100 From 2001 Is A Pretty Prime Number!

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EDIT: Duh, I forgot to put the link in. See below for that link. Heh, sorry!

2001_ASO_MPA friend sent me a link to “something wonderful” the other day and after taking the ultimate trip through this amazing imgur gallery of stills and behind the scenes production shots from the filming of one of my favorite films, Stanley Kubrick’s 2001: A Space Odyssey, I’m reporting back and sharing the link for all to discover on their own time. I’ve seen a handful of these here and there over the years, but the entire gallery all at once is amazing and quite educational on a few fronts.

As with any film, I knew there were bits shot and discarded, but I’m now wondering about that lovely futuristic (well, for 1966-67) automobile among other things. Was that a mere production still or was/were there a scene or scenes shot on earth? Anyway, the placement of the images seems to follow the film’s plot, but if you’ve never seen 2001 before, fear not. Not knowing a thing about it means you’ll be scratching your head until you DO finally see it. Which is a good thing, of course…

Still… let me slightly not “ruin” things with this trailer (thanks, the cultbox!):

Trust me, you didn’t EVEN have anything spoiled there, as this film demands you pay attention. A few times, at that.

Hercules Trailer: Strong Words For The Muscle-Man…

So, here we go again on a few fronts. Yeah, yeah, Hercules has been in the movies for decades and sure, this new film trailer hits all the notes it needs to in terms of the usual action movie bullet points. On the other hand, color me bored and waiting for the cable premiere because this myth has been busted too many times previously in some eternally wretched Hercules flicks. Lou Ferrigno and Luigi Cozzi still hold the golden crown as far as the gold standard of awfulness when it comes to the hero. But at least both films stand up in terms of sheer camp craziness. I mean, in the first film, Herc throws a BEAR he’s just punched out into SPACE which turns it into a constellation for cryin’ out loud! You just can’t top that no matter how many light years better your special effects are. As usual, we’ll see what happens with this newer flick, but I don’t have my hopes up that it will be as fun (or funny) as any of the others.

Then again, there’s always Arnold and HIS goofball take on Herc. He fought a bear in that film as well (and in Central Park, yet!)

Random Film of the Week(end), Too: The Night Digger (The Road Builder)

(Thanks, Night of the Trailers!) 

the night diggerI used to get The Night Digger and The Night Visitor confused when I was younger, but that’s since been rectified (and nope, I’ve been fortunate enough to NOT confuse any of them with The Night Porter). Both films are from 1971 and bother are psychological thrillers, with the former film being the more “horror” oriented one on a few fronts. However, neither is a straight up slasher flick and both have elements that make them superior to typical genre entries.

Here, Patricia Neal gives a powerful performance as Maura Prince, a woman living with and caring for her blind mother Edith (Pamela Brown), with both women falling prey to the charms of the handsome young Billy (Nicholas Clay) who rides up one day on his sleek motorbike and asks for a job. He’s not just good with his tools, folks… he’s also a violent sex criminal and murderer who has a handy way of disposing of his victims. In a bizarre twist (one of a few the film socks you with), the film turns into a very strange love story where you may find yourself rooting for that emotion to take hold and win over all, but there’s that air of inevitability and gloom thanks to the plot turning as it does and a beautiful and haunting Bernard Herrmann score that will raise a few hackles (if you haven’t gone and shaved them off like the kids do with their hair in certain spots, ewww)…
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RoboCop Update: Wednesday’s The Day. “Stay Out of Trouble!”

 
Nope, if you DON’T go to the movies, RoboCop won’t roll up and drag you by the collar to the nearest theater and plant you in a seat with no popcorn. Nope, you’ll just have to live without that embarrassment, people. However, if the film is worth seeing and you miss it, you’ll have to deal with those pals of yours yakking on and on about it until you crack an break out that wallet for your own ticket. Of course, those noise-canceling headphones people seem crazy about just may be your new best friends for a few weeks if you’re holding out for that home video release. Just nod and smile when people talk to you and it’s going to be alright.

 
Of course, you may end up joining the army, a cult, suddenly getting married or even become part of a robbery team RoboCop has to break up if you go about your days nodding and smiling at everything, so don’t rely TOO much on those headphones…

RoboCop “Man and Machine” 1 & 2 (Or: Oh Man, What A Machine!): Get Me Rewrite Edition!

 
Aha. I see what happened! I accidentally overwrote this post somehow thanks to having TWO “Add New Post” tabs open, using one to post these trailers, closing up shop for the night and restating today to use that second window. WordPress recognizes multiple windows open as the SAME post, so if you try to be slick and do multiple posts in different tabs, you’re going to simply overwrite the first post as you think you’re publishing NEW ones. Blargh. I haven’t done that in a while, so I’ll need to NOT do that again. (gives self Vulcan memory pinch): “REMEMBER.” Any-way, here we go again (and I HATE rewriting stuff, so it’s a bit different this time:

 
As you can see, there’s a new shiny metal sheriff coming to town, so you’ll want to be extra good while hoping this film is as well. I think it’ll do well on its own merits, but you know some of the die-hard who want that R-rating will be going after this one for anything they see as not as good as the original. On that note, I say as long as you guys cling to that classic, it’ll live on forever. But don’t poop on this reboots’ parade if it manages to get stuff right and isn’t a bad film at the end of the day. Granted, it’s going to be headed to home video in what, four to six months from now and possibly hit cable before the end of the year, right? So you can see this without paying that ticket price. I guess if you average in whatever you pay for cable or whatever streaming service you use, you’ll be buying this for LESS than a dollar soon enough. Ha and ha ha.

