Yep, I’m calling it now. The Hateful Eight is also a Thanksgiving movie you can pop in and clear your house with if you end up with relatives arguing about politics or sports when all they really need to do is show up and shut up when they’re stuffing their faces with whatever tasty treats you’ve prepared. Note to turkey preppers: get that frozen bird defrosted and/or in a brine NOW (as in don’t wait until Wednesday night to fuss with a frozen bird) so you can have it all ready to pop in the oven and done up right. You fresh turkey buyers have an extra day as long as that bird doesn’t go into the freezer.
Anyway, where was I? Oh, right. Yeah, you’ll be thankful for this film because you’re not going to find a more gorgeously shot yet hilariously amoral American film (well, one made by Quentin Tarantino) where you might go in expecting one thing but get exactly what you didn’t think you’d get. Let’s put it this way, if ever a title meant anything, it’s this film’s. Upshot nutshell: Eight not so nice (SO not so nice) people meet and otherwise interact in a cabin they’re trapped in during an epic snowstorm. Not everyone survives the experience. Nutshot upsell: Oh, boy is this film violent as hell. No one is spared from the talented folks at KNB Effects Group as they gore things up with some impressive practical effects. The film is about much more than than, although it kind of takes its sweet time in making its points.

Automatically calling Arthur Marks’
For the record, I was so tempted to write this review in 6-point type just to vent a little at Kemco and World Wide Software for this port of their otherwise decent mobile game, 
If you’re of a certain age (mine or slightly younger), you’re probably not watching
Short yet very replayble and guaranteed to make you think a bit about life on a few levels, George Batchelor’s brilliant
If the great Ealing Studios’ 1949 version of
“Wait. Accolade is still around?” That’s the first thing that popped into my head as I fired up 



