Blu-Ray Review: Black Mama, White Mama

BMWM_AV041Okay, it was Pam Grier‘s birthday last week and I only know this because I overheard some OG’s doing some paper bag stoop drinking talking about the lady today while I was out shopping. They were trying to recall the names of two movies she was in back before she became a bigger name star and you better believe yours truly stepped in to inform them HIT MAN and Black Mama, White Mama were the movies they were looking for.

I don’t think I’d seen a more grateful group of old guys since Prohibition ended and even better, when I told them both movies had been restored and can be bought online AND they both pop up on TCM on occasion, I ended up getting a free beer for that information. Yes, it was still sealed – I don’t do that passing around stuff with former total strangers. Unless it’s some Thunderbird or Night Train. That stuff can kill germs from 50 paces and tastes like someone put a heaping spoonful of sugar into a pint of paint thinner (yum!).

Anyway, I got back home, tossed the groceries I’d bought aside like Frank Cannon used to do on that old CBS show (much to the surprise of the groceries) and got to this review of Arrow Video’s chock full of fun Blu-Ray released a little while back. Black Mama, White Mama is an excellent exploitation flick with Grier and the still stunning Margaret Markov that takes the plot of The Defiant Ones, adds a dash of Caged!, and sets the whole shebang in the (literally and figuratively) steamy Philippines (doubling for a never-named Latin dictatorship of some sort). The results are a sexy, sassy potboiler/revenge flick complete with copious female nudity, sudden (but expected) violence, and the always entertaining Sid Haig in a colorful role as a really bad man. Continue reading

ELSTREE 1976: This Is The Documentary You’re Looking For

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I thought I was done with Star Wars references for the day, but my inbox has other ideas in the form of this new documentary I now NEED to see. Ellstree 1976 will start a US theatrical run on May 6th in select cities including Los Angeles and New York City (a full list of theaters and ticket information are here). My inner 14-year old self just popped out and recalled all those magazines and newspaper clippings I’d collected back then. Everything Star Wars! Anyway, here’s some info on the film as well as its trailer:

ELSTREE 1976 explores the lives of the actors and extras behind one of the most celebrated Science Fiction films in cinematic history, Star Wars.

From the man behind film’s most iconic villain, to the actor whose character was completely cut from the final film, the documentary delves into the eccentric community these individuals have formed and how the Star Wars franchise – which spans five decades from A New Hope to The Force Awakens – continues to impact their lives decades later.

Many of the minor characters were merely part of the set design, but eventually gained recognition as the Star Wars universe expanded into books, comics, etc. Fans learned the history of masked characters like Boba Fett and Greedo, but the sci-fi blockbuster also had a lasting impact on the people inside the costumes.

 

And if you can’t make it to that theater near or not so near you, guess what? MVD Entertainment Group will be getting the doc out on DVD June 28th via MVD Entertainment’s online shop as well as Amazon. SOLD!

All I need to do is step into this carbonite chamber I got cheap on eBay and freeze myself for just over a month and I’m set. What? Not a good idea? The guy who sold it said it was only used once and worked REALLY well.

Blu-Ray Review: The Mutilator (Fall Break)

The Mutilator AV023If you missed out on Buddy Cooper’s amusing and gory slasher flick The Mutilator way back when it was in theaters or later on VHS, you’re in for a treat thanks to Arrow Video. This one’s got the goofy acting and eyebrow-raising plot holes you’d expect from the genre, but it’s the exceptionally nifty gore effects from Mark Shostrom (Videodrome, Evil Dead II) that will get most viewers on the hook (pun intended).

As for special features, Arrow packs the disc with a raft of bonus content that makes the film a lot more enjoyable thanks to all the great interviews with the cast and crew that participated. These extras are all a great thing as the story here is pretty standard genre wrangling saved by some humor and the aforementioned gore effects.

