Peanuts’ Citizen Kane “Rosebud” Strip Is Still The Greatest Spoiler Ever Told

If you’ve NEVER seen Citizen Kane, STOP reading this post NOW. Seriously.

Okay, well… of course, you can keep reading and ruin the experience, but that’s your problem I say. You’ve been warned.

Rosebud 1968

As a regular reader of Charles Schulz’s Peanuts for decades, even as a kid I was always floored by how deep the simply drawn cartoon was. I started reading it in the late 60’s, but I only vaguely recall some of the strips from back then. However, in 1973, one particular Sunday page stood out and as that post title notes, is what I consider the best movie spoiler I’ve ever read. Now I hate most spoilers thanks to a few favorite books and films being ruined for me intentionally over the years. But this one stood out because I didn’t know what the heck Citizen Kane was and reading this strip made that title stick in my mind and later, do some digging on the movie and its place in history. I don’t recall seeing it on TV here in New York at all, so all I had were the memories of others I occasionally asked about the film whenever the opportunity arose.

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Random Film of the Week(end): Invasion of the Bee Girls

(Thanks, DST3K!) 

Invasion of the Bee Girls Was Invasion of the Bee Girls a modern feminist film disguised as a stupidly sexy 70’s exploitation flick? I’d say hell no, but for all its nudity and pervy middle-aged to old coots getting bedded and bumped off by a bevy of shapely babes with the power to kill any guy they mate with, there’s probably a message in there somewhere. I actually remember seeing this one as a kid one afternoon when it popped up on TV as a heavily edited (but still ridiculously racy) flick and it being a pretty hot topic at school the next day.

As I’ve “matured” and checked out the uncut version a few times since (hey, ONLY for research purposes!), it’s clear that all those hot and bothered guys (and a few gals) knew a while lot more about the birds and the bees that I did at that tender age…

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Shout Factory Keeps The 70’s Rolling Along With Some Genre Classics…

Seeing these three films pop up on the Shout Factory site almost makes me feel old, except for they got me excited that they’re back in circulation, so I’m bouncing around the room. OK, not so much at my age… but any activity is good when you get this creaky. I added the road movie from hell Race With the Devil as a Random Film of the Week last year, but haven’t got around to Electra Glide in Blue (a really good, quirky cop flick with one of those depressing 70’s endings) and Dirty Mary, Crazy Larry, a pretty cool extended car chase flick with some great action and yep, another smasher of an ending sequence.

Hmmm, with all this road wreckage, wild hippie women, devil worshipers doing their thing in the woods and assorted traffic cops going through really lousy workdays, it’s a wonder real people drove ANYWHERE during this period. Well, they had to go to the movies too, so I’d gather an evening at the drive-in for a triple feature of all three might have been happening somewhere out there back in the day…

Anyway, that’s two more films I’ll need to add to the RFotW pile – stay tuned…

Random Film of the Week(end): The Mad Adventures of Rabbi Jacob

rabbi jacobIt’s a big, fat shonda that this 1973 comedy classic isn’t more easily available on home video here in the US. I saw it for the first time as a kid at the movies when it was initially released, then a few times on cable in the 80’s before it vanished. I’d thought it gone for good from circulation until I went to France in 1995 with a few friends and our luggage got accidentally put on another flight from Heathrow during the connection from New York (Oops!).

While waiting around the place we were staying for the airport van to arrive with our bags, I decided to turn on the TV just to see what Parisians watch when they’re not outside at some nice cafe sipping whatever and smoking Gauloises and people watching (which is a fine sport in Paris). Guess what was on? That’s right, and even more amusing, I found out soon enough that the film is something of a national treasure there. Even funnier was during the time I was in France, the two other times I walked past a TV that was on, the film was playing, which led me to believe that there was either a Rabbi Jacob channel running this on a loop 24 hours a day or whomever was in charge of network programming had a rather single-minded sense of humor…
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Random Film of the Week (Trois): Sisters

Sisters“There was NO body because there was NO murder!”  is a great line, folks. Use it wisely, as it’ll either get you in or out of a lot of trouble depending on when and how it’s spoken.  Anyway, I must be losing my mind because I really thought I did this one as a RFoTW already. But it was either a dream I had about writing it up (hey, it happens every so often!) or perhaps I’d referenced this great 1973 flick in another film article from a while back.

Before we begin, a note (la!): there’s a 2006 remake of this Brian De Palma horror classic that’s a must to avoid, as it reworks too much, has some odd casting choices that don’t work and ends up being more annoying than scary. See it if you must, but not before checking out the original first. Of course, If your eyebrow has locked itself in a stiff “Oh Really?” position (meaning you’ve seen The Black Dahlia), trust me – from the second that incredibly loud (and incredibly brilliant) Bernard Herrmann main theme kicks in, you’ll be shocked into your seat and unable to look away… Continue reading

