Random Film of the Week: Horror Express

(Thanks, Garbage Cinema!) 

Horror Express To me, Horror Express is an excellent example of a perfect “B” movie. Not FLAWLESS, mind you, but perfect in the solid manner it locks you into your seat right from the beginning and takes you on a nearly non-stop roller coaster ride that’s terrifying, amusing and very, very satisfying by the time the credits roll.

Granted, the version I first saw on New York City’s WOR-TV (Channel 9, to those in the know) had no end credits at all and subsequent countless viewings on that channel (where the film seemed to be in heavy horror rotation every few months) led me to believe this was the way the film was in its initial theatrical release. However, when checking this horror classic out recently on a borrowed Blu-Ray, I discovered the film did indeed have credits, but they were in Spanish, meaning whomever prepared the US version or television edit saved some money (and about a minute or so of time) by merely chopping off those end titles and that was that…

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Random Film of the Week: Mark of the Vampire

(thanks, Passion4Horror!)

mark of the vampireConfession time: I didn’t much care for the film version of Dracula. It took me three attempts to sit through that film as a kid, but it was less due to Bela Lugosi’s interestingly languid performance than the stiff “let’s put on a show!” Broadway staging most of the movie suffers from.

Over time I’ve finally come to respect and like the film a lot more, but have always found the Spanish language version far more compelling and fun to watch thanks to the additional scenes and excellent supporting cast. Unfortunately, the Dracula in that film chose to mimic Lugosi’s singular acting style a wee bit too much while the other actors eat up the scenery in that great manner supporting players do when they’re making the best of a meaty role.

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Captain America: The Winter Soldier Poster (Or, It’s Not Winter In April, You Know!)

captain_america_the_winter_soldier_ver2_xlg

Ah ha ha, but that’s what I immediately thought when I saw that 4.4.14 release date. Ah, Hollywood… trying so hard to be clever when I’m all that much funnier than you are. Oh, you’ll learn one day, I suppose. Well, I guess releasing this in the winter might be a bad idea, as one can’t go to the cinema with eight feet of snow on the ground. On the other hand, even if they did release it and there was no snow on the ground, I currently have NO movie theater around here to go to (bough-hough!) until that nasty asbestos issue is taken care of. Hmmmm. maybe I can find someone to sue for that problem, although I haven’t been to that particular theater in ages and I’m not one for randomly suing people or getting caught up in a class action suit. Besides, I’d probably win popcorn and soda for life (which, given that’s in either these days means that “life” would be cut short by salt, fat, artificial flavors and colors galore. Yum!)…

Random Film of the Week: The Defiant Ones

the defiant onesAlthough he doesn’t appear until about 45 minutes into the film and has about seven minutes or so of screen time total, Lon Chaney Jr. plays a pivotal role in The Defiant Ones. As Big Sam, a burly, weathered old soul who saves the escaped duo from a lynching, he delivers a powerful speech against killing the men and beats down one of the angry mob before asking anyone else to step up and try their hand at murder. Given that the guy he slugged went down like a stone wall hit by a wrecking ball, no one decides to test their luck afterwards.

Later on, he cuts the pair loose before brusquely sending them away still chained from the small waterside shack town they’d stumbled across. It’s not until the last moments the three men are together that you realize why Sam isn’t keen on seeing the men harmed (at least by his people)… a flash of his badly scarred wrist reveals he used to be a former chain gang convict. He doesn’t know or care what they’ve done to be chained to each other, but he’s giving them a better chance at survival than anyone else would have… Continue reading

Random Film of the Week(end), Too: Horror Castle

(thanks, sleazeorama!) 

Horror Castle smallGiven that it’s been released with no fewer than three titles (The Virgin of Nuremberg and Castle of Terror are the other two), it’s not surprise that I didn’t get to see this Italian horror flick until it popped up on TCM a few days ago. Of course, if I wasn’t up and half dying from the scratchy throat that mutated into the cold I’m now getting over, I’d have missed this frightening little import gem. Sure, it’s got a score that sounds a bit out of place, some odd dialog (although I’m not sure if this a translation issue) and yes, plenty of cliché gone wild moments that would sink a lesser effort. Nevertheless, the overall gloomy atmosphere and great color photography, a great extended cameo by Christopher Lee (misspelled as Cristopher Lee in the credits) and a pretty damn excellent scene involving rats, a cage and a young woman’s face make this one worth tracking down…

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Random Film of the Week(end), Too: Abandon Ship! (Seven Waves Away)

(thanks, S250385!)