Ten years after accidentally shooting his mother, Ed Jr. (Matt Mitler) gets a phone call from his dad with a request to close up his beach condo for the winter. After his girlfriend Pam (Ruth Martinez), and school chums Ralph (Bill Hitchcock), Sue (Connie Rogers), Mike (Morey Lampley), and Linda (Frances Raines) invite themselves along for a little fun in the cool fall sun, they discover the condo in a rather messy state. Chalking it up to Big Ed being drunk with a few friends, two of the teens commence their usual getting drunk and splitting up for some alone time antics. Let’s just say Big Ed has a little (okay, somewhat large and sharp) axe to grind with his son… and his poor friends just so happen to be in the wrong place at the right time for him to get in some prime chop time. Continue reading

DVD Review: Children of the Stars (2012)

CotS DVD CoverWhile the focus on solely letting its members speak without interruption or analysis from outside commentators debating the merits and downsides of the Unarius Academy of Science might seem unusual to those seeking a more opinionated documentary, Children of the Stars has an overall earnestness that works in its favor.

The 2012 documentary from director Bill Perrine (available on DVD through MVD Entertainment) isn’t perfect, but it’s perfect debate material for sure. Yes indeed, the spiritual group’s strange takes on science and history will seem bizarre to anyone not on their wavelength. But as home-brewed belief systems go it’s one of the more benign yet creative ones you’ll ever encounter. Continue reading

Hotel Inferno: POV Horror Puts The Fear In Your Face

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Horror fans who haven’t see it yet are going to get a hard kick in the eyeballs with Hotel Inferno, a POV (point of view) shot film from 2013 that puts you in the shoes of a hired killer tacking the job of taking out a number of targets who fins out the job is a lot more sinister than he’s been told. To the moviegoers who avoid the gory stuff, it may not be seen as either a “modern classic” or as memorable as Dark Passage or Lady in the Lake. But I say it’s absolutely worth a watch for the practical effects work, to see where the crazy plot goes, and to find out if it makes you jump out of your seat a few times like a good gore-fest should.

 

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Some ickier (and definitely not for the kiddies!) screens are below the jump… if you dare! Continue reading

Comin’ At Ya! is Well, Comin’ At Ya! in 2016 Thanks to MVD Entertainment

Comin at Ya BR Comin at Ya DVD

 

Hoo boy. If you’re old enough to recall the 80’s revival of 3D movies, like me, you paid your five bucks to see this one. Finally after years of fans clamoring for the cheesy classic Comin’ At Ya!, it’s back and much better looking thanks to distributor MVD Entertainment Group, writer/actor Tony Anthony (or Roger Pettito) and Sternco 3D. The 1981 R-rated spaghetti western helped set off the short-lived but somewhat successful venture by major and minor film studios into making 3D movies using newer polarized lenses that were light years ahead of the old red/blue (or red/green) anaglyph 3D from the 1950’s.

Set for a January 26, 2016 release on separate 3D Blu-Ray ($24.95) and DVD ($19.95) discs, both will also contain a flat 2D version of the film. A digital donload of the film is also in the works with a price point to be announced.

The new home video version of Comin’ At Ya! was supervised and produced by Tony Anthony himself and Tom Stern (In God’s Hands), through his company Sternco 3D. Sourced from a new 4K master, Comin’ At Ya! boasts a frame by frame digital conversion of the polarized over-and-under format of the original print, sourced from a brand new internegative into the MVC 3D format and new 5.1 surround sound.

While it may not spike another 3D revival on home video, it would be awesome to see the spectacularly goofball Raiders of the Lost Ark pastiche, Treasure of the Four Crowns also get this treatment. As usual, we shall see. But for now, expect your TV to get an eye-popping slice of nostalgia next month.

Blu-Ray Review: Blood Rage

Blood Rage AV018Just in thyme for your Thanksgiving film feast, Arrow Video via MVD Visual strikes again with the perfectly themed (and definitely NOT for the whole family!) horror flick, 1983’s Blood Rage. If you’re a horror film fan who’s scratching your head raw and thinking out loud “Hey, I never heard of this one before!”, well… you’re not incorrect there, pal. Actually, director John Grissmer’s film wasn’t released in that year or even with that particular title. It came in on the tail end of the slasher flick craze and seemed to be deemed too violent for a genre that had gotten “tamer” over the course of the early 80’s.

