Review: Night Trap: 25th Anniversary Edition

Posted on August 31, 2017 by geelw

Good luck finding one of these, folks!

NT_tiny Playing Night Trap after about 15 or so years away from any version brought back a few sour memories. Not those about the game’s campy/cheesy vibe and still somewhat clunky gameplay that’s better if you don’t use a walkthrough to blow through your purchase within the first hour of the day you buy it. Nope, I ended up thinking too hard about how a bunch of overly zealous politicians lied their asses off to the public (and themselves) about an intentionally silly videogame being a potential root cause for real-life violence and mayhem.

Just as they did with comic books, Dungeons & Dragons, and Hollywood movies before that (I’d include Prohibition in this as well, but let’s not get too carried away today), Night Trap was made an easy scapegoat back in 1993 along with Mortal Kombat and a few other games deemed inappropriate for kids who very likely knew they weren’t being brainwashed into axe murderers en masse. As a result, it ended up selling out in spots, was briefly taken off the market but eventually reemerged on 3DO, Sega 32X, MS-DOS, and Mac OS, turning absolutely no one into a sex fiend or blood-lusting serial killer (well, the last time I checked, at least). In terms of the remaster/re-release, Screaming Villains has definitely delivered the definitive Night Trap experience, which is kind of like saying you’re getting dented canned tuna for dinner, but it’s the best damn dented canned tuna you can buy.

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Blu-Ray Review: Brain Damage

Posted on August 30, 2017 by geelw

I somehow missed out on Frank Henenlotter’s Brain Damage when it was first released back in 1987, but it’s been on my very long list of films to see for quite some time. Arrow Video’s recent restoration is pretty awesome and is filled to the brim with some great bonus features. Depending on your tastes this is one of those outrageously creative films that you’ll love or hate, but like Henenlotter’s other exploitation flicks (the three Basket Case movies, Frankenhooker, Bad Biology), your best bet is to jump in feet first and enjoy the wild ride.

When a somewhat phallic-shaped brain-eating parasite named Aylmer (or Elmer) escapes from the apartment of the elderly couple keeping it as a twisted addiction source and ends up a few doors away with a new host, Brian (Rick Herbst), things get gory quite quickly. The old couple had been feeding Aylmer fresh from the meat market calf brains thinking they could sate his hunger, but you know how these things go in movies like this, right? Yes, there’s an explanation for how the parasite ended up in the apartment of that couple, but that comes later on in the film and I’m not telling.

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Blu-Ray Review: The Big Knife

Posted on August 29, 2017 by geelw

One of those interesting “message” pictures of the 50’s, Robert Aldrich’s 1955 filmed version of Clifford Odets’ 1949 play The Big Knife works pretty well as a sort of riff on Sunset Boulevard, packing in mostly solid performances from a fine cast. Yes, there’s a certain “stagey” feeling to the film as well as a few scenery-chomping bits colliding like lumbering wrestlers in a busted ring. But it works well enough to leave an impression with a few memorable “noirish” scenes that make for a powerful viewing experience.

Jack Palance (trust me, just roll with it and it works) is Charles Castle, hot Hollywood hunk with a particularly pernicious problem. He’s set to sign a seven-year contract extension with studio head Stanley Shriner Hoff (Rod Steiger in full tilt gloriously nasty mode), but his wife Marion (Ida Lupino) has had it with Charlie’s womanizing ways which obviously threaten their somewhat busted marriage and properly raising their young son. As the film begins, the harried couple is estranged and already living apart, but Charlie is constantly working “hard” on keeping the rubble of their happier days somewhat upright. Charlie also finds out Marion has an open marriage proposal from Horatio “Hank” Teagle (Wesley Addy), something that annoys him to no end because he’s something of a hypocrite.

