So, yup. If that first trailer from last year didn’t get your eyeballs and ears all perked up, Warner says watch this and you’ll be feeling around on the floor for both eyeballs and ears after they’ve popped out of and off your head. Go get something clean like a big plate to put on the floor near your monitor (I’ll wait) and click below:
See what I mean? You have until August 5 to find your eyeballs and ears, by the way. Also, if you do find those eyeballs first, go check out the rest of the posters over at Imp Awards just because they’re an even dozen simple and pretty cool designs.
Ha and double ha. It seems producer/director J.J. Abrams is The Master of Surprise (not to be confused at all with The Master of Disguise). It also seems no one knew about this new film at all until the trailer dropped on the 15th followed by the sound of jaws dropping and keyboard tongues waggling for days since. Judging by the tagline on that poster, the very brief plot synopsis on IMDB and some bits gleaned from a few re-viewings, it’s clearly *not* a “sequel” to Cloverfield at all (despite all the “Cloverfield 2” posts online since this trailer dropped), but a film that seems to have a similar tone of stuff “out there” and how folks react to it.
As for that cast, John Goodman? Great in pretty much any role he’s taken and who doesn’t like Mary Elizabeth Winstead? Okay, you three in the back? Get lost. Never heard of the other guy, but I may have seen something he’s in and not recalled his generic mug at all. Hey, I’m getting old… but two out of three ain’t bad in terms of the actors here. Anyway, March 11 is coming up sooner than you think and this may be quite the ride through paranoia whether or not it’s got any monsters in it at all.
While it’s still an example of great American film-making and a must-see movie, I’ve been having a recurring dream of a Taxi Driver followup for quite some time. As in over 20 years of random story ideas hitting me in the dream-space or while strolling around NYC. The city has changed so much since the film’s 1976 release, but in a (not so) weird way certain elements have cycled back into that film’s bleak version of the city, citizens, and some of the politics around them.
Granted, it’s never (ever!) going to happen unless the stars are in order (on a few fronts, ha and ha-ha) and some other key people think it’s a good idea. It’s not (at all), but Hollywood has done far worse updates of other films (for better or worse… mostly worse in my opinion). Nevertheless, I’m getting this silliness off my chest and out of my head so I can clear up space in the grey matter filing cabinet. Continue reading →
Hoo boy. If you’re old enough to recall the 80’s revival of 3D movies, like me, you paid your five bucks to see this one. Finally after years of fans clamoring for the cheesy classic Comin’ At Ya!, it’s back and much better looking thanks to distributor MVD Entertainment Group, writer/actor Tony Anthony (or Roger Pettito) and Sternco 3D. The 1981 R-rated spaghetti western helped set off the short-lived but somewhat successful venture by major and minor film studios into making 3D movies using newer polarized lenses that were light years ahead of the old red/blue (or red/green) anaglyph 3D from the 1950’s.
Set for a January 26, 2016 release on separate 3D Blu-Ray ($24.95) and DVD ($19.95) discs, both will also contain a flat 2D version of the film. A digital donload of the film is also in the works with a price point to be announced.
The new home video version of Comin’ At Ya! was supervised and produced by Tony Anthony himself and Tom Stern (In God’s Hands), through his company Sternco 3D. Sourced from a new 4K master, Comin’ At Ya! boasts a frame by frame digital conversion of the polarized over-and-under format of the original print, sourced from a brand new internegative into the MVC 3D format and new 5.1 surround sound.
While it may not spike another 3D revival on home video, it would be awesome to see the spectacularly goofball Raiders of the Lost Ark pastiche, Treasure of the Four Crowns also get this treatment. As usual, we shall see. But for now, expect your TV to get an eye-popping slice of nostalgia next month.
Okay, I can get behind a few product tie-ins for Star Wars: The Force Awakens, but others are both annoying and baffling once you take off the fan blinders. The obvious ton-plus of licensed toys based directly on the film and that Sphero BB-8 app-enabled robot that have been flying off store shelves? Yeah, those are givens any fan should run someone over with a landspeeder to get. I’ll even give it up for the assorted Star Wars food products from cereal to fruit snacks and beverages to the somewhat expensive Ample Hills Ice Cream I’ve yet to try because I can’t justify paying $36 for four pints and waiting almost a month to pick up or have delivered due to high demand.
Yeah, yeah. I’m not some major news network or big site, so I know I won’t get a shipment of free ice cream to try out like a bunch of local outlets have, so I’ll have to use my imagination (and the Force!) to get an idea of how well all those ingredients come together. Wait, what was I talking about? Ice cream thoughts lead way down the rabbit hole of distraction… oh, right. Continue reading →
If you do (and even if your name isn’t Joey), Alternative Movie Posters II: More Film Art from the Underground ($34.99) is going to make you smile until our face cracks. Well, okay – there’s only one actual gladiator movie in the book (which just so happens to be a poster variant from Ridley Scott’s 2000 film), but that quote jumped out and bit me as soon as I saw the poster and I had to use it as an opener. Anyway, author Matthew Chojnacki has put together a fantastic collection of 200 more film poster variants done by a wide assortment of artists in many different styles that will make any film fan want this on their gift list. Continue reading →
While The Angry Birds Movie trailer met with the usual internet mix of smiles and grimaces (and the even more usual whines and moans from the haters), it really didn’t do much in the way of telling exactly what the film would be about. Cue Columbia Pictures and Sony sending out invites to assorted media folk to roll on by and see selected scenes from the still in production film presented by producer John Cohen in a fun behind the scenes “featurette” style like something you’d see on a Blu-Ray or DVD.
