Hump Day With The Ross Sisters: Don’t Get It Twisted, Mister…

I’d forgotten all about the almost forgettable 1944 musical Broadway Rhythm until I was flipping around with the remote looking for something to work to as background noise for a bit of writing and boom, I see that TCM is showing the wonderful documentary That’s Entertainment III, an instant watch just for the old Hollywood history lesson and ton of rejected clips and alternate takes from more great MGM musicals. Anyway, they ran the end of this incredible dance sequence featuring The Ross Sisters (their sole film appearance) and as I watched it, I recalled I’d seen part of this film before, but changed the channel just before the “Solid Potato Salad” number where the gals do their thing.

Ouch, and ouch and ouch – all this clip reminds me of is how I really need to exercise more. Well, not to THAT point of flexibility, though. Hell, I almost broke a hip watching this. Anyway, nope, no special effects or stunt doubles here – just a lot of practice and probably no chemically packed fast food slowing them down one bit. Er, don’t try this at home, folks. Or at least keep an ambulance on speed dial…

Random Film of the Week (Fore!): The Beast Within

(thanks, Deathdealeus1984!) 

the beast within 1Since we’re in the 17-year cycle of cicada “season” (and not a one has popped up around here thanks to it being too cold AND the fact that all that deep digging heavy landscaping work in the area over the past two plus years has probably mashed a few hundred million eggs but good), I figured I’d reminisce about this rather wild 1982 horror flick that’s either really good or really awful depending on your tastes. I paid to see The Beast Within on its initial release and along with a few friends, ended up sitting in a coffee shop afterward discussing how underwhelmed, amused and bored we were by this so-called shocker.

That “BEWARE” or “WARNING!” in big letters on the posters is kind of right at least in one way – this is one worth watching only if you realize that it’s not quite all it’s cracked up to be and relies on one good effect sequence dragged out a wee bit too long. Granted, the revolutionary effects work in the that transformation sequence makes for the best part of the film. But having to sit through the draggy bits and broken storytelling might put you to sleep before you get to the best stuff it has to offer… Continue reading

Random Film of the Week (Too): Point Blank

(thanks, MyDeathlok!) 

point blankForget that offbeat poster to the left, all the film’s stylish narrative tricks and fine ensemble cast doing some stellar work, folks. There’s one obvious moral to John Boorman’s Point Blank that seems to have escaped nearly everyone who dies in this film. That would be the following: If you owe Walker $93,000, stop talking so damn much, pay the man and stay breathing a bit longer.

Of course, this would make for a really short movie that’s probably not too entertaining, so the assorted bad men yak it up with excuses for not having his money while Walker (Lee Marvin), beats them with his wits, fists, a few well-placed bullets and assorted items in some of the sets. This is one of those “mature” late 60’s flicks where violence and refreshing vulgarity were emphasized as selling points and served the story being told. Although the storytelling here may require repeat viewing for those not used to narrative abstractions such as unusual editing, flashbacks and an ending that leaves a few questions lingering in the night air like the smell of gunpowder.
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Random Film of the Week (Corporate Edition): Rollerball

rollerball_ver2_xlgSo, I’m looking over the notes for my Prometheus plot dissection (which probably won’t be as critical as my picking apart of The Thing from a few months ago), and that fun GE robot ad pops up. While writing up that last post about it, I got to thinking about a few of my sci-fi flicks that had evil corporations running things unto the ground for the purposes of profit and proving class struggle is a useless pursuit.Oh, what a fun time that was (he said, depressingly).

Norman Jewison’s excellent Rollerball was one of the first films that popped into my head (along with Soylent Green and Logan’s Run in case you’re interested) and amusingly enough, it just so happens to have popped up on cable recently. For the younger crowd out there, stay FAR away from the truly terrible 2001 remake and check out the darker, more violent and surprisingly deep 1975 original.

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