PS Vita Review: Trillion: God of Destruction

Trillion_Coversheet_US_Front_1000pxPlatform: PlayStation Vita/PS TV

Developer: Compile Heart

Publisher: Idea Factory

# of Players: 1

MSRP: $39.99 (retail/PSN)

ESRB Rating: T (Teen)

Official Site

Score: B+ (85%)

 

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While it’s not perfect, fans of Compile Heart’s offbeat and often gal-filled JRPGs should find Trillion: God of Destruction right up their respective alleys. Actually, you’ll probably need to travel through at least one of those alleys and hope there’s a game shop located somewhere at the end of that trip so you can pick up a retail copy if digital isn’t your thing. The game feels like a hybrid that mixes Princess Maker-style mini-games, nice art that looks quite like a Disgaea spinoff (former team members from that series worked on the game), and core gameplay that’s akin to a Mystery Dungeon game meets Vandal Hearts 2 but with a more awkward camera that will mildly to moderately mess with your mojo.

After the titular titan Trillion bumps off Zeabolos, the Supreme Overlord of the Underworld, his brother and about a million minions, it’s up to his female Overlords to get revenge on that massive one plus a dozen zeroes HP creeping terror before it lays waste to their home. Poor Zeab is revived and reconstructed to the best of her ability by a lady with an appropriately Faustian name (Faust) who makes him an offer he can’t refuse. She creates a single ring that the Overlords can wear that will boost their powers considerably provided they also train while Trillion sleeps parked near the gates to the Underworld. Of course, Faust’s deal comes at the cost of Zeab’s soul once the big baddie goes beddie-bye for good. But whomever defeats Trillion instantly becomes his successor and new Overlord of the Underworld with all the riches, sweets and other treats that entails. Continue reading

Blu-Ray Review: The Mutilator (Fall Break)

The Mutilator AV023If you missed out on Buddy Cooper’s amusing and gory slasher flick The Mutilator way back when it was in theaters or later on VHS, you’re in for a treat thanks to Arrow Video. This one’s got the goofy acting and eyebrow-raising plot holes you’d expect from the genre, but it’s the exceptionally nifty gore effects from Mark Shostrom (Videodrome, Evil Dead II) that will get most viewers on the hook (pun intended).

As for special features, Arrow packs the disc with a raft of bonus content that makes the film a lot more enjoyable thanks to all the great interviews with the cast and crew that participated. These extras are all a great thing as the story here is pretty standard genre wrangling saved by some humor and the aforementioned gore effects.

Ten years after accidentally shooting his mother, Ed Jr. (Matt Mitler) gets a phone call from his dad with a request to close up his beach condo for the winter. After his girlfriend Pam (Ruth Martinez), and school chums Ralph (Bill Hitchcock), Sue (Connie Rogers), Mike (Morey Lampley), and Linda (Frances Raines) invite themselves along for a little fun in the cool fall sun, they discover the condo in a rather messy state. Chalking it up to Big Ed being drunk with a few friends, two of the teens commence their usual getting drunk and splitting up for some alone time antics. Let’s just say Big Ed has a little (okay, somewhat large and sharp) axe to grind with his son… and his poor friends just so happen to be in the wrong place at the right time for him to get in some prime chop time. Continue reading

DVD Review: Children of the Stars (2012)

CotS DVD CoverWhile the focus on solely letting its members speak without interruption or analysis from outside commentators debating the merits and downsides of the Unarius Academy of Science might seem unusual to those seeking a more opinionated documentary, Children of the Stars has an overall earnestness that works in its favor.

The 2012 documentary from director Bill Perrine (available on DVD through MVD Entertainment) isn’t perfect, but it’s perfect debate material for sure. Yes indeed, the spiritual group’s strange takes on science and history will seem bizarre to anyone not on their wavelength. But as home-brewed belief systems go it’s one of the more benign yet creative ones you’ll ever encounter. Continue reading

PC Review: The Count Lucanor

lucanor_poster_01Platform: PC (via Steam)

Developer/Publisher: Baroque Decay Games

# of Players: 1

MSRP: $9.99

ESRB Rating: N/A (but it’s NOT for the kiddies!)

