Blu-Ray Review: Brain Damage

Posted on August 30, 2017 by geelw

I somehow missed out on Frank Henenlotter’s Brain Damage when it was first released back in 1987, but it’s been on my very long list of films to see for quite some time. Arrow Video’s recent restoration is pretty awesome and is filled to the brim with some great bonus features. Depending on your tastes this is one of those outrageously creative films that you’ll love or hate, but like Henenlotter’s other exploitation flicks (the three Basket Case movies, Frankenhooker, Bad Biology), your best bet is to jump in feet first and enjoy the wild ride.

When a somewhat phallic-shaped brain-eating parasite named Aylmer (or Elmer) escapes from the apartment of the elderly couple keeping it as a twisted addiction source and ends up a few doors away with a new host, Brian (Rick Herbst), things get gory quite quickly. The old couple had been feeding Aylmer fresh from the meat market calf brains thinking they could sate his hunger, but you know how these things go in movies like this, right? Yes, there’s an explanation for how the parasite ended up in the apartment of that couple, but that comes later on in the film and I’m not telling.

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Blu-Ray Review: The Big Knife

Posted on August 29, 2017 by geelw

One of those interesting “message” pictures of the 50’s, Robert Aldrich’s 1955 filmed version of Clifford Odets’ 1949 play The Big Knife works pretty well as a sort of riff on Sunset Boulevard, packing in mostly solid performances from a fine cast. Yes, there’s a certain “stagey” feeling to the film as well as a few scenery-chomping bits colliding like lumbering wrestlers in a busted ring. But it works well enough to leave an impression with a few memorable “noirish” scenes that make for a powerful viewing experience.

Jack Palance (trust me, just roll with it and it works) is Charles Castle, hot Hollywood hunk with a particularly pernicious problem. He’s set to sign a seven-year contract extension with studio head Stanley Shriner Hoff (Rod Steiger in full tilt gloriously nasty mode), but his wife Marion (Ida Lupino) has had it with Charlie’s womanizing ways which obviously threaten their somewhat busted marriage and properly raising their young son. As the film begins, the harried couple is estranged and already living apart, but Charlie is constantly working “hard” on keeping the rubble of their happier days somewhat upright. Charlie also finds out Marion has an open marriage proposal from Horatio “Hank” Teagle (Wesley Addy), something that annoys him to no end because he’s something of a hypocrite.

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Review: Rock of Ages II: Bigger & Boulder (PS4)

Posted on August 28, 2017 by geelw

Warning: This review may be full of rock puns or something. Or not, as I’m writing this on the fly between campaign missions. Rock of Ages II: Bigger & Boulder is a must buy right out of the game if you love your games surreal, physics-based and packed with artistic genius that might roll over the heads of some gamers who won’t “get” the all-out insanity here at all. Granted, developer ACE Team has always gone out of its way to lace their games with stylistic influences that are far from the norm when it comes to pegging them with a particular style. But here, you get the kind of mind-bending overkill that’s constantly making you smile or burst out laughing because pulling off humor so well in a game like this makes it a total blast.

There’s a single player mode as well as co-op and online play for up to four. But at heart this is a spin on a few genres from racing to tower defense, to bowling with a dash of puzzle elements thrown in for good measure than can be fully enjoyed solo. Imagine if Rampart, Super Monkey Ball, and Marble Madness had a child raised on a steady diet of Monty Python animation while reading art history books for fun and you’re about a tenth of the way into what’s going on here. The game is also quite challenging and definitely not a cakewalk on the more difficult settings. That said, prepare to let the good times roll as you rock on with Atlas as he engages in rolling combat with assorted foes in not at all historically accurate settings.

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Blu-Ray Review: Madhouse (1981)

Posted on August 28, 2017 by geelw

Ovidio G. Assonitis’ 1981 horror flick Madhouse (aka And When She Was Bad and There Was a Little Girl and not to be confused with 1974’s Madhouse) is a good-looking but ultimately disappointing genre flick that throws a few interesting ideas around but doesn’t quite know how to fit them all together. But man, does it make a killer opening impression as well as pack in a few unsettling kills. That said, it’s easy to see why the film has its following despite some oddball flaws that keep it from being truly great.

That haunting opening still packs a wallop, though. As a creepy lullaby plays, one young twin gently rocks another in a darkened room before suddenly stopping to smash her in the face with a rock or brick of some sort. It’s definitely jarring, but actually has nothing to do with the film unless it’s meant to set the overall mood.

Yes, we find out that one sister had indeed been incessantly mean to the other throughout their childhood. But it’s Julia (Trish Everly), now a teacher for deaf children who was the victim of her sister Mary’s (Allison Biggers) cruelty. Julia’s got flawless skin and not a scratch on her face or body, but she’s bearing plenty of fears thanks to her sister making her early years a living hell. Given that there’s no mention of her receiving any sort of plastic surgery (she also mentions Mary’s dog used to bite her frequently), that opening seems open to interpretation.

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Blu-Ray Review: Alien Covenant

Posted on August 25, 2017 by geelw

“There’s so much here that doesn’t make sense…”
– Katherine Waterston as Janet “Danny” Daniels, Alien Covenant

Is the Weyland-Yutani Corporation made up of really stupid, willfully ignorant, and incredibly single-minded people hell-bent on burning through piles of money and human bodies every chance they get… or am I missing something here? Every time they try to get an certain cranky, homicidal alien life form for their research or whatever other unsavory purposes, bad things happen and just get worse. I could just blame the robots, but it hasn’t *always* been their fault.

