
Dean Forge adds some user-requested features to his chilling little indie horror game’s first chapter, so… let’s get ready to run-ble! Yep, now your amnesiac party yacht castaway can run from that creepy-ass lumberjack, who by the way, gets an AI boost of his own. You’ll also find that teddy bear a lot more useful font of info and there are some other tweaks. Still, the game has its sense of scaring the poop out of you intact, so if that’s up your alley (and er, don’t take that personally), boogie on over to Desura, Game Jolt or ModDB, grab that update and scare yourself silly (again)…

I usually avoid sticking my nose into other people’s conversations, but I had to poke and sniff lightly into a heated debate this week about
I found the first two Hatchet flicks pretty fun and funny because they’re so “old school slasher movie” that you can’t help but crack a smile at how well they work in presenting the requisite unstoppable big killer with PLENTY of victims to turn into assorted hash and that one character he’s after who won’t go down without a damn good fight. Granted, the films aren’t perfect at all, but that’s part of their charm, I say…
One of the nicer surprises at the Namco Bandai Global Gamers Day event was a playable build of 
Capcom and



Well, well, well… you look like you need something to do this weekend since I hear you’re planning on staying inside. Thankfully, gog.com is on the case (and how!) with their latest weekend sale. This time, it’s a ton of
While the middle to late 1960’s weren’t too good for Alfred Hitchcock’s film output, his fantastic 1972 thriller, FRENZY saw the director return to fine form with a chilling blend of murder, “wrong man” plot, police procedural (of sorts) and black comedy. Between the solid casting of mostly imperfect-looking British actors, actual London locations blended perfectly with studio sets, a bit of nudity and one very unsettling (and lengthy) assault/murder scene that’s shocking but necessary to drive the plot, this is one of those films where you can feel the director’s complete confidence in himself, his cast and crew.