Random Film of the Weekend: The Racers

Posted on March 15, 2014 by geelw

Henry Hathaway’s 1955 potboiler The Racers isn’t exactly the best Kirk Douglas vehicle out there, but the actor gives it his usual all in this zippy yet easily forgotten melodrama that features some excellent real life races in gorgeous European locations race fans will approve of highly. Unfortunately, mixed in with these lovely tracks are some of the worst laughably out of place front, rear, and side screen projected driving scenes outside of a slapstick comedy. In fact, these projection sequences are so obvious that they give the otherwise slickly made movie more of an odd comic tone today than they probably did back in theaters in 1955. Then again, I can’t imagine anyone being fooled back then either.

Granted, it’s more than obvious that the otherwise wise filmmakers didn’t want Douglas whipping around in uncontrollable circles in an open cockpit roadster or flying off a track because of a stray poodle to crash through some hay bales and a stone fence (the first hilarious wreck in the film). On the other hand, given the character he plays is a bit of a jerk as he steps on a few toes on his way to the top of the auto racing heap, I guess a little less fake looking fakery may have made this more memorable a time killer… Continue reading →

Random Film of the Week: The Colossus of New York

Posted on March 10, 2014 by geelw

The first time I saw Eugène Lourié’s The Colossus of New York, I think I was about ten or eleven and stayed up all night on a Friday or Saturday just because it came on at something like 2 or 3am. I recall falling asleep somewhere in the middle and waking up for the ending, disappointed that I missed whatever robot rampage the cloaked metal man went on. It turns out that I didn’t miss much of a “rampage” at all, although the thing did wreak some havoc on some poor important folks down at the United Nations before getting shut down for good without the military blowing it to scrap metal with a bunch of rockets.

Anyway, featuring some fine performances and an brilliant (and sometimes unsettling) piano score by Nathan Van Cleave, this is an interesting albeit flawed sci-fi film with a more human side to its fantastic bits thanks to the internal conflict of Jeremy Spensser (Ross Martin) who finds his brain in that bulky cyborg after he dies in an auto accident and his genius dad (Otto Kruger) and second genius (but somewhat devious) son (John Baragrey) decide to keep him living in that metal shell… Continue reading →

Random Film of the Week: Master of the World

Posted on February 24, 2014 by geelw

Ah, Master of the World… you’re so well intentioned but when all is said and done you’re just not as good a film as you wanted to be… and that’s too bad. Even the great Vincent Price reading the words of the great Richard Matheson (who reworked elements from two of the great Jules Verne’s books into a screenplay) can’t save you from your crushing mediocrity. Nope, those barrel bottom visual effects work and an unfunny comic relief chef character tossed into the rather serious story can’t keep this Albatross afloat at all. That said, it’s an OK flick if you don’t mind it reminding you of a few better ones it tries so hard to template.

Now, call me crazy… but I think the idea of a war-hating kind of madman flying around the world and waging war against people who wage wars is both nuts and necessary in this day and age. However, this film fails to excite on a few levels other than giving Price his juicy lead role and Charles Bronson a chance to play a rugged-looking 19th century good guy for a change. For all its explosions and shouting, it makes the idea of Price’s bomb-dropping anti-war antihero Robur a pretty dull one and the film wears out its welcome around the halfway point… Continue reading →

Random Film of the Week(end), Too: The Night Digger (The Road Builder)

Posted on February 23, 2014 by geelw

(Thanks, Night of the Trailers!)

I used to get The Night Digger and The Night Visitor confused when I was younger, but that’s since been rectified (and nope, I’ve been fortunate enough to NOT confuse any of them with The Night Porter). Both films are from 1971 and bother are psychological thrillers, with the former film being the more “horror” oriented one on a few fronts. However, neither is a straight up slasher flick and both have elements that make them superior to typical genre entries.