The film finally hit theaters in 1987 as a heavily edited but still “R” rated version with the more generic title NIGHTMARE AT SHADOW WOODS, which is thankfully included in this special edition package along with a third cut of the film that combines footage from both versions into a big, bloody meal. And if it’s special features you want, Arrow’s got you well covered with a slew of features including interviews with cast members (Louise Lasser, Mark Soper), visual effects artist Ed French, and producer/actress Marianne Kanter on how this one came together and how she ended up in the film as a victim of one of the more outrageously icky cinematic murders of that era. A high body count, an overall offbeat tone, plenty of cheesy synth tunes tickling your eardrums and some solid and yucky gore effects from Ed French make this one a real treat.
Continue reading

Blu-Ray Review: La Grande Bouffe

La Grande Bouffe AV017Despite its outrageous excess in nearly every scene, you may find yourself quite famished after watching Marco Ferreri’s disturbing comedy La Grand Bouffe. The potent stew of food, sex, madness and death the four principals undertake during the film’s 130 minutes isn’t for all tastes and in fact, might even be offensive to more sensitive eyeballs and stomachs. Of course, that’s exactly the intent of this 1973 endurance test.

Watching Marcello (Mastroianni), Michel (Piccoli), Ugo (Tonazzi), and Philippe (Noiret) eat themselves to death over the course of the film isn’t a pretty sight. But this is one of those absurd, perverse masterpieces that doesn’t need any pompous over-analysis. The four friends decide to meet their maker because each of their lives has reached a point of no return and they’re fed up enough to get fed up to the point they flee this mortal coil. So what are four wealthy and seemingly sane men to do but lock themselves away in a lovely mansion and order up a massive supply of food they then cook and eat of more than humanly possible?

If you said “have an orgy!”, give your self a pat on the back with a hand greasy from chicken fat and put this Arrow Video release on your want list. Yet again, it’s one of those great 2K restoration jobs stuffed to the gills with bonus features. Expensively prepared dishes, exploding toilets, a beautiful blue Bugatti and lots of exposed flesh all await your soon to be engorged eyeballs, is all I’ll say… Continue reading

Blu-Ray Review: The Happiness of the Katakuris

The Happiness of the Katakuris MVD7367BRI’ve never seen The Quiet Family, Jee-woon Kim’s 1998 horror/comedy film that inspired Takashi Miike’s oddball 2001 “remake” The Happiness of the Katakuris. But I’m going to track the original down one of these days just to see how that film inspired Miike to make one of the more out there genre films of the previous decade.

While its not anywhere close to perfect, a bit too long and not even a tiny bit frightening, it’s certainly somewhat gleefully disturbing thanks to the cheery performances by the main cast and the black comedy revolving around the mostly accidental deaths that occur in and around the family’s small, out of the way mountain inn. The Katakuris bizarre mix of live action, wild stop motion animation, mild gore and full-on musical numbers make it a knockout flick worth repeat viewings provided you like what’s here. Miike, known for more his prolific output in multiple genres as well as some truly memorable extreme films (Audition, Ichi The Killer, Gozu) infuses The Katakuris with his trademarks and adds a decidedly Japanese sense of “no matter what!” spirit that gets the family through its assorted misadventures. Continue reading

Blu-Ray Review: Eaten Alive

Eaten Alive AV015While The Texas Chainsaw Massacre was (and still is) a memorable horror film experience, Tobe Hooper’s follow up, 1976’s Eaten Alive (released in 1977) was and is memorable for entirely different reasons. While it’s got a compelling and frightening performance from Neville Brand and that bathed in red sound stage set makes the film even more frightening, there’s a “too many hands” feel to the production process that makes the film more of a “B” than it deserves to be. That said, it’s yet another excellently produced Arrow release that’s worth a buy for the solid 2K restoration job and copious special features as well as the chance to see a film you may not have heard of previously (or had forgotten entirely).

Then again, given the incredibly sleazy origins of the “allegedly based on actual incidents” story here, Eaten Alive also works quite well as a pure “B” flick. Running a tidy 87 minutes, no time is wasted here as Brand’s psychotic veteran motel keeper, Judd, kills off a local lady of the evening after a tryst gone wrong at a brothel nearby sends her scampering for the hills after the madam (Carolyn Jones) gives her the boot. Judd runs the Starlight Hotel (one of the film’s many alternate titles along with Death Trap, Legend of the Bayou, Starlight Slaughter and Horror Hotel) which also happens to have a live crocodile as an attraction living in a penned in “swamp” outside. You know that Judd and his “pet” are going to be pretty busy as the film progresses and the victims show up as if there’s a massive magnet yanking their cars in that general direction. Continue reading