(thanks, Retina Br & Yahoo Movies!)
Okay, clowns of the circus and makeup-wearing movie serial killer variety don’t scare me at all. Those stupid Troll dolls with their wild hair sticking up? Nah, I just laugh at their hideous mugs when I see them. But those Keane paintings? Yeesh. They were SO popular and ubiquitous that as a kid it seemed to me someone was going around and hanging them in every other home or shop window to keep people OUT. Anyway, Tim Burton’s new project takes a look at the rather wild court battle between Walter and Margaret Keane after the mister claimed he did all those famous paintings when in fact, his shy missus did all the brushwork.
While this doesn’t sound like Burton material, the man is actually a keen collector of Keanes, so it’s clear that this one’s a labor of love made for about $10 million (a bargain by Hollywood standards). Still, for some of us, this will be a horror movie. It’s those damn haunting gigantic eyeballs that will seep into your soul and probably age you by a few years before this film is over. Either that, or you won’t sleep right for a week because of those damned BIG EYES burning holes into your miiiiiiiind. Yaaaaaah! Well, if it’s a return to form for the director, I’ll be pleased to see this. I’ll just have to remember to keep repeating to myself “It’s only a movie…It’s only a movie…It’s only a movie…” Yaaaaaaah! Anyway, Big Eyes opens at a theater near you on December 25, 2014.

If you’re a creaky old horror film buff like me, Tim Burton’s 1999 film Sleepy Hollow is a nice little love letter to a few classics. Of course, going in not knowing what the director is paying homage to works just fine, particularly if you also toss out ANY notions that he’s going to to a straight retelling of the original Washington Irving short story. Granted, I’d bet most people who went to see this back when it was released weren’t stuffy critics who poked at the movie for not staying close to that moldy lore at all (or had even read the story, for that matter). If you wanted a well-paced horror flick with some solid performances, great visual effects and a few shocks along the way, you got that and then some. Those of us who saw this with one eye out for the director’s reference material were more likely than not a great deal more giddy by the time those credits rolled…