a scratch on her face or body, but she’s bearing plenty of fears thanks to her sister making her early years a living hell. Given that there’s no mention of her receiving any sort of plastic surgery (she also mentions Mary’s dog used to bite her frequently), that opening seems open to interpretation.

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Blu-Ray Review: Alien Covenant

“There’s so much here that doesn’t make sense…”
– Katherine Waterston as Janet “Danny” Daniels, Alien Covenant

AC_BR.PNGIs the Weyland-Yutani Corporation made up of really stupid, willfully ignorant, and incredibly single-minded people hell-bent on burning through piles of money and human bodies every chance they get… or am I missing something here? Every time they try to get an certain cranky, homicidal alien life form for their research or whatever other unsavory purposes, bad things happen and just get worse. I could just blame the robots, but it hasn’t *always* been their fault.

The humans on the other hand? Ay-yi-yi, we’re talking idiotic in increasing percentages in what, over a century of trying to bag that xenomorph and its assorted relatives? That’s a pretty lousy batting average, folks. That said, the original Alien gets a big fat weekend pass for its crew’s carelessness because you got your average space truckers griping about low wages and such who had no idea about what was coming thrown into a situation they had no control of .  Although, now that I think about it… what the hell was Ash’s plan had the Nostromo crew somehow killed off their unwanted passenger first?

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Granted, the current chronology of the Alien franchise means the events in Prometheus came first and brought us the unbalanced synthetic David (Michael Fassbender) who ends up even nuttier in Alien Covenant (more on that below). Then we get Ian Holm’s creepy, frustrated and malfunctioning Ash in 1979’s Alien followed by the Lance Henriksen’s helpful Bishop in Aliens and Alien 3, followed by Winona Ryder’s “Hey, huh? I’m an android?” part in Alien Resurrection. While Ridley Scott seems hell bent on making a few more Alien films that take place before the original, Alien Covenant manages to (wisely) swipe enough from the above films not shot by Scott to somewhat good effect.  Still, I’m somehow left with more bad questions than good answers about a ton of important stuff.

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Blu-Ray Review: Slugs

SlugsAV066Speaking of stuff that creeps around gardens you can accidentally squash, let’s talk about Slugs for a spell, shall we? The late Juan Piquer Simón’s hilariously awful, intensely gory horror flick is one you’ll love or hate intensely in part thanks to some pretty wretched acting that actually clashes with the rather awesome icky practical effects work by Carlo De Marchis.

Just like the director’s notoriously nasty Pieces, you’re getting a film that’s not going to let you out of its grip even though the absurdities pile up to the point where your brain starts spinning inside your skull. Then again, Pieces was (and is) totally nuts for a few more reasons I’ll leave the braver of you out there to discover at your leisure. But yes, let’s talk about Slugs for a spell, shall we?

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Blu-Ray Review: The Slayer

The Slayer_AV101Well, hell. The Slayer actually surprised me with how good it was and once again, Arrow Video drops the microphone with a stellar print of this eagerly awaited slasher with some nice bonus features. While the film has its share of flaws, it’s got a small and interesting cast that’s not made up of the usual sex-starved teens getting killed off by the slasher of the week. Okay, it’s more mature adults getting killed off, but hey, it’s a step up in any event.

The film also predates A Nightmare on Elm Street in having its fiend just so happen to do its dirty work as its wide-eyed female lead sleeps. While probably not at all an influence on Wes Craven’s masterpiece, it’s impossible to watch the film without making a connection somewhere along the line.

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Blu-Ray Review: Effects

Effects BRWhat you get out of AGFA’s great newly restored print of Effects very much depends on what you go in expecting. As a low budget 80’s horror flick “cobbled together with loose change” by a few friends of George A. Romero, the film does indeed retain a certain rawness throughout along with a tiny bit of graphic violence and a few shocking scenes here and there. The film also manages to be more than a bit prophetic about how today’s reality TV’s nonsense of cameras, cameras everywhere can actually be somewhat chilling and yep, desensitizing.

But let’s stick to what’s here first and foremost. There’s a horror flick being made in Pittsburgh and you’ve got a front row seat to the festivities. Again, don’t go into this one expecting bodies falling on cue and a predictable ending where you know what’s coming a mile and a few minutes away. SFX makeup whiz Tom Savini may be in this one, but he’s doing the acting and stunts thing this time out.

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AGFA Delivers A Case Of Double Vision

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Well, ooh. This pair of grindhouse-y beauties arrived today from AGFA as did the big, honkin’ six-pound box of unsalted Keystone Pretzels I ordered two days ago (those bakers ship fast!). Part of my weekend is set, that’s for sure. I’ll very likely triple up the movies with the gorgeous Arrow Video version of Re-Animator, as I went through the special features yesterday and they’re all great stuff.

Back in a bit – I guess I need to figure out what goes well with a small bowl of pretzels other than some freshly made Colman’s Mustard. Eh, I’ll figure something out.

-GW