Review: Hammerwatch (PS4)

Posted on December 31, 2017 by geelw

For the record, Hammerwatch isn’t a RPG at all. If anything, calling it one is akin to calling Gauntlet (the arcade classic it pays homage to) a sports game. Granted, you do indeed get the fantasy trappings of classic RPGs in the form of assorted deadly dungeons to navigate, ticked off hordes of enemies trying to do your character in and other familiar touches. But there’s not a shred of story here, no gear to buy, your little character is mute, and the only expository dialog you’ll read comes from a few NPCs in set locations who offer very brief tips or warnings that you’ll want to pay attention to. Oh, and your party kind of kicks you to the curb at the beginning after a bridge breaks and you’re stuck having to go the long way around to catch up to them. What, someone forgot to bring a good length of rope?

This is a actually a good, no, a great thing, as the game excels at letting you have at what it tosses your way you want as you try to survive. Enemy generators, traps galore, invisible walls, area warps and many hidden secrets await the brave ones with ten bucks to spare. Trust me, folks – this is probably going to be the best ten bucks you’ll spend on any game this (or next, if you’re reading this in 2018) year. The main campaign is lengthy, there’s an extra chapter expansion and while online play is coming in a patch (hopefully along with mods that the PC version has had for a while), you can still grab up to three friends and play a good old-fashioned couch co-op session for the time being.

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Review: .hack//G.U. Last Recode (PS4)

Posted on December 30, 2017 by geelw

You’ve two choices to deal with as soon as you fire up .hack//G.U. Last Recode on your PS4 or PC. Do you play it as intended and enjoy the story as it spools out across the three remastered games (Rebirth, Reminisce, and Redemption) along with one new shorter chapter (Reconnection)? Or do you activate the Cheat Mode that maxes your party out from the get-go and makes zipping though most of the game a total cakewalk?

I ended up choosing the first option and while the game took a lot longer to play through, I didn’t feel as if I was taking advantage of Bandai Namco or developer CyberConnect 2‘s overly gracious hospitality. As a huge fan of the original four chapters games and later, the G.U. series’ three entries, I wanted to play these as originally presented, carrying my save data over into each game and getting the same thrills I’d gotten way back when the PS2 was going strong with quality JRPGs dropping on a semi-regular basis.

This remastered trilogy benefits from a higher resolution, better frame rate, somewhat simpler combat and much better looking cut scenes. That said, it also doesn’t go overboard in trying to be a purely visual showpiece far beyond the original games. Lead character Haseo is still very much an angry jerky guy for a good chunk of the experience, but you’ll get used to him as the game progresses. The end result is a reliable buy that will please fans of the old games while maybe making some fans that expected too much or come into this wanting to see every trick in the PS4 book exploited a tad disappointed. Then again, you’re going to be playing this game more for the story and somewhat deep world building that extends into how you interact in the “real” world presented outside the faux MMO game.

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Review: de Blob (PS4)

Posted on December 14, 2017 by geelw

Talk about oddball (and pain-free) coincidences. I was doing a bit of rearranging of the game library and a my copy of de Blob for the Nintendo Wii fell on my head thanks to me moving one too many games at once. No, I wasn’t injured at all, thanks. However, I did think out loud something along the lines of “Now, this was a really fun game!” and maybe an hour after talking to myself, I get an email from one of THQ/Nordic’s psychic PR team that there’s an HD version of the game with a few enhancements headed to PS4. As the kids say “Who’da thunk it?” or something like that. Hey, I’m out of touch with the modern slang these days, so just keep quiet in the back there (hey, I heard you smirking!) and read the rest of this review.

Anyway, the game is a pretty cool 3D plarformer/puzzle/action game set in Chroma City, sapped of every color but a few shades of grey (less than 50, though) by the evil INKT Corporation. As de Blob, you’re part of a small resistance out to return things to glorious brilliance by laying paint on almost anything and everything you can. It’s a mash-up influences from Jet Set Radio and a few mascot platformers that works well despite some tricky jumping and camera issues. It’s also packing a pretty infectious dynamic score that cues you in to how well or poorly you’re doing, something more games could use (well, in my opinion, at least).