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Review: Rock of Ages II: Bigger & Boulder (PS4)

Posted on August 28, 2017 by geelw

Warning: This review may be full of rock puns or something. Or not, as I’m writing this on the fly between campaign missions. Rock of Ages II: Bigger & Boulder is a must buy right out of the game if you love your games surreal, physics-based and packed with artistic genius that might roll over the heads of some gamers who won’t “get” the all-out insanity here at all. Granted, developer ACE Team has always gone out of its way to lace their games with stylistic influences that are far from the norm when it comes to pegging them with a particular style. But here, you get the kind of mind-bending overkill that’s constantly making you smile or burst out laughing because pulling off humor so well in a game like this makes it a total blast.

There’s a single player mode as well as co-op and online play for up to four. But at heart this is a spin on a few genres from racing to tower defense, to bowling with a dash of puzzle elements thrown in for good measure than can be fully enjoyed solo. Imagine if Rampart, Super Monkey Ball, and Marble Madness had a child raised on a steady diet of Monty Python animation while reading art history books for fun and you’re about a tenth of the way into what’s going on here. The game is also quite challenging and definitely not a cakewalk on the more difficult settings. That said, prepare to let the good times roll as you rock on with Atlas as he engages in rolling combat with assorted foes in not at all historically accurate settings.

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Blu-Ray Review: Madhouse (1981)

Posted on August 28, 2017 by geelw

Ovidio G. Assonitis’ 1981 horror flick Madhouse (aka And When She Was Bad and There Was a Little Girl and not to be confused with 1974’s Madhouse) is a good-looking but ultimately disappointing genre flick that throws a few interesting ideas around but doesn’t quite know how to fit them all together. But man, does it make a killer opening impression as well as pack in a few unsettling kills. That said, it’s easy to see why the film has its following despite some oddball flaws that keep it from being truly great.

That haunting opening still packs a wallop, though. As a creepy lullaby plays, one young twin gently rocks another in a darkened room before suddenly stopping to smash her in the face with a rock or brick of some sort. It’s definitely jarring, but actually has nothing to do with the film unless it’s meant to set the overall mood.

Yes, we find out that one sister had indeed been incessantly mean to the other throughout their childhood. But it’s Julia (Trish Everly), now a teacher for deaf children who was the victim of her sister Mary’s (Allison Biggers) cruelty. Julia’s got flawless skin and not a scratch on her face or body, but she’s bearing plenty of fears thanks to her sister making her early years a living hell. Given that there’s no mention of her receiving any sort of plastic surgery (she also mentions Mary’s dog used to bite her frequently), that opening seems open to interpretation.

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Blu-Ray Review: The Love Of A Woman

Posted on August 25, 2017 by geelw

I’d never heard of director Jean Grémillon (1898–1959), but thanks to Arrow Academy, I’m now well-schooled in one of his great films. While not flawless, The Love Of A Woman works just about perfectly if you’re a fan of the pot-boiling tear-jerker romance genre. Granted, it also works fantastically as an example of fine film work as Grémillon was a master behind the camera and there are some striking images here to behold.

When Dr. Marie Prieur (Micheline Presle) decides to take over the job from a well-aged doc at the end of his career on the small island of Ouessant, she’s met by wariness from the locals and made fun of by a part of a crew of men working on the island. After a practical joke by the men on their supervisor, André Lorenzi (Massimo Girotti) ends up in a fight where the doc has to show up to fix a broken nose, Lorenzi begins calling the doctor incessantly asking for a date. After some nudging by a never-married older schoolteacher (Gaby Morlay), The good doctor agrees to André’s request, but their date is ruined after a local child falls gravely ill.

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Blu-Ray Review: Alien Covenant

Posted on August 25, 2017 by geelw

“There’s so much here that doesn’t make sense…”
– Katherine Waterston as Janet “Danny” Daniels, Alien Covenant

Is the Weyland-Yutani Corporation made up of really stupid, willfully ignorant, and incredibly single-minded people hell-bent on burning through piles of money and human bodies every chance they get… or am I missing something here? Every time they try to get an certain cranky, homicidal alien life form for their research or whatever other unsavory purposes, bad things happen and just get worse. I could just blame the robots, but it hasn’t *always* been their fault.

