Random Film of the Week: A Mighty Wind

Posted on January 30, 2014 by geelw

As a comedic take on the folk music scene, reunion concerts, one-hit wonder “where are they now” musicians and a few other choice targets, A Mighty Wind works on every level provided you have at least some small interest in the subject matter. Granted, most of the jokes and songs score because they’re so darn well written and delivered by a great cast, but I’ve seen this film with some people who don’t quite get or appreciate all the subtleties of some of the films funnier moments.

Christopher Guest’s great under-appreciated 2003 “mockumentary” features plenty of comic talent on display showing off their singing skills as well as pulling off some great bits that make this one constantly amusing and even laugh out loud hilarious at times… Continue reading →

BAD WORDS: Bateman’s “Bee” Movie Will Make Your Ears B-U-R-N

Posted on January 29, 2014 by geelw

It’s great to see Justin Bateman branch out and direct his first film and his upcoming comedy BAD WORDS looks like one of those “so wrong it’s hilarious” non-PC films that might make for a fun watch. Granted, him playing against the sort of clueless and too nice guy stereotype he’s been known for since the Arrested Development days might not convince a handful of fans this is some sort of breakout role, but I’ll give him the benefit of your doubt.

Hey, my doubts are non-existent. I don’t doubt the man’s talent at all and he’s certainly not looking so clueless here. And yeah, kudos to that kid (Rohan Chand of Homeland) and some deft editing that make this look a lot more shocking than it probably was to film. Will I see this? At a screening if one comes to NYC, sure (and definitely when it pops up on cable whenever that happens).

The Zero Theorem Trailer: Gilliam’s Back Soon, Get Your Money Ready…

Posted on January 27, 2014 by geelw

For me, a Terry Gilliam film is a must-see experience no matter how you feel about it after all is said and done (which usually means you need to see it a few more times). The inventive director’s latest is the soon to be released The Zero Theorem, a science fiction film that features the great Christoph Waltz as a computer whiz called “We” (I think it was something like Quohen Leth before this trailer, but I guess I’ll find out when I see it) who’s trying to discover the meaning of life, but gets a bit distracted by a handful of visitors and situations on a few occasions. I actually dislike finding out TOO much about a Gilliam film before I see it as there’s always the chance that it might (and will) go in a different direction than the trailer shows. That and Gilliam’s films need to be seen from beginning to end and absorbed as whole experiences, not just well-trimmed cuts with a flourish or three.

Anyway, September isn’t THAT long away, people. Some of you can nap until then or take a long stroll for a few weeks poking around for memories or fossils or both while you’re waiting for this one to finally come out of the oven. I’d join you on that nap and/or walking tour but I’ve got stuff to do here and my backlog is actually growing, not shrinking. Boo, but it keeps me busy and out of trouble.

Random Film of the Week(end): Repo Man

Posted on January 26, 2014 by geelw

(Thanks, spamanator666!)

“Never broke into a car, never hot-wired a car. Never broke into a truck. ‘I shall not cause harm to any vehicle nor the personal contents thereof, nor through inaction let the personal contents thereof come to harm’ It’s what I call the Repo Code, kid!”

Even when I saw it back in 1984, I never considered Alex Cox’ outstanding first film Repo Man a purely “punk” movie. Sure, it’s got one of the best (if not the best) soundtracks of any film of that year (some say “ever”, but they’d be dead wrong) and yes, it’s got characters who play “punks” as well as enough of a vibe that makes you think it’s a dopier film than it actually is.

Then, as you’re being entertained by what’s onscreen, one of a few unexpected things happen as the film pops into different genres. As Emilio Estevez’ bored punk Otto Maddox goes from getting fired from his crappy minimum wage job stocking supermarket shelves with generic food to making bigger bucks as a repo man and characters toss out priceless lines like “The more you drive, the less intelligent you are…” or “I don’t want no commies in my car. No Christians either.”, the next thing you know you’re hooked in for the duration… Continue reading →

Random Film of the Week(end): Rollercoaster

Posted on January 26, 2014 by geelw

(Thanks, sideshowcarny!)

In some parts of America during the summer of 1977, you either got very lucky and saw Star Wars, or you got very unlucky because that flick was sold out when you wanted to go and had to settle for something like Rollercoaster. Now, on it’s own merits it’s a passable “disaster” flick that’s a wee bit too long and wastes the talents of a few major stars at the tail ends of their careers. On the other hand, it’s about a unnamed home-grown terrorist who decides to seriously vandalize amusement parks and kill people (at least in the first big accident in the film) in order to extort money from a mega corporation just because he can.

There’s no motive other than profit, he’s not some crazed maniac out for revenge whose daddy and mommy were killed in a freak amusement park accident, and the film relies on some dopey luck and dumber plot holes to speed things along as it hopes you won’t notice under all that Sensurround booming your eardrums into submission. But none of this will matter to some people who see this flick today and think it works on the level of a decent thriller. It sort of doesn’t in my old eyes because the film not only shows you the culprit right at the beginning, it tends to drag out scenes just to show off some fancy camerawork and some nice amusement park real estate instead of add depth to the characters it needs to… Continue reading →

Random Film of the Week(end): Planet of the Apes (2001)

Posted on January 25, 2014 by geelw

Thanks to reports from around the internet and a few periodicals about all sorts of problems during the pre-production phase and more issues during the rather speedy shooting schedule to meet a July release imposed by 20th Century Fox, I certainly didn’t want to see the otherwise reliable Tim Burton’s Planet of the Apes remake, but my mother sure did.

