Ha! Someone at Turner Classic Movies has a wicked sense of humor, that’s for sure. Granted, I’d still LOVE the job of hosting that Underground feature one of these days (I have a ton of ideas on how to make it sing and soar), but unil then, I’ll deal with the channel doling out its library in its current form. Anyway, FRIDAY night and into early Saturday morning (East Coast time), it’s Soylent Green followed by Night of the Living Dead (a film I really, REALLY need to do a RFotW on, even though it’s been reviewed about a million times or more already). Yeah, I’ve seen both of these many times already, but both are movies that have a way of luring me back in for just one more peek almost any time I find them playing. I bet you’re the same way too, right?
So, today I was bad, bad, bad. Well, just bad, but I think I tend to over-magnify stuff for excess emphasis. Anyway, I needed to go over some older posts and start the process of re-writing or re-rewriting them so some can be used as parts of a few upcoming blogathons I’m participating in. Some of the older posts are a wee bit on the short side and need a bit of expanding, so that’s what’s going on. Or WAS supposed to be going on.
Anyway, I was going over a few posts and then got distracted with a movie I’d wanted to see, so that was that for productivity for most of the afternoon. Yeah, it happens. NO, it wasn’t Star Crash, I was sidetracked by (Oh, hell nope!). That’s just to show my desire to stop time for long enough to do all the crap I need to do and feel HAPPY at the end of each day. Eh, I’ll figure this all out eventually. I still want a damn time machine, though.
As I update the older posts, I guess I’ll tweet them out (which means they’ll pop up on facebook as well). Keep an eye peeled…
How amusing that I had a dream about Zardoz and TCM (Turner Classic Movies) just so happens to be showing it this evening (EDIT: Okay, at 2am Sunday). John Boorman’s wonderfully gorgeous and somewhat, okay, EXTREMELY bizarre follow up to the 1972 smash Deliverance was and is a weird mix of science fiction, black comedy and violence that baffled many critics and moviegoers of the time and while it’s a more popular cult film today with a loyal following, still has a polarizing effect on a few fronts. If anything, the film’s oddball mix of impressive and cheap visual effects and some stunning cinematography go a long way in holding one’s interest as the plot zooms all over the landscape.
From the killer opening sequence with a floating stone head issuing marching orders (“The GUN is GOOD! The PENIS is EVIL!”) to some well-armed men (well, the stone head is the one arming them with PILES of firearms), to one of those well-armed men (Sean Connery!) sneaking aboard that head to do a bit of surprising disposal work (how do you kill a “god”? Here’s one way if you need a hint!), Zardoz continually surprises, even when it’s getting too meta for its own good. Then again, that seems to be what Boorman wanted to do with this film. This is one of those experimental flicks that does an excellent job of making you pay attention right from the start and slowly draws you deeper into its odd characters and world. Granted, your suspension of disbelief is being kidney punched the entire way through, but such is art and films such as this one… Continue reading →
Henry Hathaway’s 1955 potboiler The Racers isn’t exactly the best Kirk Douglas vehicle out there, but the actor gives it his usual all in this zippy yet easily forgotten melodrama that features some excellent real life races in gorgeous European locations race fans will approve of highly. Unfortunately, mixed in with these lovely tracks are some of the worst laughably out of place front, rear, and side screen projected driving scenes outside of a slapstick comedy. In fact, these projection sequences are so obvious that they give the otherwise slickly made movie more of an odd comic tone today than they probably did back in theaters in 1955. Then again, I can’t imagine anyone being fooled back then either.
Granted, it’s more than obvious that the otherwise wise filmmakers didn’t want Douglas whipping around in uncontrollable circles in an open cockpit roadster or flying off a track because of a stray poodle to crash through some hay bales and a stone fence (the first hilarious wreck in the film). On the other hand, given the character he plays is a bit of a jerk as he steps on a few toes on his way to the top of the auto racing heap, I guess a little less fake looking fakery may have made this more memorable a time killer… Continue reading →
While I’m a huge fan of the classics, I don’t like most modern Hollywood musicals or biopics because they try to hard to be entertaining and just feel as if they’re baked from the same stale mold. I can’t put my finger on anything other than a certain soullessness thanks to a few factors seen as “necessary” to whatever formula makes a “hit” these days.
Anyway, moving on. Despite some fine acting and singing, primo Oscar bait like Dreamworks’ big 9and massively hyped) 2006 film Dreamgirls didn’t do a thing for me either. Still, I’ve watched it in its entirety twice and one part at least two dozen or so times because it made me fall off the couch laughing the first time and stuck with me to the point that whenever the film pops up on cable, I will turn to it just for that single scene.
If you know what I’m talking about, then good for you and you’re chuckling already. If you don’t, well here you go. Mister Jimmy Early… do your stuff! Um… you may want to have a seat there, kiddo. Oh, and don’t drink anything while watching this clip if you’ve yet to see the movie (spoiler alert? I guess so):
I had to leave the room for a few minutes, as if I have to see this clip again, I might pop something inside. Heh. Gets me every time. As for the rest of the film? Meh. I have my Motown and Stax memories and the actual music from that era to keep my ears, brain and (if I feel like shaking a tail feather) hips occupied. So I don’t need any expensive (but nice looking and well intentioned) films that want me to “feel” something for the people in it when all I care about are the old tunes and memories those classic songs bring forth. That said, Eddie Murphy kills it dead here. “Jimmy got soul” indeed. Heee.
