Like a few too many people who didn’t initially “get” it, I absolutely hated Beyond the Valley of the Dolls the first time I saw it back in the early 1980’s. Of course, I went in expecting one thing (I’d never seen a Russ Meyer film before) and yes, got something else entirely. Yes, I was probably a wee bit too young to grasp the wild blend of comedy, drama, morality play and plenty of under-dressed female and male flesh bouncing and wiggling about. But it only took a few years and a more maturely snarky perspective to see what I was really missing. Before then, I’d always given anything Roger Ebert said about movies the hovering eyebrow (as in “What does HE know, he co-wrote that crappy movie!”). After I started liking this beautiful, campy mess co-written and directed by Russ Meyer, it became of the first flicks I’d recommend to friends or anyone wanting to see something “out there” and it’s still ahead of its time in many respects… Continue reading
Tag Archives: “B” Movies
Shout Factory Thaws Out 1990’s Captain America (And Its Camp Awesomeness)…
I remember seeing this at a convention and being floored at how cheesy some parts were but overall, it being really fun it was to watch. Cap with those wings on his head straight out of the comic book, battling the Red Skull and a bunch of Nazi creeps worked well for what it was, but of course, Marvel buried this budget flick for ages soon afterward. It’s actually not bad at all and LIGHT YEARS better than the terrible TV series that ran for a short time in 1979. Then again, it seems that Cap has gotten better with age in terms of his film and TV appearances. The most recent flick was sheer fun from start to finish and even the video game kinda-sorta based on that flick wasn’t half bad, warts and all. Anyway, if you loved that new Cap flick and want to check out one that’s in the same vein, defintely hit up Shout Factory’s site and grab this comic book flick if you like your heroes imperfect yet still able to put a boot up the butt of the bad guys
THIS IS THE END Trailers: Oh, Don’t Give Me Hope, Hollywood!
Heh. OK, this disaster comedy whatever is probably going to do a ton of business when it hits theaters on June 12, but I know there are some who just want Hollywood to break off and float away into the ocean. I’m not one of those folks, mind you, but I do wish these writers and other creative types could come up with something a good deal more original than retreading Irwin Allen flicks and adding more modern humor and celebrities I could care less about if they did fall into a hole somewhere in real life. Eh, I’ll catch this on cable when it pops up in… let’s say January of February of next year. Er, provided we’re still here and not sucking down atomic dust from a few of those “now they’ve got a decent range!” North Korean missiles. Duck and cover, indeed…
Random Film of the Week(end): Tales From The Crypt
No, it’s NOT my autobiography (ha ha), but the classic 1972 horror anthology (one of six released by Amicus Productions) with the poster I hated seeing in the subway as a kid. Hey, when you’re something under four feet tall or whatever, a HUGE ass skull with an eyeball following you around makes quite a memorably negative impression. Anyway, Freddie Francis‘ flick became a long time favorite after the first time I finally saw it on TV a few years after being scared to death of that poster.
Based on five great EC Comics horror stories, this film and the other Amicus EC anthologies can definitely be seen as successful comic book adaptations and in fact, can also be seen as scarier than some of today’s far gorier flicks that just toss body parts and nudity in a mixing bowl and let some overeager editor have at it until you end up with a jumbled forgettable mess. TFTC works as a horror flick and “or else” morality play of sorts where you’ll get your scare on without that grimy feeling most modern flicks leave you with afterward… Continue reading
The Conjuring Trailer: Hell Is Other People (And How)…
Oh, this new trailer for the upcoming WB flick is nice and creepy, but just what is this obsession with revisiting elements from The Ring and other scarier flicks these Hollywood horror directors seem to have? Not that I don’t mind a good horror flick that’s influenced by others from time to time, but here’s another one that gives weird little girls a bad name. And don’t get me started on the whole “inspired by actual events” thing that really means “Oh yeah? PROVE it!” to a super jerk skeptic like myself.
Anyway, hey! I think we NEED weird little girls (and boys) who crawl up walls to grow up and become weirder women (and men) with that talent and I bet you’d agree with me (well, a little). That’s where some really great art comes from when that weirdness gets channeled in the right ways. And yep, having an outlet for one’s inside voices is a REALLY important thing. Otherwise, yeah… you get a gal (or guy) that makes YOU crawl up a wall because she’s/he’s wonderfully loopy to a fault (and drives anyone within a certain radius out of their minds for a few not quite good reasons). That 21-way intersection of Crazy Street and Cute Avenue is never a safe street to cross, folks…
Random Film of the Week(end), Too: Battle Beyond The Stars
After Star Wars was released and hit it huge at the box office, nearly every sci-fi film made afterward during the next decade plus was immediately (and unfortunately) compared to it. This bit of mental short-handing by critics, fans and other detractors with short attention spans may have been correct about most of these films’ characters, visual effects and overall designs being influenced by the art direction and effects found in George Lucas’ movie, but in terms of story, well… that’s where some needed their heads handed to them. That easily digestible tale of mystic good versus mystic evil in an epic fantasy/space opera lite setting was cut from the cloth of Flash Gordon and Buck Rogers serials, assorted WWII movies (The Dam Busters, 633 Squadron and others) and most importantly, a great “little” film by Akira Kurosawa called Hidden Fortress (which SHOULD be a RFoTW, but I haven’t gotten around to seeing it again).