I was camping out at her place during that summer after a breakup and on the day the film opened, she pretty much rolled up on me and said we were going to the movies, so off we went. The funny thing was 33 years earlier, she took me, my older brother and sister to see the original film (my first movie experience), so I guess she was trying to jog my memory a bit out of the funk mode it was in. Well, that worked to a point as we both ended up not liking this remake much at all.

Of course, I ended up heading back to that theater a few days later to make sure I was sure I didn’t like the film… Continue reading →

Random Film of the Week: PRISON

Posted on January 24, 2014 by geelw

Let me tell you, kids… Scared Straight has NOTHING on Renny Harlin’s PRISON. Hell, If they showed this released in 1988 flick on TV and in schools, instead of some hard-timing losers screaming at kids about staying out of trouble, I’d bet you a hot nickel that the rate of incarceration in America would be at an all-time low. Seriously, this film is SO messed up and mean and shot in an actual closed prison with actual inmates from another joint so there’s a solid sense of verisimilitude here that’s amplified into the haunted realm by the ghost of an executed killer out for some bloody reeeee-venge.

This film is also important for a few reasons horror and fantasy fans should appreciate. For one, it got Harlin the job directing Nightmare on Elm Street 4 which was his “big” American genre film break and led to others over the years both good and bad. It’s also Viggo Mortensen’s first movie appearance in a leading role and we all know where his career went as the years went by. As for this nugget of methodical madness, it’s a pretty effective blend of genre jail flick and atmospheric horror featuring some nicely gory moments plus one of the funniest random deaths I’ve ever seen in any film… Continue reading →

Random Film of the Week: Iceman

Posted on January 24, 2014 by geelw

EDIT! It was THAT cold in the library that I got Tim Robbins and Timothy Hutton confused. Heh. Corrected! The funny thing is that mistake most likely came out of a conversation last night with a friend who started that confusion as we were discussing movies both actors were in and I must have retained that up in the vaults as a frozen memory. OOPS. Ah well…

Yes, it’s still winter outside, so I’m tossing this forgotten flick up with the hope you check it out because it’s actually a great and thought provoking sci-fi drama. This may or may not be a short post because it’s FREEZING in the library (seriously, NYPL? What’s up with this indoor cold?) and my brain is flipping on and off in deciding my word count. Anyway, excellent performances from Timothy Hutton as Stanley Shephard, an anthropologist who helps a defrosted prehistoric man (John Lone) as he struggles with the new world he’s been awakened into.

Sure, the “science” here is immediately questionable as to how that caveman survived 40,000 years in that block of ice, but the film works because of the performances that have you believing everything it throws at you. Besides, as I’ve said before, if you’re going to see a sci-fi flick for the “science”, you’re not going to be enjoying much with a too-critical set of eyes… Continue reading →

The Raid 2 Trailer: Well, Ain’t That A Kick In The Head (And A Few Other Places)?

Posted on January 21, 2014 by geelw

Oh, the pain, the paaaain. The Raid: Redemption was one of the wilder action movies of the past decade thanks to some well shot brutal, lightning paced edge of the seat action and a twisty plot that kept audiences guessing. I won’t go over the story here at all as this is one of those movies that needs to be seen with a few friends just so you can all pick up each others’ jaws when they keep popping off and falling on the floor. The upcoming sequel (written and directed by Gareth Evans) looks to up the ante with even more creative uses of violence and wait, is that the crazy fighter MAD DOG making a return? WHAAAAAT? Hey, he was dead in the first film! Hmmmm. Unless it’s his twin ass-kicking brother or he somehow survived that fluorescent tube to the neck (OUCH!) and some other grievous injuries, there’s gonna be some ‘splanin’ to do. Oh, I think it won’t make mucg sense in the grand scheme of things, but now I have to find out what the heck he’s doing here other than making people flip out because he’s still alive…

This should be innnnnnnteresting, people, stay tuned.

EDIT: a bunch of you kind folks have chimed in to let me know that that guy who LOOKS just like Mad Dog is not Mad Dog at all, but an entirely different character named Prakoso… who just so happens to be played by the same actor. Well, that changes things up quite a lot. Let’s hope it’s not revealed that it’s really Mad Dog’s evil clone, second of a set of sextuplets or anything else too goofy that sucks the fun out of all that carnage.

Random Film of the Week: The Straight Story

Posted on January 21, 2014 by geelw

For me, The Straight Story is David Lynch’s best film because it succeeds wholly as the director’s “most experimental” work and manages to be one of those movies that WILL touch you no matter how you feel about his other work. The true story of Alvin Straight’s 200+ mile journey to visit his ailing brother on a riding lawn mower may seem well out of Lynch’s weird wheelhouse, but those of his fans and anyone with a good eye will see plenty of strangeness in the normal here that shows even the simplest of stories can be remarkable when told as well as done here.

Perhaps the most amusing and interesting thing about the movie to some will be it carries the Disney name on it (it was released under the company’s Buena Vista Pictures label back in 1999) and is rated G, usually two death knells for a director know for startling his audiences with bizarre imagery. Lynch keeps things more mundane here, but there are moments in performance and presentation where you can see bits of his trademark style on display and it doesn’t detract from the story at all… Continue reading →