Official Site

Score: A- (90%)
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When a game’s press info mentions classics The Legend of Zelda and Silent Hill as inspirations, it’s either going to be really great or really lousy. Fortunately, Baroque Decay’s excellent The Count Lucanor is not only really great, it’s one of those smartly designed “retro” games that does pretty much everything right. The game is funny, a bit frightening (and best played in the darkness) and definitely disturbing on a few fronts. While it’s not a lengthy experience at all, the about 5 hours it takes to play (which is your average 8 or 16-bit game length, not counting RPG or strategy titles) means it won’t wear out its welcome when all is said and done. Five different endings mean there’s replay value to be had if you want to see every possible outcome, but you can mildly abuse the save system if you don’t want to start from the beginning each time. Continue reading

Blu-Ray Review: Malatesta’s Carnival of Blood


AmericanHP_AV043Having seen my share of horror oddities on TV, in theaters an via assorted video formats since the 1970’s (okay, late 60’s if you count those Chiller Theater and Creature Feature reruns), I have to say Malatesta’s Carnival of Blood is way up there as one of the more bizarrely unfocused storytelling-wise but visually striking genre films I can recall. Thanks to Arrow Video, the film has been lovingly restored and presented as one of the three films in its must-own American Horror Project Volume 1.

Director Christoper Speeth‘s unusual flick is a loosely (VERY loosely) plotted tale of a family who’s invested in a run-down carnival that has some pretty grim secrets underneath its dilapidated thrill rides. Some viewers may note slight similarities to Carnival of Souls, Night of the Living Dead and certain silent films the movie itself spotlights at certain moments. While the film does suffer from a number of continuity issues no editor could fix thanks to many shots being done in a single take, the production design and overall tone here makes this one well worth watching. Trust me, if the bizarre found object set design doesn’t hook you in, it’ll be the general weirdness and downbeat tone you can feel from the outset that work their magic on your eyes and brain. Did I mention you also get to see singing ghouls and cannibalism by said ghouls here? Nope? Well, yes indeed you do.
Continue reading

Blu-Ray Review: The Premonition (1976)


 

AmericanHP_AV043As with The Witch Who Came From the Sea, the second film in Arrow Video’s mostly great American Horror Project Volume 1 collection isn’t really a traditional genre flick at all. Robert Allen Schnitzer‘s 1976 film, The Premonition is more of a visually intense psychological thriller with a supernatural theme running through it.

Don’t go into this one expecting gallons of blood and guts all over the walls and floors, folks. The film is a more deliberately paced thriller with a somewhat complex “child in danger” plot that seems to have been rewritten over another idea for a competent family drama of the week TV movie. Continue reading

Blu-Ray Review: The Witch Who Came from the Sea

AmericanHP_AV043Arrow Video and MVD Visual are giving horror genre fans a true trio of rarely seen treat with its new American Horror Project series. Volume 1 (limited to only 3000 copies) contains three films from the 1970’s restored as best as possible and packed with loads of must-see bonuses that make this collection well worth the cost. Each of the films here is such a revelation of both great, bizarre and bad elements that I’ll be covering them in separate reviews starting with (in my opinion) is the best of the trio.

Matt Cimber‘s 1976 film The Witch Who Came From the Sea is both amazing and disturbing on a few levels. A startling performance by Millie Perkins (best known to classic film fans for The Diary of Anne Frank) and lovely cinematography by Dean Cundey make this one of those films that creeps up under your skin and stays there for a while. Molly (Perkins) watches her young nephews during the day, filling their heads with tales of their seaman grandfather’s heroic deeds and pumping them up with admiration for sports stars they see on TV. At night she works as a barmaid in a dockside dive, sometimes sleeping with her boisterous boss, Long John (Lonny Chapman). That’s not her biggest secret, however. She was a severely abused child who descended into a quiet madness during her years of torture who’s now a serial killer with specific men as her targets. Continue reading

PC Review: Portal Knights

Portal_Knights_LogoHDPlatform: PC

PK_cropDeveloper: Keen Games
Publisher: 505 Games
# of Players: 1 – ?
MSRP: $14.99
ESRB Rating: E10+ (Everyone 10+)
Official Site
Score: A- 90%

Even though it’s still in Early Access on Steam, Portal Knights has become something of a phenomenon among its growing user base. According to 505 Games, to date players have:

– Looted more than 232 million items

– Mined more than 103 million blocks

– Killed more than 23 million enemies

– Crafted more than 19 million items

and yes indeed, I’m one of those players having a blast with the title. While it does start out a wee bit slowly, some literal digging around in that first (and later, every) area will have you soon seeing that there’s a great deal under the pretty surface that really goes a long way in making things even more entertaining. While geared towards younger players (note that E10+ rating above), the RPG elements, often challenging combat, crafting and exploration elements have a very wide appeal for novices as well as hardcore gamers looking for the next big deal.