Invite in hand, this little piggy went for a stroll down to Sony’s midtown screening room for a spell and came up for air quite pleased and impressed by what was shown. I can’t reveal anything about the clips, but Cohen’s presentation was perfect and answered the big fat question many have had since the film was announced. That being how the heck a game with no story to speak of is getting a full on feature film. In short, a story was written specifically for the characters in the game and how they first meet. It’s the three-act structure in full effect and as Cohen showed off artwork, character models and completed to in progress clips from the film, any skepticism I may have felt about the project was a distant memory long before his presentation ended.
Okay, it was less than ten minutes in is when I felt the film would be a great way to get fans of the game as well as non-fans into theaters next May… Continue reading →
Every movie fan (this writer included) has a case of “Hollywood Blinders” they slap on for certain films they love because without them, thinking of anything abnormal taking place behind the scenes ruins much or all of a particular movie’s strengths. This little review just so happens to be about one of those films some outright adore while others don’t take to it all that well.
While its comic book colors and highly exuberant performances make Vincente Minnelli’s 1948 musical The Pirate a mostly to extremely fun to watch slice of Hollywood entertainment, it’s the behind the scenes stuff that makes the film somewhat problematic as a classic one can fully enjoy unless you ignore certain elements. For this particular film, those Hollywood Blinders take the form of an eye patch (or bandanna or even a big felt pirate hat if you like watching your colorful, imperfect musicals with two working eyeballs).
The pairing of Gene Kelly and Judy Garland should have been a wonderful one and in fact is when the film hits most of its high marks. But thanks to the studio system’s lousy treatment of her from the beginning of her career, Garland’s star was far from shining bright during the troubled production. The results are amusing and impressive at times, but it’s also a somewhat flawed film with a too quick finale that pops in as if the cameras were running out of film and something needed to get shot or someone had to walk the plank.
Garland’s assorted troubles (including a nervous breakdown that kept her off set for an extended period) thankfully don’t show up in the finished product. But it’s clear that the wide-eyed gal next door who played Dorothy in The Wizard of Oz less than ten years previously was a wider-eyed and far more troubled soul on a downward spiral to a much shorter life than she deserved. Toss in a fantastic Gene Kelly dance sequence with The Nicholas Brothers that seemingly got them pushed out of the movies (and Hollywood) for a few years too long and you end up with a film best seen with those Hollywood Blinders on. Nice and tight, now. So, buckle your swash and slap on that eye patch, folks. There’s a storm a-brewin’ on the shooting stage and you’re getting shanghaied and strapped into your seats for a wild ride… Continue reading →
Based on the 1959 crime novel King’s Ransom: An 87th Precinct Mystery by Ed McBain (Evan Hunter), Akira Kurosawa’s 1963 film Tengoku to jigoku (Heaven and Hell or High and Low to western audiences) is one of those great police procedural films that’s a must for crime drama fans. With perfect casting, a gripping story of a kidnapping gone wrong thanks to a case of mistaken identity and the rush to find the kidnapper before things go further south, Kurosawa’s film is a multi-layered masterpiece worth seeing multiple times.
When “wealthy” businessman Kingo Gondo (Toshiro Mifune) and the company he works for decide to snap up the National Shoe Company, there’s a divide between executives on how to close the deal. Gondo prefers the company stick to making well-made and reliable stompers for the masses but other big shots want shoes for all that are cheaply made and thus, more profitable because they’ll need to be replaced more often. With all the back and forth debating going on, Gondo has a master plan he’s hiding from his peers. He’s mortgaged everything he owns and plans to pull off a leverage buyout of National Shoes that would put him in charge for good and keep National doing what they do best.
Little does he know he’s being watched by a few pairs of far more evil eyes looking up at his “castle” from the lower depths… Continue reading →
Here are your heroes and villains on a crowded poster. Whee. I’m going to go see this, but more as a curious former super-fan who just wants to see how well director J.J. Abrams is going to try and nail the same feeling the first film had and to check out what the writing is like. The original Star Wars came at a crucial time where Hollywood movies were getting great, glum and gloomy (Taxi Driver, anyone?) to the point where something like George Lucas’ inspired sci-fantasy pastiche with its groundbreaking visual effects (for the time) made suddenly happier audiences rush back to theaters multiple times, buy up every bit of merchandise as it was announced and add more fuel to Hollywood’s now common sequel frenzy.
I’m not much of a big merch guy these days, but I do feel a tiny bit sorry for some Star Wars fans who want every freebie out there these theaters are going to hand out. Good Luck, pal. Seeing the list of different items on the official Star Wars site made me a bit annoyed because it’s going to be nearly physically impossible for ONE person to grab each of these items unless they’re willing to do a LOT of traveling, have family or friends in the movie theater business who don’t mind setting aside goodies, other friends and family who will be getting trampled by Grabby the Hutt during the handout phase or maybe they’ll just luck out on eBay after the fact. Of course, watch me proven VERY wrong by some fans who not only manage to get one or more of all those freebies legitimately, but post all about it for the world to see.
Eh, whatever happened to just enjoying a movie and maybe going to see it again with a friend. These days, it’s all a cash grab roundup that shuts less than enthused moviegoers out of the loop. Well,no complaints about the movie here – just a mild trip down the ventilation shaft with s side track into the compactor room. Heh, maybe I’ll just hold out for the inevitable Blu-Ray release in what… February or March? I don’t want to get Greedo-ed on the way to the theater because some irate SW fan-person in full regalia decides to bump me off because they didn’t like what I said.
"DESTROY ALL FANBOYS!" 