Here, Patricia Neal gives a powerful performance as Maura Prince, a woman living with and caring for her blind mother Edith (Pamela Brown), with both women falling prey to the charms of the handsome young Billy (Nicholas Clay) who rides up one day on his sleek motorbike and asks for a job. He’s not just good with his tools, folks… he’s also a violent sex criminal and murderer who has a handy way of disposing of his victims. In a bizarre twist (one of a few the film socks you with), the film turns into a very strange love story where you may find yourself rooting for that emotion to take hold and win over all, but there’s that air of inevitability and gloom thanks to the plot turning as it does and a beautiful and haunting Bernard Herrmann score that will raise a few hackles (if you haven’t gone and shaved them off like the kids do with their hair in certain spots, ewww)…
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New Arrivals: Speaking of Godzilla (and Other Big Things)…

Posted on February 22, 2014 by geelw

Yeah, yeah, I know that luscious Criterion Collection version is THE one to have, but I couldn’t pass this older set up at under seven bucks. That Blade Runner set was a gift from a friend who knows I have mixed reactions to this “classic” even to this day and he’s trying to get me to be in the rah-rah camp on this. I don’t “hate” the film at all, mind you. It just has never floored me as much as some and I’ve seen three of the four versions in this set. I’ve never seen the making of features, so those will get viewed first because I just LOVE all that behind the scenes stuff. That Superman cartoon collection was four bucks and ESSENTIAL for anyone who thinks that Batman animated series from the 90’s was amazing. If it weren’t for the Fleisher brothers and their skilled handful of animators, that series and any others that swipe its lovely art style and still powerful animation wouldn’t even exist.

The Sword of Doom is one of my favorite movies, period. But this isn’t that Criterion Collection edition that commands top dollar, but a fine restoration print for under five bucks. On the game front, Tales of Symphonia Chronicles was also in the mail today (Thanks, Namco Bandai Games!) so there goes my weekend. Well, thee goes next weekend, as I’m just starting a few reviews I need to get done and I’m not even going to crack open the shrink wrap on this or else I’ll just see a week vanish in no time flat with nothing to show for it but a lack of sleep. Okay, back to work for me – I’m poking together a few Toy Fair articles for next week, so updates will me minimal while I get those together. My brain is ready – my fingers just need to be able to keep up (typety type type type)…

Random Film of the Week(end): The Night Visitor

Posted on February 22, 2014 by geelw

(Thanks, vivendientertainment!)

As a child, the poster to Laslo Benedek’s The Night Visitor used to scare the heck out of me, but when I finally saw the film after it popped up on TV a few years later, I wasn’t frightened all that much. Granted, it took a few more viewings as I got older to really appreciate what’s here and it’s a nifty little thriller worth tracking down (it’s been out of print for years on DVD). While it’s not the best nor most coherent suspense flick out there (calling it a “horror” movie is a bit of a mistake), the casting is solid (Liv Ullman, Max von Sydow, Trevor Howard, Per Oscarsson), the script has its moments and you may even get a surprise or three as this creepy little tale plays out.

Von Sydow plays Salem, a rather crafty resident of a supposed “escape proof” mental asylum who escapes a few times in order to exact some extended revenge on his sister (Ullman) and her husband (Oscarsson). Why? Well, not just because he’s nuts plus tax, kids. Salem was set up for a brutal murder by his brother-in-law and he’s not having the time of his life in that freezing hellhole. Of course, the fact that each time he escapes he’s in his underwear (Why? You’ll see, you’ll see) and he manages to make it back before its noticed he’s missing keeps the film going for a while as a local inspector (Howard) tries to find out what’s going on when some new murders start happening…
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Random Film of the Week(end) Quickie: Dreamgirls

Posted on February 15, 2014 by geelw

While I’m a huge fan of the classics, I don’t like most modern Hollywood musicals or biopics because they try to hard to be entertaining and just feel as if they’re baked from the same stale mold. I can’t put my finger on anything other than a certain soullessness thanks to a few factors seen as “necessary” to whatever formula makes a “hit” these days.

