Man of Steel TV Spot #11/Pacific Rim TV Spot #3: More Heavy Metal Heroes…

So, I’m not hanging out in Los Angeles for this year’s E3 and its series of wild post show parties and such, but if I were going, I’d make sure to hang around until the 14th just to catch Man of Steel at whatever big theater it was opening at. I haven’t done that premiere thing since Star Wars: Episode One – The Phantom Menace opened and I got to see it at a ridiculously crowded midnight showing (the only time we could get tickets). Anyway, based on the power of their ads alone, both The Man of Steel and Pacific Rim are certainly going to be a hell of a lot better than Episode One was on a few fronts.

Well, at least I think so… ;^P

White House Down Trailer: Here, Forced Dumb.

Blech… I just completely do not like these new dopey, expensive action flicks that throw presidents into danger. Yeah, yeah, there have been some well-made ones, but this year’s two blockbusters have just gotten my goat out of its pen and knocking its head into a wall. Well, if anything Roland Emmerich certainly knows about blowing the hell out of well-known real estate. That said, Independence Day was entertaining in a “Yeah, you KNOW that’s not going to ever happen” manner and despite the figurative earth-crushing moments where stuff blows up really good, you could at least walk out of the theater and feel somewhat entertained by what you just saw.

Anyway… this Die Hard meets Air Force One meets domestic terror on steroids stuff is really not necessary, but I guess it’ll have a “happy” ending and a lot of people complaining about it either way. Wait, that’s what I’M doing? Crap. Er, “Free Speech!” “Free Speech!” Now, where did I park that TARDIS? I want to go back and pitch this idea to George Washington and see what he thinks…

Random Film of the Week: Invaders From Mars (1953)

 

invaders from marsThanks to the need to quickly get out product to audiences rabid for the fantastic, plenty of 1950’s sci-fi and horror movies look as if they were tossed together on a few weekends or less by people more or less making stuff up as they went along. Granted, this led to some true classics of awesomely wretched in-excess (otherwise known as “Z” movie greatness around here), but there were also some surprisingly well-made gems that still pack a punch in terms of story, design and overall impact.

Despite two out of three unconvincing-looking aliens (the third one’s the charm) and a bit too much military stock footage inserted to show loads of troops on the move, Invaders From Mars in squarely in the latter camp thanks to its director and production designer, William Cameron Menzies. The multiple Oscar winner applied his keen eye to the film’s visual style, which presents an alien invasion primarily from the point of view of the young boy who sees a saucer land in the field behind his house. Of course, no one believes him, but as things start to go strange around him, there are a few that finally see the light and fight back against the aliens… Continue reading

Shout Factory Keeps The 70’s Rolling Along With Some Genre Classics…

Seeing these three films pop up on the Shout Factory site almost makes me feel old, except for they got me excited that they’re back in circulation, so I’m bouncing around the room. OK, not so much at my age… but any activity is good when you get this creaky. I added the road movie from hell Race With the Devil as a Random Film of the Week last year, but haven’t got around to Electra Glide in Blue (a really good, quirky cop flick with one of those depressing 70’s endings) and Dirty Mary, Crazy Larry, a pretty cool extended car chase flick with some great action and yep, another smasher of an ending sequence.

Hmmm, with all this road wreckage, wild hippie women, devil worshipers doing their thing in the woods and assorted traffic cops going through really lousy workdays, it’s a wonder real people drove ANYWHERE during this period. Well, they had to go to the movies too, so I’d gather an evening at the drive-in for a triple feature of all three might have been happening somewhere out there back in the day…

Anyway, that’s two more films I’ll need to add to the RFotW pile – stay tuned…

Random Film of the Weekend (Too): Time After Time

(thanks, warnervod!) 

time after timeAmusingly enough, this RFoTW post was going to be about Somewhere in Time, but I’d mistakenly typed in Time After Time as the title of that film when doing a search for the poster, looked at the results and remembered that while SoT is indeed a fine (and highly underrated) gem, TAT is more pure fun to watch and does a few more interesting things with its characters and plot as it takes them from past to present.

Adding some unique twists to the time travel and Jack the Ripper mythologies, it combines mystery, drama, action and romance with bits of comedy that work despite some first time director flaws in the ointment. Oh, and it’s a grand little science fiction film that works because you’re sucked in so quickly and completely forget the fantastic elements being so farfetched thanks to the story, characters and direction making it so real…
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Random Film of the Week(end): The Mad Adventures of Rabbi Jacob

rabbi jacobIt’s a big, fat shonda that this 1973 comedy classic isn’t more easily available on home video here in the US. I saw it for the first time as a kid at the movies when it was initially released, then a few times on cable in the 80’s before it vanished. I’d thought it gone for good from circulation until I went to France in 1995 with a few friends and our luggage got accidentally put on another flight from Heathrow during the connection from New York (Oops!).