The humans on the other hand? Ay-yi-yi, we’re talking idiotic in increasing percentages in what, over a century of trying to bag that xenomorph and its assorted relatives? That’s a pretty lousy batting average, folks. That said, the original Alien gets a big fat weekend pass for its crew’s carelessness because you got your average space truckers griping about low wages and such who had no idea about what was coming thrown into a situation they had no control of . Although, now that I think about it… what the hell was Ash’s plan had the Nostromo crew somehow killed off their unwanted passenger first?

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Granted, the current chronology of the Alien franchise means the events in Prometheus came first and brought us the unbalanced synthetic David (Michael Fassbender) who ends up even nuttier in Alien Covenant (more on that below). Then we get Ian Holm’s creepy, frustrated and malfunctioning Ash in 1979’s Alien followed by the Lance Henriksen’s helpful Bishop in Aliens and Alien 3, followed by Winona Ryder’s “Hey, huh? I’m an android?” part in Alien Resurrection. While Ridley Scott seems hell bent on making a few more Alien films that take place before the original, Alien Covenant manages to (wisely) swipe enough from the above films not shot by Scott to somewhat good effect. Still, I’m somehow left with more bad questions than good answers about a ton of important stuff.

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Review: Yakuza Kiwami (PS4)

Posted on August 23, 2017 by geelw

While Sega could have done a basic HD remaster of the original 2005 Yakuza game and gotten away with it, they thankfully did a great deal more with a full-on remake running at 1080p and a pretty solid 60fps. Yakuza Kiwami is a total hoot that, while packing in a few old-school problems, makes for quite a hilarious and always entertaining game experience.

From over the top (and none to complex, thank you) combat to plenty of mature content snipped from the earlier North American PS2 version or added specifically to this version, it’s just good to see this game hold up as well as it does and remain mostly a blast to play. “Mostly” gets a point here thanks to the camera getting wacky in tight places and a few instances where the older game’s plot wonkiness step into the update and keep a few elements a bit confusing. Overall, though – the game is makes for a really great time from its opening moments.

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Review: Fallen Legion: Flames of Rebellion (PS Vita)

Posted on August 23, 2017 by geelw

Meanwhile, over at Legatus Laendur’s camp, the tactician supreme is fuming. The land of Fenumia has branded him a traitor to Princess Cecile, so he’s on the run with intent on crushing the empire and possibly taking over the kingdom. This begins Fallen Legion: Flames of Rebellion, a game that expands the story from Fallen Legion: Sins of an Empire on the PS4.

While the portable game has longer loading times and some slowdown to deal with, it controls and plays exactly the same. In other words, expect a challenging time indeed if you simply jam on the buttons thinking that’ll get the job done. Success here as in the other game demands precision and timing as well as learning who where and when to use your growing arsenal of moves on.

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Review: Fallen Legion: Sins of an Empire (PS4)

Posted on August 21, 2017 by geelw

It’s tough work running a fantasy kingdom. Political intrigue here, a smart-ass talking grimoire there, loads of life and death decisions to be made at the quick press of a button. Not an easy task for the daughter of a recently deceased king, but Princess Cecille in Fallen Legion: Sins of an Empire can do it with a little help from you, of course. Indie developers Yummy Yummy Tummy and Mintsphere have cooked up not one, but two challenging games (The other being Fallen Legion: Flames of Rebellion) that tell opposite sides of the overall story that should give PS4 and Vita fans a good reason to grab both.

Granted, there are a few flaws here and there, but if you liked the Valkyrie Profile series and VanillaWare’s more slickly polished titles, this one will be right up your alley. We’ll get to the Vita game and Legatus Leandur’s tale in a second review, but for now, let’s keep the Princess in our sights.