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EDF 5 Truly Bugs Me (But That’s A Good Thing)

Posted on December 4, 2017 by geelw

EDF_5 Okay, at this point I’m hoping the planet doesn’t blow up just so I can get my grubby little paws on the three upcoming Earth Defense Force games coming from Japan where the earth is in danger of getting blown up after yet another massive alien invasion by what looks like everything great from a wide range of Japanese sci-fi flicks.

In addition to the absolutely insane-looking Earth Defense Force 5, Original developer Sandlot is teaming up with developers Clouds Inc. and Giga-Rensya for Earth Defense Force 4.1: Wing Diver The Shooter (set for a digital release on PSN) and veteran developer Yuke’s is handling the work on Earth Defense Force: Iron Rain, which is coming sometime in 2018.

Oh, here’s the same trailer but with English subtitles just because you might get why I’m so cuckoo about this long-running series:

For the record, the series has NOTHING to do with the old Super Nintendo shooter Super E.D.F., so that non-fact needs to disappear off the internet, stat. Anyway, EDF 5 is in Japan on 12/7 and I’m kind of in a mental bind trying to decide on whether or not to take the plunge and buy it soon or wait for the localized North American version. My Japanese is pretty terrible and even though I’ve played through previous games in the series and completed them, I kind of want to experience this entirely in English just so I don’t need to stop playing and look up a weapons guide or other gameplay tips.

earth-defense-forces-5-WD (Custom)

And nope, my decision isn’t at all bound by this gal and her seductive stretching (oh, Japan – you’re too much, but it’s all good):

Anyway, I’m leaning towards waiting it out, but man, is it going to be rough. I know of a few folks who will get the import, but I’ll avoid discussing anything with the because I want to go in totally cold and get my 100+ hours in and learn what’s what. Actually, I haven’t a clue as to who will be publishing this in North America, but a heads-up from a kindly PR person who wants to keep me calm might help out a ~~little~~ lot.

*Sigh* And so, the wait begins anew…

-GW

Review: L.A. Noire (PS4)

Posted on December 3, 2017 by geelw

Well, wow. Rockstar’s remastered crime noir drama/action game L.A. Noire comes to consoles in pretty fine form and yes, it’s worth a buy. Granted, if you’re a more jaded “gamer” who thinks even looking at an HD version of an older game will somehow make you lose your street cred (*snicker!*), you kind of need a new hobby and should skip the rest of this review. The game has not only gotten more polished looks, its gameplay has been tweaked to use the PS4’s touch pad as an option for object manipulation when poking around crime scenes. There are still a few pesky quirks left over from the PS3 version, but despite those, this is one of those games that’s great to have back and it’ll be a new experience for those who missed out on it the first time.

As Cole Phelps, you’ll rise through the ranks of the LAPD in the post-WWII era from beat cop to nattily-dressed detective using wits and fists with the occasional firearm in your case solving. For the Grand Theft Auto fans out there who are new to this one, although some gameplay elements are very similar, this isn’t a re-skin at all. You get real cars from the period, approximately 90% of the city’s streets mapped out from that era and plenty of references you may need to look up or hey, go ask an older person about. It’s certainly a great way to introduce a grandparent to gaming. And yes, you can indeed play the game in glorious black and white if you like.

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Review: Symphony of Eternity (3DS)

Posted on November 20, 2017 by geelw

SOEtitle For the record, I was so tempted to write this review in 6-point type just to vent a little at Kemco and World Wide Software for this port of their otherwise decent mobile game, Symphony of Eternity. But I kind of like having regular readers so that plan died a merciful death and you get something a lot more readable. Anyway, the game, taken on its merits is a fine and dandy revisit to the nostalgic days of 8-bit console RPGs and there’s a decent amount of content for that low price point of $7.99 (yes, it’s worth a buy).

The big caveat is the playing the game on either the standard 3DS or worse, a 2DS will subject your eyeballs to some pretty darn tiny visuals on the main screen and a tinier map on the second screen. Worse, the game uses a few different camera positions and only one allows you to see what you’ve paid for with a full screen. Amusingly enough, that viewpoint is a standard overworld view… but you actually only use that map for getting from one point to another as the game has no overworld combat. Every fight takes place in dungeons of assorted size where that larger screen would have been very welcome, thank you much.