In fact, Kurosawa’s films have formed the basis of a few important American and international film hits, and if you poke around enough, you’ll see (and be surprised) that some of your own favorites started life as Kurosawa projects. Probably his best known film (at least here in the US), Seven Samurai was reworked into a few films over the years as The Magnificent Seven and this particularly cool 1980 sci-fi sleeper produced by Roger Corman and directed by Jimmy T. Murakami. As fun as Lucas’ flick was, as a lower budgeted quickie, Battle Beyond The Stars manages to be its equal in a few small areas and actually surpasses it in at least one surprising manner… Continue reading
Random Film of the Week(end): TARGETS
I remember about ten or so years back attending a dinner party where I walked into a conversation about violence in video games affecting society in a few negative ways. Asking around, I found that no one in the group had any actual current video game experience (this was before mobile and tablet gaming became the nickel and dime juggernaut it is now), so it was interesting watching the debate flop and flail around like a fresh fish that’s landed in a boat with the hook still in its mouth. I also remember shutting the conversation down entirely by asking if anyone in the vicinity was a contact spots fan and reminded them that more REAL people have been injured and died from participating (and spectating) in all sports than from playing video games, PERIOD.
That said, are there plenty of truly disturbed people in this world who use what they see or play in modern games as some sort of template? Sure there are. But throughout every era, there have been many more very unbalanced people who’ve maimed or killed using what they’ve interpreted in their own minds and sometimes from media of their own time as springboards for violence. Murder as a means of handling things incorrectly has been around before any media, so trying to argue that we’re more violent today despite proof otherwise is a rather extreme case of denial. Additionally, misinterpreting and misappropriating fiction into one’s own reality and twisted world view seems to be a common trait amongst those who think killing is a “solution” to a particular “problem” (and it’s something that predates video games by many thousands of years).
Anyway, back to fiction for a bit. Bobby Thompson (played by Tim O’Kelly) the main character in Peter Bogdanovich’s debut film, TARGETS, certainly wasn’t influenced by video games, as they weren’t commercially available until a few years after the film was shot. He seems to be a Vietnam veteran, but this doesn’t seen to play into his madness at all. In fact, the film is fascinating because it doesn’t even attempt to explain what’s happening inside Bobby’s damaged mind at all and while hard to watch at times, it’s a compelling viewing experience right from the beginning… Continue reading
EVIL DEAD TV Spots: You’ll “Scream” Because It’s A “Masterpiece”… “However…”
Soooo… I just now decided to poke around and peek at some early reviews and impressions and… *ding!* it looks as if it’s up…. annnnnnd… it’s good! Actually, that Redband trailer had me convinced a while ago (although I wasn’t going to do a silly reaction video at all) – particularly the part with the knife and tongue (eek!). Anyway, go see this one if you want to jump all around the theater holding the arm of the person next to you as a handy club. They’ll miss that arm only for the few seconds it takes them to bleed out, but at least you have a weapon now.
OF COURSE… the problem with all this over-hype is will the actual film scare anyone who hasn’t been all over the internet gobbling up every trailer, screen capture, feature, cast interview and so forth and so on? The original film and its more comedy-focused sequel were memorable to me because they came out of nowhere as “Midnight” movies without a ton of fanfare. I still recall seeing the trailer and initially being freaked out by it back in the day and I think there was even a brief commercial for the original film popping up very late at night that was pretty effective in a “Oh, I really don’t want to see that, but…” manner. I ended up not being that scared at all by the original film because of what I considered too much hype back in the day, so this new version didn’t get my attention until I noted how it took a more serious angle to things, which works well from what I’ve seen.
Now, every big genre film gets SO much attention that it’s hard to be surprised because you’ve seen half the film on TV or the internet or it’s one of those smaller flicks that’s too weird to show much of and eventually turns out to be less frightening and more disgusting (Yeah, YOU, Human Centipede 2). Eh, as always… we shall see. Except you with the missing arms out there. You’re all dead (but you just might come back for the inevitable sequel)…