While waiting around the place we were staying for the airport van to arrive with our bags, I decided to turn on the TV just to see what Parisians watch when they’re not outside at some nice cafe sipping whatever and smoking Gauloises and people watching (which is a fine sport in Paris). Guess what was on? That’s right, and even more amusing, I found out soon enough that the film is something of a national treasure there. Even funnier was during the time I was in France, the two other times I walked past a TV that was on, the film was playing, which led me to believe that there was either a Rabbi Jacob channel running this on a loop 24 hours a day or whomever was in charge of network programming had a rather single-minded sense of humor…
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Pacific Rim “Oversized Robot Sets” Trailer: Those Three Little Words…

Wait…What? You mean they didn’t build ACTUAL working robots for Pacific Rim? Man, whadda gyp!! Well, not really, but given that the animation is done with no motion capture at all, these big metal behemoths have weight to them when they move and don’t look like a stuntman going through his paces (and too fluidly, at that). Hey, imagine the action figures for this flick and how HUGE they’re going to be? How huge you ask? Well, silly… what’s the title of that video again? Yeah, that’s right – OVERSIZED ROBOT SETS. I’ll take a dozen, thank you much. And just what do you get the man who has everything? A bigger closet!

Random Film of the Week (Fore!): The Beast Within

(thanks, Deathdealeus1984!) 

the beast within 1Since we’re in the 17-year cycle of cicada “season” (and not a one has popped up around here thanks to it being too cold AND the fact that all that deep digging heavy landscaping work in the area over the past two plus years has probably mashed a few hundred million eggs but good), I figured I’d reminisce about this rather wild 1982 horror flick that’s either really good or really awful depending on your tastes. I paid to see The Beast Within on its initial release and along with a few friends, ended up sitting in a coffee shop afterward discussing how underwhelmed, amused and bored we were by this so-called shocker.

That “BEWARE” or “WARNING!” in big letters on the posters is kind of right at least in one way – this is one worth watching only if you realize that it’s not quite all it’s cracked up to be and relies on one good effect sequence dragged out a wee bit too long. Granted, the revolutionary effects work in the that transformation sequence makes for the best part of the film. But having to sit through the draggy bits and broken storytelling might put you to sleep before you get to the best stuff it has to offer… Continue reading

Random Film of the Week (Trois): Sisters

Sisters“There was NO body because there was NO murder!”  is a great line, folks. Use it wisely, as it’ll either get you in or out of a lot of trouble depending on when and how it’s spoken.  Anyway, I must be losing my mind because I really thought I did this one as a RFoTW already. But it was either a dream I had about writing it up (hey, it happens every so often!) or perhaps I’d referenced this great 1973 flick in another film article from a while back.

Before we begin, a note (la!): there’s a 2006 remake of this Brian De Palma horror classic that’s a must to avoid, as it reworks too much, has some odd casting choices that don’t work and ends up being more annoying than scary. See it if you must, but not before checking out the original first. Of course, If your eyebrow has locked itself in a stiff “Oh Really?” position (meaning you’ve seen The Black Dahlia), trust me – from the second that incredibly loud (and incredibly brilliant) Bernard Herrmann main theme kicks in, you’ll be shocked into your seat and unable to look away… Continue reading

Random Film of the Week (Too): Point Blank

(thanks, MyDeathlok!) 

point blankForget that offbeat poster to the left, all the film’s stylish narrative tricks and fine ensemble cast doing some stellar work, folks. There’s one obvious moral to John Boorman’s Point Blank that seems to have escaped nearly everyone who dies in this film. That would be the following: If you owe Walker $93,000, stop talking so damn much, pay the man and stay breathing a bit longer.

Of course, this would make for a really short movie that’s probably not too entertaining, so the assorted bad men yak it up with excuses for not having his money while Walker (Lee Marvin), beats them with his wits, fists, a few well-placed bullets and assorted items in some of the sets. This is one of those “mature” late 60’s flicks where violence and refreshing vulgarity were emphasized as selling points and served the story being told. Although the storytelling here may require repeat viewing for those not used to narrative abstractions such as unusual editing, flashbacks and an ending that leaves a few questions lingering in the night air like the smell of gunpowder.
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