Oculus Trailer: Nothing (New) to See Here, Move Along…

OCULUS_MP*Sigh*… I don’t know why I do this to myself, but I figure one of these modern horror films will actually do what it’s intending and actually scare me. Granted, I draw the line at the torture porn genre stuff and some of the repetitive nonsense that templates better films that were more entertaining back in the 1970’s and 80’s. Well, at least this poster variant is REALLY nice (and probably the creepiest thing about the film).

The one fun and funny thing about this trailer is I’m SURE the folks behind the upcoming Oculus Rift virtual reality (or whatever they want to call it) headset probably don’t want the negative stigma of someone slapping on those expensive X-Ray specs and seeing not so friendly ghosts popping up in their faces. Eh, whatever – I’ll be waiting for this one to pop up on cable to see if it makes me even shift a little in my seat. I sure wasn’t at all scared by this two and a half minutes…

Random Film of the Week(end), Too: SHIVERS (They Came From Within)

(Thanks, kxkwarriorv!) 

SHIVERS_MPSHIVERS (or They Came From Within) is NOT a very good date movie. At all. David Cronenberg’s absolutely unsettling and increasingly relentless genre classic may make you fear all of the following (in no order) sex, sexually transmitted diseases, parasites, scalpels, Canada, quirky (but sexy) Canadians, somewhat secluded apartment complexes, swimming, bathing, kitchen sinks, liquids in general, elevators, upset stomachs, children and doctors with strange hobbies (plus a few other things major and minor).

That said, the film excels at what it intends so well that it’s absolutely required viewing even though if you DO make it a date night flick. Just don’t be surprised to feel your butt muscles getting a workout as they slowly ambulate you sideways away from that sweetie sitting next to you (and his or her butt will be doing the same thing, by the way). On the other hand, this may be a film that brings you closer if only to get in some cuddle time afterwards. “No sex, please… we’re now both as scared as s#!t!”

Continue reading

Random Film of the Weekend: The Racers

(thanks, Jon Clark!)

The Racers MP Henry Hathaway’s 1955 potboiler The Racers isn’t exactly the best Kirk Douglas vehicle out there, but the actor gives it his usual all in this zippy yet easily forgotten melodrama that features some excellent real life races in gorgeous European locations race fans will approve of highly. Unfortunately, mixed in with these lovely tracks are some of the worst laughably out of place front, rear, and side screen projected driving scenes outside of a slapstick comedy. In fact, these projection sequences are so obvious that they give the otherwise slickly made movie more of an odd comic tone today than they probably did back in theaters in 1955. Then again, I can’t imagine anyone being fooled back then either.

Granted, it’s more than obvious that the otherwise wise filmmakers didn’t want Douglas whipping around in uncontrollable circles in an open cockpit roadster or flying off a track because of a stray poodle to crash through some hay bales and a stone fence (the first hilarious wreck in the film). On the other hand, given the character he plays is a bit of a jerk as he steps on a few toes on his way to the top of the auto racing heap, I guess a little less fake looking fakery may have made this more memorable a time killer… Continue reading

Get on Up Trailer: Better Not Get Me Down Or It’s The Big Payback!

 
Well, this looks as if it’ll hit all the usual Hollywood biopic notes to a “T” (“Can I get a “T”!) and yes indeed, the music saves this trailer (and quite possibly the film) from sinking into melodramatic parody. I say ANYONE who wants to spend money on a ticket needs to at least track down a copy of Star Time and Brother James’ appearance on The T.A.M.I. Show (TIGHT band, TIGHTER pants, the crowd goes wild as if commanded and possessed) just so you can hear those bombastic classics as they’re meant to be heard. I’m betting if there’s a soundtrack for this flick, the mix will be putrid or overdone or both, but I may be wrong. I’m not holding my breath. Now, Please, Please, Please go dance somewhere else, as I’m trying to work here!

Random Film of the Week: The Colossus of New York

the colossus of nyThe first time I saw Eugène Lourié’s The Colossus of New York, I think I was about ten or eleven and stayed up all night on a Friday or Saturday just because it came on at something like 2 or 3am. I recall falling asleep somewhere in the middle and waking up for the ending, disappointed that I missed whatever robot rampage the cloaked metal man went on. It turns out that I didn’t miss much of a “rampage” at all, although the thing did wreak some havoc on some poor important folks down at the United Nations before getting shut down for good without the military blowing it to scrap metal with a bunch of rockets.