Random Film of the Week(end): Sleeper

 

sleeperIf you stripped away the comedic elements and rewrote a few scenes, Woody Allen’s classic 1973 film Sleeper would actually make a pretty solid futuristic drama about a man wakened from a long cryo-sleep who ends up becoming part of a revolution against a totalitarian government. Fortunately, the film never even tries to be that serious and you end up laughing your ass off at its near-flawless writing acting and overall pacing. Granted, the film actually won a Hugo Award for “Best Dramatic Presentation” in 1974 (beating out the deadly serious Soylent Green, the mostly serious Westworld and two so-so fan favorite TV melodramas, Genesis II and The Six Million Dollar Man), so I’d gather there’s a pretty solid futuristic drama underneath all that slapstick after all…

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Random Film of the Week(end): Emperor of the North Pole

(thanks, Carl’s Trains & Stuff!)

emperor of the north poleIf you haven’t checked out that video above, don’t let the title fool you one bit – this isn’t a family friendly movie about a bouncy, happy CGI penguin and there’s definitely no red-suited Jolly Saint Nick here to spread happy holiday tidings (but there is a fat guy who throws hammers). Nope, this 1973 film from the late, great Robert Aldrich is simultaneously big, mean, brutal and hilarious, often within a few seconds in some scenes.

Based loosely on a Jack London book and a book partially about Jack London, the film features Lee Marvin and Ernest Borgnine as bitter rivals battling for turf rights in the most absurd of places – a moving freight train. OK, there’s much more to this classic than that, but it pretty much boils town to a prolonged (and excellently shot) fight between two men way past middle age beating the crap out of each other with 2 x 4’s, a chain, thrown hammers and an axe. I guess a cynic would call it Thunderdome on rolling stock, but not as cheesy and much better acted, at that…

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Random Film of the Week(end): The Baby

(Thank you, NoMoreHeroes!)

THE BABY_MPAs far as commercial horror flicks of the 1970’s go they don’t get more disturbing than The Baby, a completely bizarre 1973 gem you have to see to believe. And even after you’ve seen it, you’ll probably want to watch it again just to make sure you weren’t having a really wild nightmare. Granted, the film has a few major flaws, some of which come from the writing and pacing. But chances are you’ll be so thrown off by some of the surreal acting and completely insane scenes that you’ll forgive this one for its faults.

It’ll definitely stick in your head for a while afterward, especially if you don’t see the surprise ending winding up to knock you right off the couch. Anajette Comer plays Ann, a social worker who is given the case of Baby, a 21-year old man kept in diapers and an oversize crib by his overbearing mother played by the gorgeous Ruth Roman (channeling Joan Crawford, Joan Collins and Liz Taylor) and two very pretty, very sexy yet verrrrrry peculiar sisters (Marianna Hill and Susanne Zenor). For sheer squirm in your seat value, the film scores big by tossing assorted mental and physical abuses into your lap and letting you figure out where the hell it’s going before taking a big U-turn into WTF territory… Continue reading

Random Film of the Week: Don’t Look in the Basement

This crazy, low budget 1973 indie horror flick was a big part of my childhood because it seemed to always be on WOR here in New York as one of the late-night horror movies they showed on Saturday nights, and for some reason (even despite it freaking me out all the time), I’d sit through it fascinated by the insanity taking place. In fact, the film takes places at a mental institution gone way off the rails thanks to its rather unorthodox means of treatment. You get two murders right off the bat, a pretty but rather dopey new nurse arriving on the scene who’s a bit slow on the uptake as to what’s going on, a bunch of patients with some rather unusual quirks and it all wraps up with a nicely gory finale and probably the most disturbing end credit sequences you’ll see in a genre flick.

Is it a great movie? Nope, and in fact, it hardly scrapes above lousy in every aspect, I’d say. What works in its favor however, is the general tone of unease and creepiness that hits you over the head right from the start. You know something bad is going to happen right away and other than a few boring patches, the film delivers on much of what its opening moments promise. These days it’s a public domain film, so yup, you can watch it in its entirety above. I’d doubt this will ever reach the remake status some cult genre classics have gotten, but even as raw and weird as it is, it still manages to be freaky enough where it counts. OK, then – that’s a really short and simple movie post this for week, as I’m working on a bunch of other stuff.  But it’s all good, as now you can go make a big bowl of popcorn, grab a beverage and watch yourself a pretty silly but scary slice of the 70’s…

Addendum: Oops – it looks as if someone may remake this after all at some point Oh well, i still think the original will be better just because it has its crude charms working for it, warts and all…

Random Film of the Week: F for Fake

F for FakeOK, I’ll admit I fell asleep the first two times I saw this astounding “documentary” (and final directorial effort) by the late, great Orson Welles… but not because the film was boring. Hell, Welles’ own “trailer” for the film clocks in at over nine minutes… for a film that’s under an hour and a half long. Even more amazing, it’s not even a trailer, but a separate film shot around the same time that ended up not being shown to promote the film before it vanished for a bit and was later found and restored (*whew!*).

Um, where was I again? Oh yeah: On the contrary, dear readers, I’d been really looking forward to seeing this film each time, but in both cases, it was shown very late at night (actually, very early in the morning) and I’d been awake both times for a bit longer than I’d expected. The third time wasn’t the charm, either, as it was on again at a very late hour and I took a nap in front of the TV so I’d be refreshed and ready to go. Of course, guess who slept through the first hour of the film? Did I mention that I don’t have a TiVO or other fancy (or dated) video recording device? *Sigh*…

And so it went until attempt number four…

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