SOE2

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Review: Far From Noise (PS4)

Posted on November 16, 2017 by geelw

Short yet very replayble and guaranteed to make you think a bit about life on a few levels, George Batchelor’s brilliant Far From Noise is a compact indie game well worth a buy. If you love your games way on the weird side, this meaningful meditation will capture your attention and keep you on the edge of your seat. Given that in the game you’re trapped in a car perched precariously on the edge of a cliff and have nothing to do but wait as a bit of nature pops in for a visit, it’s one of those experiences where revealing too much spoils the fun.

Let’s just say this visually simple and mostly text-driven affair makes for a great bedtime tale where you encounter a talking deer that more or less helps you see things from a few perspectives. A bit of philosophy, some star gazing, a few guests and even the weather are your main companions as your character addresses his or her fears during a long night where it seems anything can happen. While seemingly simplistic, the visual style hides some nice effects and excellent use of controller vibration and the PS4’s color bar (which emulates the game’s day to night to day cycle as time passes).

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Mail Call 1: Hello, Homicide Division

Posted on November 14, 2017 by geelw

L.A. Noire PS4

Yep. Looks as if I’ll be busy for a bit being a dick. That’s DETECTIVE, to you, pal. Watch that mouth or it’ll be missing a few teeth. Oh, wait. I’m talking to myself here. Aheh, sorry! Anyway, thanks much Carey at Rockstar Games for this treat. I’d been re-watching a ton of film noir over the last month in preparation for this updated version, so my mood is set for a grand time in this sprawling version of 1940’s Los Angeles.

L.A. Noire is out today for PS4, Xbox One and Nintendo Switch. Go get it. Edit: Yeah, the game was running in the background as I was typing, so I zipped back to it after posting this without completing it, heh. Oops. Well, I stand corrected and now I’ll go sit back down and complete another case. Back in a bit.

-GW

Review: Slayaway Camp: Butcher’s Cut (PS4)

Posted on November 13, 2017 by geelw

When Slayaway Camp popped up on PC last year, it caught a lot of people by surprise (just like any decent masked serial killer would, mind you). The winning combination of intentionally blocky visuals, Sokaban-style sliding puzzles and optional (but necessary) comic use of gore made the game as fun to play as it was to show off to skeptical friends who initially didn’t see the appeal in such a simple looking game as a horror experience. Well, guess what? It’s baaaaaack and ready for its console close-up, (stab, stab, stab).

Even if you hate horror-themed games, Slayaway Camp: Butcher’s Cut has a sneaky (but not subtle) way of luring you in because those sliding puzzles are really tempting to tackle and you’re hooked in (ouch!) before you know it. Don’t like violence against blocky, block-headed camp counselors and other serial victims? There’s a slider to turn off the pixel “gore” on the options screen. R to PG in a flash? Yep. Hell, there are sliders on that option screen for all sorts of oddball stuff, some of which you’ll see right away while others are intentionally vague. This is a game that aims to please and hits that eye with an arrow every single time (ow!).

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Review: 8-Bit Adventure Anthology – Volume 1 (PS4)

Posted on November 12, 2017 by geelw

Yep, this one’s a must-buy alright. I was actually a bit under the weather a few days back when code for this arrived and amusingly enough, a few hours spent dying and retrying in all three games in this set made me feel a whole lot better. That’s good old old school gaming for you, kids. Anyway, here’s the deal: three classic adventure games for a mere eight bucks is a no-brainer, especially if those three games happen to be Shadowgate, The Uninvited, and Deja Vu. Do yourselves a big, fat favor and stay away from walkthroughs, though. Trust me on this one – your brain probably needs the workout.

While fundamentally the same in terms of interface and straightforward pixel art visuals, each game has its certain charms and difficulty that make them quite enjoyable and yes, frustrating if you’re not into trial and error or frequent game saving. Shadowgate has elements of fantasy role-playing, The Uninvited is a straight-up horror/haunted house game, and Deja Vu is a thriller/crime drama. If you’re going in cold or haven’t played these since the Macintosh or NES days, expect your poor main character to die at the drop of a hat. A lot. Your characters in all three games are cursed with the weakest skulls, brittlest bones and other ailments that make them all too easy to fall victim to any hazard these games toss their way. Believe it or else, this is a good thing.