The humans on the other hand? Ay-yi-yi, we’re talking idiotic in increasing percentages in what, over a century of trying to bag that xenomorph and its assorted relatives? That’s a pretty lousy batting average, folks. That said, the original Alien gets a big fat weekend pass for its crew’s carelessness because you got your average space truckers griping about low wages and such who had no idea about what was coming thrown into a situation they had no control of . Although, now that I think about it… what the hell was Ash’s plan had the Nostromo crew somehow killed off their unwanted passenger first?

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Granted, the current chronology of the Alien franchise means the events in Prometheus came first and brought us the unbalanced synthetic David (Michael Fassbender) who ends up even nuttier in Alien Covenant (more on that below). Then we get Ian Holm’s creepy, frustrated and malfunctioning Ash in 1979’s Alien followed by the Lance Henriksen’s helpful Bishop in Aliens and Alien 3, followed by Winona Ryder’s “Hey, huh? I’m an android?” part in Alien Resurrection. While Ridley Scott seems hell bent on making a few more Alien films that take place before the original, Alien Covenant manages to (wisely) swipe enough from the above films not shot by Scott to somewhat good effect. Still, I’m somehow left with more bad questions than good answers about a ton of important stuff.

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Review: Fallen Legion: Flames of Rebellion (PS Vita)

Posted on August 23, 2017 by geelw

Meanwhile, over at Legatus Laendur’s camp, the tactician supreme is fuming. The land of Fenumia has branded him a traitor to Princess Cecile, so he’s on the run with intent on crushing the empire and possibly taking over the kingdom. This begins Fallen Legion: Flames of Rebellion, a game that expands the story from Fallen Legion: Sins of an Empire on the PS4.

While the portable game has longer loading times and some slowdown to deal with, it controls and plays exactly the same. In other words, expect a challenging time indeed if you simply jam on the buttons thinking that’ll get the job done. Success here as in the other game demands precision and timing as well as learning who where and when to use your growing arsenal of moves on.

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Review: Fallen Legion: Sins of an Empire (PS4)

Posted on August 21, 2017 by geelw

It’s tough work running a fantasy kingdom. Political intrigue here, a smart-ass talking grimoire there, loads of life and death decisions to be made at the quick press of a button. Not an easy task for the daughter of a recently deceased king, but Princess Cecille in Fallen Legion: Sins of an Empire can do it with a little help from you, of course. Indie developers Yummy Yummy Tummy and Mintsphere have cooked up not one, but two challenging games (The other being Fallen Legion: Flames of Rebellion) that tell opposite sides of the overall story that should give PS4 and Vita fans a good reason to grab both.

Granted, there are a few flaws here and there, but if you liked the Valkyrie Profile series and VanillaWare’s more slickly polished titles, this one will be right up your alley. We’ll get to the Vita game and Legatus Leandur’s tale in a second review, but for now, let’s keep the Princess in our sights.

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Blu-Ray Review: Slugs

Posted on August 19, 2017 by geelw

Speaking of stuff that creeps around gardens you can accidentally squash, let’s talk about Slugs for a spell, shall we? The late Juan Piquer Simón’s hilariously awful, intensely gory horror flick is one you’ll love or hate intensely in part thanks to some pretty wretched acting that actually clashes with the rather awesome icky practical effects work by Carlo De Marchis.

Just like the director’s notoriously nasty Pieces, you’re getting a film that’s not going to let you out of its grip even though the absurdities pile up to the point where your brain starts spinning inside your skull. Then again, Pieces was (and is) totally nuts for a few more reasons I’ll leave the braver of you out there to discover at your leisure. But yes, let’s talk about Slugs for a spell, shall we?

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Blu-Ray Review: The Creeping Garden

Posted on August 19, 2017 by geelw

An absolutely fascinating look at plasmodial slime mold and a few of the people who love it, The Creeping Garden just might be my favorite documentary of 2017. Granted, it’s probably only the third of fourth one I’ve seen this year thanks to too much going medical drama going on and less time to watch stuff. But every second of this film is fascinating and well worth a watch.

Of course, if you hate stuff like strange plant life that can move around (slowly), nature flicks, amateur mycologists poking around dead trees (ewwww, bugs!) and artists making projects based on the care and feeding of slime mold, you might find the film a bit on the weird side. But it’s a compelling sort of weirdness when you discover a world you know nothing about and see through the eyes of others how this particular slice of life affects them. This is one of those Blu-Ray/DVD sets where you might find yourself passing off the DVD version to a friend just to share what’s here. Great films have a tendency to spread (kind of like slime mold, I guess?).

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Blu-Ray Review: Werewolf Woman

Posted on July 10, 2017 by geelw

WerewolfWoman_BR With most exploitation films, it’s best to jump in cold and hang on for dear life because over-scrutinizing every frame can mean missing out on what a film really has to offer. Flaws and logic gaps are commonplace as many genre films tend to be rushed (or pay homage to earlier rushed flicks) and rely on copious nudity, sexual content, and/or graphic violence to make their points. Of course, that’s probably one reason why they’re so appreciated by those of us with time to spend watching as many as we can fit into out libraries. You know who you are, so wave that flag proudly, pal.

On the other hand, a film like Rino Di Silvestro’s 1976 Werewolf Woman (aka The Legend of the Wolf Woman, among other titles) demands to be scrutinized (warts and all) because under that copious nudity, et cetera is a film whose director fully believed in the subject matter (Clinical Lycanthropy) and yep, decided to tackle it head on as a full on exploitation flick. While it’s a film that’s got quite a nasty, depressing bite to it when all it said and done, you can kind of see through all the sleaze that the director was trying to slap some sort of psychological depth into the proceedings.

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