With Arrested Development back on the block as a hot TV series (well, if you count not actually being on TV as part of a popular pay-to-stream service that’s 100% useless if your internet goes down), I figured I may as well celebrate the fact that I can’t see it (until someone wises up and gets a physical media collection out) by pointing you to this more than pretty decent 1971 Clint Eastwood-directed thriller that may have kicked off the whole “unhinged stalker hookup” sub-genre. OK, put that jaw up, stop doing that double take and pay attention – there’s a point here being made (I think).
AD’s Jessica Walter is in this one, younger, more attractive and save for the psychotically imbalanced character she’s so good at playing in this flick, she’d probably be a great partner for Eastwood’s late night DJ, Dave Garver. Of course, Dave’s not actually a completely nice, innocent guy here, but that’s another thing the film plays with as it tells the tale of lust gone bad…
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OK, I don’t “hate” The Three Worlds of Gulliver at all, but as a kid, it did take me four attempts to sit through this classic family film without falling asleep. Sure, Ray Harryhausen’s “Superdynamation” effects and that lovely Bernard Herrmann soundtrack make this another perfect one-two punch for movie fans, but something about this flick has always rubbed me the wrong way.
If you want to get your friends into classic movies, there are three ways to do so. Kidnapping them, strapping them to a chair with eye clamps and locking them in a room with a TV locked onto Turner Classic Movies isn’t quite the best idea, nor is lecturing them about how all modern films are terrible compared to everything pre-code or up to say, 1959. 
It’s actually pretty fun to watch early 50’s to mid-60’s sci-fi films for their historical as well as entertainment value because the space race was in full blast and Hollywood was finding out fast that NASA was making most of what they were doing obsolete. Granted, other than the opening few minutes, Nathan Juran’s excellent First Men in the Moon doesn’t need to juggle much in the way of realism other than making sure its 1964 astronauts (made up of members of UN countries!) making that moon landing were wearing gear that at least looked up to date. 
When I was much younger, I wondered why Ray Harryhausen didn’t make more films until I found out how long it took him to design all those characters from drawing and painting some outstanding concept art to the construction and creation the visual effects. Let’s just say the man gained all the respect I had after that. That said, 1977’s Sinbad and the Eye of the Tiger is an example of what happens when a movie studio decides to rush things a bit too quickly, as it’s not his best work of the decade on display. 
Ha! Motivation-killer flu, you can’t keep me from posting! Anyway, onward! It took Charles H. Schneer and Ray Harryhausen fifteen years to follow up their classic fantasy film The 7th Voyage of Sinbad with the second of three movies starring the fabled sailor and The Golden Voyage of Sinbad both looks and feels almost as timeless as that first adventure.
Since I’m feeling sick as a dog today, I’ll share the wealth (without making your temperature go up to stay in bed levels) by getting you a bit queasy with this rather wretched 1980 sci-fi/ “horror” film that completely wastes the talents of too many good people and is so surprisingly awful that anything resembling a proper remake would require the invention of a mass mind-wiping machine PLUS time travel so you could stop the original from being made.
"DESTROY ALL FANBOYS!" 