Anyway, featuring some fine performances and an brilliant (and sometimes unsettling) piano score by Nathan Van Cleave, this is an interesting albeit flawed sci-fi film with a more human side to its fantastic bits thanks to the internal conflict of Jeremy Spensser (Ross Martin) who finds his brain in that bulky cyborg after he dies in an auto accident and his genius dad (Otto Kruger) and second genius (but somewhat devious) son (John Baragrey) decide to keep him living in that metal shell… Continue reading

Sin City: A Dame to Kill For Trailer: Miller & Rodriguez, Partners In Crime…

(thanks, JoBlo Movie Trailers

Oh, yeah. I loved Sin City, so this trailer for the follow up made me grin a wee bit too much. This is good even though it took so long for this to get made that some of the principals who were in the previous film look a little long in the tooth even with a bunch of prosthetic makeup and fine fancy lighting doing their thing so well. Still, it’s all good because Miller and Rodriguez are doing it up as it should be done and all is right in the world (well, in that weird way things roll in Sin City). Anyway, August 22 is when this one’s let loose like a pack of starving dogs, so make sure you’re in its path and welcoming that first bite…

Transformers: Age of Extinction Trailer: Bay of Picks of the Litter? We’ll See…

 
While I’ve seen the three previous films and way too many of the cartoons to count, I’m not a huge fan of the Transformers movies and their CG overkill, nor do I revere those old animated series as some sort of overall canonical tome that cannot be tampered with. That said, it looks as if this one’s going to be more “serious” than previous installments,, but then again you can’t tell by a two and a half minute plus trailer how the quality of the final flick will be. Mr. Bay seems to have spent that studio money up but good here and based on the usual polarized response this teaser has gotten, I’d say this will make a Megatron full of money (ah ha ha… Hey, pure corn is my specialty, folks!). Then again, if this is the last of the series (and to quote the late Godfather of Soul, James Brown: “Please, Please, Please!”*), it’s certainly going out with a bang. We’ll see on June 27th what’s what, I suppose. Check that: YOU’LL see before I will, as I’ve sat out the last two films until they popped up on cable.

*Yeah, I do KNOW that classic song is about JB wanting someone to NOT leave him, but for this franchise, that cape has come out too many times and it’s done every encore it can think of…

Godzilla Official Trailer: Now THAT’S More Like It (Times Ten Or So)…

 
BOOM. Okay, I’ll take two tickets, please. Any doubts that a decent Godzilla can be made outside of Japan get squashed here and now. Toho is probably pretty happy with the results, I’m gathering. I can’t say anything more because I despise the usual speculation and trailer trawling that goes on as soon as something like this goes up. Slowing it down to poke and peck at individual frames is meaningless because the final film will be structured differently and may not even have everything seen in the trailer. But you can’t stop people who should be happy and move onto more productive stuff from getting all over-geeky and picky and foolish with their opinions, so I won’t even try. Eh, whatever. I just file the good trailers away into my Must See mental pile while the rest go into the Catch it on Cable stack where most films end up because they’re not worth traveling money and the ticket price to pay for. Godzilla, on the other hand? He’s worth the 11-mile or so trip I now need to take since there are NO theaters near me at all these days. Bleh.

Hey, Spider-Man 2? Even Electro Doesn’t Spark My Interest…

Uh… nope. I’m not feeling this new Spider-Man movie at all for a few reasons. The reboot was kind of lame and forced with way too many CG effects (par for the course for this franchise) and worse, separating it from the rest of the Marvel movie lineup has always been a terrible idea because as come comic fans know Spidey WAS an active Avenger for a brief time. Anyway, this new film has too many villains, too many connected bits (I think the Oscorp-created heroes is a terrible idea) and nope, I don’t like the casting here at all. That said, this one will rake in the dough as it were because the fans don’t seem to care thanks to them just wanting more of the same but bigger and louder.

That said, I’d really rather see a filmed version of that now dead Broadway musical Spider-Man Turn Off the Dark just because of all that behind the scenes turmoil that went into the live show and all its changes during and after its initial previews and premiere. I hope someone was smart enough to shoot that, as even as a flawed work, there’s something about a live show (or a filmed version of one) that’s a good deal more interesting and impressive than a film with a room full of computers powering the better parts of the action scenes…

Random Film of the Week(end), Too: The Night Digger (The Road Builder)

(Thanks, Night of the Trailers!) 

the night diggerI used to get The Night Digger and The Night Visitor confused when I was younger, but that’s since been rectified (and nope, I’ve been fortunate enough to NOT confuse any of them with The Night Porter). Both films are from 1971 and bother are psychological thrillers, with the former film being the more “horror” oriented one on a few fronts. However, neither is a straight up slasher flick and both have elements that make them superior to typical genre entries.

Here, Patricia Neal gives a powerful performance as Maura Prince, a woman living with and caring for her blind mother Edith (Pamela Brown), with both women falling prey to the charms of the handsome young Billy (Nicholas Clay) who rides up one day on his sleek motorbike and asks for a job. He’s not just good with his tools, folks… he’s also a violent sex criminal and murderer who has a handy way of disposing of his victims. In a bizarre twist (one of a few the film socks you with), the film turns into a very strange love story where you may find yourself rooting for that emotion to take hold and win over all, but there’s that air of inevitability and gloom thanks to the plot turning as it does and a beautiful and haunting Bernard Herrmann score that will raise a few hackles (if you haven’t gone and shaved them off like the kids do with their hair in certain spots, ewww)…
Continue reading