Well, today I’m working on some CES and other posts for the other site I’m writing for, GamerFitNation, but I don’t want to leave you all un-entertained here while I get stuff done elsewhere. Here’s a fun sequence from 1944’s The Canterville Ghost to watch and grin over. Just track down the complete film and watch it, as it’s a pretty amusing take on the old Oscar Wilde story you may or may not have read in grade school. Or seen on a small or large screen, as it’s been made into a few TV movies and films over the years. Alrighty, I’ll be back in a bit…
As I watch a wee bit too much of TCM when I’m not doing anything constructive, I’ve ended up with a mighty long list of films I need to see before I shuffle off this mortal coil. Not all of these films are important or even good, mind you. But I feel it’s my civic duty to entertain myself as much as possible. Or, to quote The Police: “When the world is running down, you make the best of what’s still around”. Anyway, I figure I may as well kick of another series of articles about films I haven’t seen yet in the hope that some of you get the idea and start bucket-listing flicks you’d like to see. Anyway, kicking things off is The Power, the George Pal produced 1968 sci-fi thriller that I’ve only seen in the 1967 MGM Lionpower promo feature that pops up from time to time on TCM.
That footage made me laugh because the film predates David Cronenberg’s 1981 classic horror/sci-fi hybrid Scanners by 13 years and almost comes off as an influence in a few ways. Granted, Cronenberg’s films stand up well enough on their own. But this oldie looks like it would make a nice companion piece to the newer film (and should certainly be better than the pair of non-Cronenberg directed Scanners sequels that sunk whatever franchise rights the first film had. Not that it needed a sequel in the first place, mind you. Anyway, that’s the first film I could think of, NOT the first one on my list of films. That’s just how I roll, people… randomly. Which, by the way, is a habit I’m trying to break. Back in a bit…
Finally, one of the bucket list 80’s film for many folks my age is coming to TV legally and I couldn’t be happier. Well, I actually COULD be happier if TCM was showing Nothing Lasts Forever at a more sane hour. For a big premiere of a film many have desired seeing on the big screen, that 2am (EST) start time just made me say, “really?” out loud when I found out. Which was funny because I was at the library and when I said that, two guys who were talking next to me thought I was referring to the conversation they were having that I didn’t hear. Oops.
Okay, not that I’m not a complete night owl at times (all my candles have wicks on either end), but come on now. Still, this bodes well if the damn film also nets a DVD/Blu-Ray release at some point in the near future. Or at the very least, more and earlier showings on TCM. Here’s a fan-made trailer from a few years back just to pique your interest in case you’re wondering what I’m gushing about:
I’m not sure if they track their ratings as obsessively as network stations do, but I’m betting a lot of people will be staying up later than usual to catch this. The other upside to all this is if you still happen to be awake and giddy afterwards, you can sit through John Carpenter’s 1981 classic, Escape From New York, which amusingly enough fits the theme of the previous film, albeit in a more comically violent manner. Anyway, I’ll put on some coffee as soon as I walk in the door, maybe do a few push-ups and jump into the shower to keep awake. I was up late into the morning today (see my previous post) and had forgotten the film was on later today, er, tomorrow morning. Fear not, dear readers – I’ll be awake to see it in its entirety. My Sunday may either be spent half asleep for the better part of the morning or wishing I could see the movie again because I missed something.
MGM had better come through with a home video release at some point. I’m betting a lot of people will be replacing bootlegs with a better version that will hopefully have some decent special features.
Well, if you’re a very lucky resident of the UK with an interest in the classics, you get to see Stanley Kubrick’s sci-fi masterpiece as it NEEDS to be seen – in a nice theater with a huge screen for a short run starting November 28. This trailer is quite nice even though it sort of gives away a lot of stuff to people who’ve seen this one many times. On the other hand, it’s also mysterious and unsettling in a “What the heck is this film about?” manner that may pull in a few younger viewers yet to experience this ultimate trip. Fat chance of this coming out here, as I have no idea who would go see this other than people like me who don’t mind hoofing it out to a theater just to see something already viewed multiple times (to the point of knowing certain lines of dialog and timing almost perfectly. “Ham, ham, ham, ham…”) Eh, given that I’d have to travel far to see this anyway (we’re down to two faraway theaters of questionable quality in this borough, boooo!), in a goofball way, it’s almost worth the airfare to London. But that’s not going to happen, ladies and gents…
(thanks, SilentPianoNinja for making this spectacular modernized trailer!)
If you know someone who’s straddling the silent movie fence or avoiding it entirely for some strange reason, The Big Parade is a great movie to get them into appreciating a great many important films they’re missing out on. Director King Vidor’s absolutely brilliant and hugely influential 1925 film benefits from stellar performances all around, and a half comedic/half dramatic structure that introduces its cast of characters with vigor and plenty of humor in that first half before pulling no punches in its latter half’s battle scenes.