I can only imagine what would have happened had Alejandro Jodorowsky actually gotten his wild version of DUNE made way back in 1975 or however long it would have taken to film properly. Well, this must-see documentary may answer that for me to some extent, but I still won’t be satisfied because I still want to see it made at some point. Even as an animated film (traditional with a dash of CG enhancement in backgrounds, please!), I think it would blow the minds of anyone who sees it, especially with all those amazing artists like Moebius, Giger, Foss and others who contributed to this failed project before moving on to bigger and better things. Anyway, this one’s a must-see documentary for a few reasons and I’ll most likely shell out for the Blu-Ray/DVD when it gets a release just because this chronicle of a never made adaptation is something that deserves a few looks outside of a theater setting.
Nope, if you DON’T go to the movies, RoboCop won’t roll up and drag you by the collar to the nearest theater and plant you in a seat with no popcorn. Nope, you’ll just have to live without that embarrassment, people. However, if the film is worth seeing and you miss it, you’ll have to deal with those pals of yours yakking on and on about it until you crack an break out that wallet for your own ticket. Of course, those noise-canceling headphones people seem crazy about just may be your new best friends for a few weeks if you’re holding out for that home video release. Just nod and smile when people talk to you and it’s going to be alright.
Of course, you may end up joining the army, a cult, suddenly getting married or even become part of a robbery team RoboCop has to break up if you go about your days nodding and smiling at everything, so don’t rely TOO much on those headphones…
Aha. I see what happened! I accidentally overwrote this post somehow thanks to having TWO “Add New Post” tabs open, using one to post these trailers, closing up shop for the night and restating today to use that second window. WordPress recognizes multiple windows open as the SAME post, so if you try to be slick and do multiple posts in different tabs, you’re going to simply overwrite the first post as you think you’re publishing NEW ones. Blargh. I haven’t done that in a while, so I’ll need to NOT do that again. (gives self Vulcan memory pinch): “REMEMBER.” Any-way, here we go again (and I HATE rewriting stuff, so it’s a bit different this time:
As you can see, there’s a new shiny metal sheriff coming to town, so you’ll want to be extra good while hoping this film is as well. I think it’ll do well on its own merits, but you know some of the die-hard who want that R-rating will be going after this one for anything they see as not as good as the original. On that note, I say as long as you guys cling to that classic, it’ll live on forever. But don’t poop on this reboots’ parade if it manages to get stuff right and isn’t a bad film at the end of the day. Granted, it’s going to be headed to home video in what, four to six months from now and possibly hit cable before the end of the year, right? So you can see this without paying that ticket price. I guess if you average in whatever you pay for cable or whatever streaming service you use, you’ll be buying this for LESS than a dollar soon enough. Ha and ha ha.
Meh – I like the old post better, but this will have to do. At least I dug up a third clip I just noticed while recovering the other two. The FUNNY thing is I had a tab with the old post in it open, but closed it, so I could have copied and pasted the darn thing if I’d caught the error! Ah well… Love me, love my dumb mistakes!
Thanks to the one two punch of The League of Dead Films‘ Professor Mortis (or maestro of daily ceremonies T.A. Gerolami) and a hilarious review over at Good Efficient Butchery, I now have a new “must-have” crap movie to track down. Hey, Martin Balsam and Ernest Borgnine are in it so how bad could it be, right? Those clips from The Last Match made my eyes check with my brain to be sure I wasn’t hallucinating and nope, I wasn’t). Granted, this won’t replace an ACTUAL good football movie, but I know what I’d be watching instead of the Super Bowl next year, that’s for sure…
I’ll admit now that it’s a sad passion of mine, these junky, badly made Grade-Z action flicks. But hell – they’re only a tiny part of what I watch, they keep me off the streets and they’re perfectly legal to own (well, provided they’re not bootlegged), so leave me alone or else I’ll bite ya. Besides, overdosing every so often on really bad films isn’t a harmful thing at all… unless you decide to use them as templates for a career (which would NOT be a very good thing). Anyway, the chances of this klunker getting a Criterion release are ZERO, but I bet the fine folks Shout! Factory just might be able to negotiate something and get this on a disc at some point. I’m not into online petitions, but I’ll sign one if someone goes to the trouble of whipping it up to get interest in this stinker.
Under two weeks to go before the RoboCop reboot rolls into theaters and I think it’ll hold its own against the original at least as far as the story goes. Granted, I don’t think that the film is even trying to copy anything directly from the original, so some die-hards will slam it for that. I’ll take it in as a new start and see what happens, as I usually do with these remakes/reboots. Of course, if the film falls into the “too much CG, pointless plot” trap other franchise friendly films frequently fall into, then I break out the knives (which I bought for a dollar, by the way. Seriously, the dollar store nearby sells kitchen knives starting at a dollar) and start chopping away.
"DESTROY ALL FANBOYS!" 