*OK, the official title of this post is: Random Film of the Week: Code 46 (Cinematic Katenjammer Not-So-Secret Santa Review Swap in July Version), but that’s too damn long a title even for my long-winded self. That and you can’t put links into titles on WordPress as far as I know…
As a fan of her always intriguing acting work, I’d watch Samantha Morton play a computer-generated paper bag character blowing down a dirty alleyway (I can see it now: “Dreamworks Animation presents… Trash Tale“), but thankfully (more or less), I got to watch Code 46 again and this time, write a little something about it.
Michael Winterbottom’s impressive 2003 speculative sci-fi love story/drama has some great intentions, solid performances and a lovely, realistically grimy futurist visual style all going for it, but it’s not a film for those with short attention spans nor those expecting a movie that’s going to blow their minds with flashy special effects. It’s one of those extremely well made yet surprisingly middle of the road movies which may at first seem odd for the director known for some outstanding (24-Hour Party People) as well as controversial (Butterfly Kiss, 9 Songs) films.
That said, it’s not “bad” by any stretch of the imagination and in fact, has some truly memorable scenes that will resonate with many viewers who want more than the usual weekend box office romance of the week flick. Nevertheless, for all its slow-burning tension, interesting nudity choices and “disturbing” plot twists, there’s a strangely creeping predictability to most of the film that made it feel like a distant memory playing itself back the first time I saw it. Or a memory to come I’d rather not have.
But then again, perhaps this is how it’s supposed to be…