The great and handsome as heck John Gilbert along with the beautiful Renée Adorée give what would have been Academy Award-winning performances had the Academy existed at that point in time and for me, this is one of the more stirring pre-sound epics worth rounding up friends and/or family to watch this classic with. You’ll need a kettle of popcorn, a barrel of root beer (that barrel will come in handy later) and perhaps a box of tissues to go ’round the room, as this is 141 minutes of fantastic film making that’s truly stood the test of time Continue reading →
The third part of Peter Jackson’s busy amusement park version of Middle-earth is on the way to theaters in December and as you can see from this teaser trailer, you’ll be getting pretty much what you expected if you liked the other two parts of this two part film expanded into three. I’m actually a film behind in this saga (I need to see The Desolation of Smaug at some point), so I’m not in a tearing hurry to rush out to a theater 11+ miles away and see this one. Heck, given the extended, special, collectors and other edition home video versions that are BOUND to surface in 2015 and onward, I may as well wait until the DEFINITIVE version of this trilogy rolls out just so I can see every bit of film as it was intended to be seen (er, as far as home versions go). I should probably just follow a friend’s advice and get a nice HD projector to make that one big white wall in the living room a mini movie palace, but we’ll see what happens financially over the next few months or so.
Oh, and you can actually WIN a nice trip to New Zealand to poke around some of the actual locations from the film (minus the green screen effects, of course). That video above will clue you into how to enter and such. Good Luck!
NO, not THAT Monster, you. I’ve been a bit occupied today in getting some expired ID’s renewed, so it’s been a bit of a hassle today in terms of a few things. Anyway, the balls are rolling on some stuff, so that’s good. I’m going to go take a nap after this hot day of running about and waiting and maybe pop up later to post something that’s actually worth reading. I see my inbox is PACKED TO THE GILLS (*blub!*) with stuff. Eh, what else is new? Other than people making a damn mist for potato salad from strangers who should know better (and send that money to me because I’d put it to much better use. Art doesn’t spoil, folks… unless it’s made from stuff that spoils, of course)…
“Nothing like a little disaster for sorting things out.”
Some people hate Michelangelo Antonioni’s groundbreaking 1966 film Blow-Up (or Blowup depending on how you prefer it spelled, I go with the poster myself) with a passion reserved for cruel dictators and people who drive vans full of puppies and baby rabbits into lakes. Me, I’ll admit to disliking and being frustrated with the film when I saw it as a not quite ready to see something so heady teenager thinking it was going to be something entirely different. However, as years have passed and I’ve seen it a few more times, I’ve come to truly appreciate the film for the things it nails while realizing most people who despise the film tend to over-analyze it to the point of making themselves confused as to exactly what the movie is about.
For all its swingin’ London scenery, excellent use of that great Herbie Hancock score, skinny exotic models posing for a seriously unlikable main character and seemingly “boring” stretches where seemingly, nothing important happens for some viewers looking for a proper narrative before something important DOES happen (that’s picked upon as important to those plot followers, naturally). The funny thing is, any attempts as locking in that golden “Aha!” moment are interrupted by a few distractions that intentionally take focus away from things unless you’ve clued into what’s actually going on here. With all that, Blow-Up is actually a surprisingly minimalist and easy to understand film, albeit an experience that demands your complete attention. Well, once you cut through the arty fat and get to the hidden in plain sight meat on the bone dangling in front of you, it’s a more fulfilling viewing experience. On the other hand, it’s also a film that while open to a few interpretations, still revolves around a central theme some continue to overlook. Continue reading →
Even though the first time I saw Forbidden Planet was when I was about five or six years old on a medium-sized black and white TV with not always perfect reception and the film was rather horribly panned and scanned from what I recall, I fell in love with it and it’s remained one of my favorite science fiction films. I’ve since seen it countless times and it remains quite a fun film to watch thanks to everything melding together so flawlessly (including its handful of flaws).
I think it was also one of the first movies I actually remember looking at the music credits for and being surprised that two people composed the “electronic tonalities” that were buzzing my eardrums and pleasantly sinking into my brain’s recesses. Louis and Bebe Barron’s impressive score drove home right away that this was no ordinary 1950’s flick with a low budget and cast of no-names mugging it up for the camera. I’ll also admit to thinking director Fred Wilcox was a relation, but I think my mother or father pointed out that many people have the same last name who aren’t related at all (but I don’t think I believed her at the time). Flash forward a few years later and when I finally saw the film in color on a huge TV in its original widescreen format, I was even more floored thanks to the beautiful color palette and (mostly) still impressive visual effects. I was also a bit jealous because back in 1956, it must have been blowing audiences back in their seats to see this on a massive Cinerama screen with those sounds booming from multiple theater speakers… Continue reading →
Issac Hayes won a very well-deserved Academy Award for this funky theme to Gordon Parks’ still impressive action film that’s about as far from “blaxploitation” as it gets because the material is played seriously and every actor on screen was committed to make the project work as an action film and a still solid crime drama. I’ve seen this way too many times to count as well as some making-of features on that explosive main theme and the film that show how tight the production was and how the end result still stands up as a killer flick for the ages. I also love this intro because it’s got those actual grimy Times Square locations that are ALL gone these days. I can remember too many movie theaters lining both sides of Broadway and those side streets and while MANY were porn houses, a lot were playing first-run to oldies in single to multiple features in a SINGLE theater! Yes, there were no megaplexes back then running twenty plus flicks – unless you knew what you wanted to see, half the thrill of going to the movies was strolling up and down looking at marquees. Granted, the chances were good if you dress like a mark and acted like a total tourist, you’d be tailed around by creeps. But hey, those were the days of thrills nearly every step in that seedy area, kids…
"DESTROY ALL FANBOYS!" 