 

Things kick of simply enough with a character creation screen where you choose your gender and select one of three classes (Warrior, Archer, Mage) before warping into the first randomly generated world. There’s a set of basic tutorial pop-ups that cover a few things and Minecraft fans will probably get wise to what to do a wee bit faster than anyone who’s not played that game. That said, there are enough differences from that game (and the side-scrolling Terraria) that set it apart. For one thing, other than the simplistic character faces and baggy starter outfits, the visuals (which run at a zippy 60fps) are much more appealing and lively here. Rich colors and nifty visual effects abound in each area, making exploration always fun when you make it to new worlds. Monster types are nicely varied as well, changing at night to deadlier varieties once you unlock your first portal. Continue reading

PC Review: Agatha Christie: The ABC Murders

The ABC Murders B 

ABC_jaquettesPlatform: PC (also on PS4, Xbox One)
Developer: Artefacts Studios
Publisher: Microids
#of Players: 1
MSRP: $29.99
ESRB Rating: T (Teen)
Official Site
Score: B+ 85%

ACABCMURDERS_screen27012016_3 

In Agatha Christie: The ABC Murders, you play Hercule Poirot, the dapper detective with the well-trimmed mustache whose “little grey cells” got him through plenty of crime solving tales made famous by the author and represented in books, on stage, screen and yes, videogames. Developer Artefacts’ decision to make their Poirot so close to the source leaves exactly no room for intentional player error or many non-Poirot like affectations to mess with the formula. While this results in a game that’s impossible to “lose” because you’ve made a serious error in judgment or otherwise, it does deliver the proper feeling of the man at work as a series of not so random alphabet-related murders unfold.

Part of what makes the story and game so intriguing is the killer’s choice of Poirot as the person to mail clues to each crime to before he commits them. The killer’s confidence in taunting and tasking Poirot to track him (or her) down means there’s a certain sort of methodical insanity at work that’s somewhat fascinating. In this modern information age where under some circumstances, electronically sending death threats like that would (or should) lead to a suspect most likely being caught before they got too far into the alphabet, the 1935 setting means those mailed letters give the killer time to plot and Poirot time to think. The unfortunate side effect is a new crime scene and recently killed body to pore over for evidence, but as they say, nothing is indeed perfect, mes amisContinue reading

Blu-Ray Review: Nikkatsu Diamond Guys Volume 1

NikkatsuDG_AV037Bringing three great Japanese films to collectors in fine form, Nikkatsu Diamond Guys Volume 1 comes highly recommended thanks to all three films being worth a watch for more reasons than the trio of actors featured on that cover art.While not flawless, seeing more Japanese cinema from the 50’s is an excellent thing if you in to expanding your cinematic horizons.

As all three of these flicks were new to me, it was quite pleasing to come away from this collection wanting to see more of what the directors and stars did over time. Longtime fans of the country’s movies will see some familiar faces in all three films, so the collection also works in that “spot the character actor” game we all play when we see a new film for the first time.


 

Seijun Suzuki’s 1958 mystery drama Voice Without A Shadow kicks things of with a noir-ish tale of Asako, a former newspaper phone operator who quit her job shortly after accidentally ringing up a killer in the middle of his dirty work. Three years later, Asako’s husband has a few work pals over for dinner and Asako recognizes one man’s voice as that of the killer. Talk about awkward dinner conversation! She has a minor breakdown, but things get worse when the killer turns up dead himself and Asako’s husband seems to be the prime suspect. In the middle of all this comes Ishikawa (Hideki Nitani), a reporter for that aforementioned newspaper. He had a crush on Asako back when she worked at the paper, but stepped aside when he discovered she was spoken for. Is his interest in the unsolved murders a new play for Asako’s intentions or is there some sort of actual journalistic integrity at work that will bring the killer of the killer to justice? Continue reading