 
Meh – I like the old post better, but this will have to do. At least I dug up a third clip I just noticed while recovering the other two. The FUNNY thing is I had a tab with the old post in it open, but closed it, so I could have copied and pasted the darn thing if I’d caught the error! Ah well… Love me, love my dumb mistakes!

RoboCop Update: “Crime” Doesn’t Pay, But A Good Reboot Will…

Under two weeks to go before the RoboCop reboot rolls into theaters and I think it’ll hold its own against the original at least as far as the story goes. Granted, I don’t think that the film is even trying to copy anything directly from the original, so some die-hards will slam it for that. I’ll take it in as a new start and see what happens, as I usually do with these remakes/reboots. Of course, if the film falls into the “too much CG, pointless plot” trap other franchise friendly films frequently fall into, then I break out the knives (which I bought for a dollar, by the way. Seriously, the dollar store nearby sells kitchen knives starting at a dollar) and start chopping away.

Clip Joint: ROBOCOP (Give It Away, Give It Away, Give It Away…)

 
So, the clips are rolling out and some would say “spoiling” this reboot, but I don’t quite think so. In fact, I think they go a long way in showing the film is going to be better than some jaded online wags have been saying. Granted, the original is hard to top on a few KEY fronts, but from what I’m seeing here, this doesn’t look bad at all. Heck, I’ll buy THAT clip above for a dollar!

 
Some are griping about he black suit over the silver/opalescent color from the Paul Verhoeven film, but I think the new flick’s black outfit is pretty cool in its own right. Sure, if this was “real”, a more matte finish would be the way to go for night ops, but that’s only something I’d heard in a conversation and not my own opinion. It was a pretty hilarious discussion, though.

 
This one’s my favorite clip because we ALL have those dreams that are nice and lovely and getting to the good part and then *BOOM*, you get knocked awake and you’re back in the real world with your day screwed up because your sleep was interrupted. Stupid alarm/hungry pet/cranky kid/spouse/boss/person yelling at you to wake up because you’re napping when you’re SUPPOSED to be steering that bus! Anyway, welcome back to the real world. Now keep those eyes open until you get home, pal.

Random Film of the Week(end): North By Northwest

(Thanks, moviegoof!) 

NBNW_MPOne of my favorite “perfect” films, North by Northwest is one of those films that stands the test of time thanks to everyone involved being at the top of their game and throwing themselves fully into their work. Everything clicks from the moment Bernard Herrmann’s famous score kicks off into that Saul Bass-designed title sequence (note the booming drums that out-roar Leo, the MGM lion) until the final nod and a wink sex joke the adults will snicker or laugh out loud over (while the kids wonder what they’re snickering or laughing or loud about about) closes things out. I’ve seen this countless times since the 80’s and it’s always entertained me to no end.

This is probably the best “wrong man” film made (yes, it’s even better than The Wrong Man) because it combines dramatic, comedic and action elements in Hitchcock’s inimitable style. Sure, there are some plot holes and silly stuff that don’t hold up to too much scrutiny if you’re the overly picky sort. But if this film doesn’t have you cracking a smile or hanging out near the edge of your seat by the time it’s through, you’re either too jaded or watch films with one or both eyes shut…

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Omnicorp’s CES 2027 Lineup Looks Mighty Familiar…

Yes, these are snazzy viral teasers for the RoboCop reboot in case you were thinking I found the key to a TARDIS somewhere and stupidly ONLY brought back this stuff from the future. I’d actually go back to the past a few times and stock up on old comics and a few Van Goghs plus push a few would be dictators off of high balconies or something like that.

Ahem, any-waaaay, these lead ups are quite amusing for sure… now it’s up to the movie to take off and fly right into that box office stratosphere or something corny like that. My mind is otherwise occupied today, so you’ll need to take what’s served up today, sorry!

Random Film of the Week: Across 110th Street

Across 110th St_MPNo, it’s NOT “Blaxploitation Week” here at DAF because believe it or else, Across 110th Street isn’t really an exploitation film at all. Sure it’s got sudden (but VERY expected) bursts of violence, plenty of (way too brightly colored) blood spilled, swearing out the wazoo, hard drug usage, funky fashions and Afros all wrapped in very palpable sense of dread that lurks around from the moment the film gets underway until its inevitable conclusion. Oh, and that urban gangster theme, stereotypical I-tal-i-an mobsters getting needlessly brutal, an equally racist white cop (Anthony Quinn) and the fresh to the precinct black detective (Yaphet Kotto) who has to work with him on his first major case may all make you THINK you know what you’re getting into.

But then a funny thing happens after the title credits roll… the film surprises you with a surprisingly well shot and tense crime action/thriller with a deliberately relentless tone that escalates as things spiral out of control. Stealing drug money from the mob is a bad idea in any dramatic film, but this film lets you watch the doomed men pull off their dirty deed successfully while letting you see all too clearly that they’re not going far with their ill-gotten gains… Continue reading