Anyway, moving on. Despite some fine acting and singing, primo Oscar bait like Dreamworks’ big 9and massively hyped) 2006 film Dreamgirls didn’t do a thing for me either. Still, I’ve watched it in its entirety twice and one part at least two dozen or so times because it made me fall off the couch laughing the first time and stuck with me to the point that whenever the film pops up on cable, I will turn to it just for that single scene.

If you know what I’m talking about, then good for you and you’re chuckling already. If you don’t, well here you go. Mister Jimmy Early… do your stuff! Um… you may want to have a seat there, kiddo. Oh, and don’t drink anything while watching this clip if you’ve yet to see the movie (spoiler alert? I guess so):

I had to leave the room for a few minutes, as if I have to see this clip again, I might pop something inside. Heh. Gets me every time. As for the rest of the film? Meh. I have my Motown and Stax memories and the actual music from that era to keep my ears, brain and (if I feel like shaking a tail feather) hips occupied. So I don’t need any expensive (but nice looking and well intentioned) films that want me to “feel” something for the people in it when all I care about are the old tunes and memories those classic songs bring forth. That said, Eddie Murphy kills it dead here. “Jimmy got soul” indeed. Heee.

Random Film of the Week(end): The Boys From Brazil

Posted on February 8, 2014 by geelw

(Thanks, DEATHTRAP TRAILERS!)

Depending on your frame of mind, The Boys From Brazil will either creep you out of make you laugh a wee bit too much. It will do both if you’re somewhere in the middle on the mental front (or are a first time viewer), but I’ll leave you to let this one settle where it lands. Franklin J. Schaffner’s signature directorial style is on full display here as this semi sci-fi/dramal/horror flick does its thing with some interesting casting choices, dialog ripe with amusing yet nasty situations and a number of creative demises for a few characters.

Granted, the subject matter is a bit touchy to some, what with the book and film positing real-life Nazi war criminal Dr. Josef Mengele (Gregory Peck!) as alive and kicking and still working on a pretty outlandish experiment that involves almost a hundred little Hitlers. But the film pulls you in right from the start and keeps you watching as the bad, mad doctor’s plans slowly but surely come to fruition. Well, sort of…

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Random Film of the Week(end): Before The Devil Knows You’re Dead

Posted on February 2, 2014 by geelw

(Thanks, THINKFilmNY!)
The late, great director Sidney Lumet’s final motion picture, Before The Devil Knows You’re Dead is a brilliantly made film that hits harder today thanks to the death (allegedly by heroin overdose) of actor Philip Seymour Hoffman. While the film got a somewhat limited theatrical release in North America and was completely ignored at the Academy Awards, it’s a mesmerizing, must-see crime drama that shouldn’t be missed. Its non-linear structure and use of flashback scenes presented from different characters’ perspectives adds a layer of tension to an already compelling story and every single actor here more than earns their keep, perfectly playing their roles.

If you’ve never seen this before, I’ll not reveal very much of the story, as the film rolls it out for you from a few angles and watching these characters roll fate’s dice and lose to varying degrees makes the movie. Hoffman and Ethan Hawke play brothers desperate for money for assorted reasons. An armed theft planned by one brother goes wrong in the worst possible manner and the consequences spiral out of the control of just about everyone affected by it. Just when you think things are bad enough, they manage to get worse and those awful ripples reach pretty far before heading back to their source…

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Random Film of the Weekend: Under Fire

Posted on February 1, 2014 by geelw

(Thanks, robatsea2009!)

If it were released today, Roger Spottiswoode’s excellent drama Under Fire would probably carry an unfortunate “inspired by a true story” label it really didn’t require. While the film is a fine work on its own right, it’s at least partly inspired by the 1979 killing of ABC News journalist Bill Stewart and his translator by Nicaraguan National Guard forces, a tragic event that was shot on the sly by his cameraman from a nearby van and televised worldwide.

In the film, this moment comes fairly late in its running time, is staged differently and happens to one of the three American reporters we get to see go through hell as they try to survive the upsurge in violence that sweeps the country and eventually targets them…

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