“Save as many as you can …”.

abandon shipI’ve been on a grand total of two cruise ships, plus a bunch of ferries and other boats raging in size from canoe to schooner, but after seeing Abandon Ship! (or Seven Waves Away if you’re in the UK), I’ll probably restrict my watercraft enjoyment to playing with toy boats in a bathtub filled with maybe five inches of water.

This 1957 British drama is probably one of the more depressing sea disaster films I’ve ever seen. Clocking in at just over an hour and a half, this harrowing tale gets off to a start as a luxury ocean liner, The Crescent Star hits a stray World War II mine that sinks the ship, killing most of its passengers and crew. There only time for a single lifeboat to launch before the ship goes down and that lifeboat can only fit nine people. Unfortunately (or even MORE unfortunately), twenty seven people end up in and around that lifeboat and soon, you’ll feel as if you’re in that boat with the doomed, the dying and the soon to be dead.

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RoboCop Poster: Black Is The New Black (Plus a “Related” Dog Story)…

RoboCop_poster

Sometimes You Get It, Sometimes You Don’t Department: About a month back I’m walking to the subway from a press event and there’s this guy walking a cute bulldog (well, cute for a bulldog) who stops at a traffic light while a big truck is trying to turn the corner. As I stroll up next to them and wait the minute or so it’ll take the truck to make the turn, a gal in a nice summer dress pops out of a store, walks up to the guy and starts chatting about his dog, asking if she could pet it. He says “Sure!” and while she’s doing so, she looks up and asks “What’s your dog’s name?” The guy looks down and says “Murphy” and yes, I let out a huge laugh. The guy looks over at me as I’m recovering and I ask “Robocop?, to which HE starts cracking up. “Yeah, yeah…” Of course, as we’re having our chuckle, the gal is looking at us and not quite getting it. Right at that moment, the truck finished negotiating the turn and I noted to the guy that he might want to let the lady in on the reference before she thinks something crazy is going on. Of course, I had that Basil Poledouris theme playing in my head as I strolled off…

Oh yeah… nice poster, huh? I’m betting we’ll see a few more before this one’s ready for its close up.

Random Film of the Week: The Honeymoon Killers

(thanks, neondreams25!) 

the honeymoon killers bWhile it’s not a horror film, Leonard Kastle’s The Honeymoon Killers manages to be a fairly intense drama/black comedy mix that gets your attention with its true crime story, stark black and white photography and excellent performances from the two leads. This is a film that gets under your skin right away with Gustav Mahler’s intense music setting an oppressively dreary tone for the story of Ray Fernandez and Martha Beck, aka The Lonely Hearts Killers, as they go about their nasty work of lightening the landscape of too-trusting mostly elderly ladies looking for love in all the wrong places.

Kastle, in his first and only studio film, managed to make an instant classic that’s also a fantastic low-budget flick as well as a pretty grim viewing experience if you’ve never seen it before. That said, there’s also a bit of very dark humor to be found here and the movie is a pretty compelling viewing experience thanks to the near constant level of suspense tempered with a near constant sense of dread…

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If You Never Loved Lucy, Well… This Might Change Your Mind…

(thanks, ItsNotYouItsMeblog!) 

dance girl danceI happened to be flipping around the dial randomly again and TCM paid off, as usual with a film I hadn’t seen yet (but had heard of). This clip from director Dorothy Arzner’s 1940 film Dance, Girl, Dance of Lucille Ball doing the number “Jitterbug Bite” cracked me up because in another universe, she’d have been more famous for her sassy song and dance numbers and not trying to “splain” every week to Ricky about why the oven grew a twenty-foot bread loaf, why she stuffed too many chocolates into her face at the chocolate factory or got into a catfight in a vat of wine grapes with some stubborn grape-stompers.

The film itself is pretty funny, pitting Lucy’s burlesque queen Bubbles (what a name!) up against the cute gal played by Maureen O’Hara who does the opening act everyone boos until Lucy steps in to pull her showstopper number. of course, being typcast as a sexpot isn’t the best thing for any actress who wants to stretch her wings, so it’s definitely a great thing that Lucy didn’t let herself get trapped into these sorts of roles, right? But of course, if you never loved Lucy, it means you just never watched enough TV back in the day or sought out all those reruns that seem to in in constant loop on some channel somewhere in the world…

Random Film of the Week: The Man With the Golden Arm

(thanks, OMP Drama!) 

The Man With The Golden ArmSure, drug addiction isn’t a laughing matter at all, but Otto Preminger’s 1955 classic The Man With the Golden Arm manages to be more hilarious each time I see it for a few reasons. Although it’s packing in a classic Elmer Bernstein score, a great Saul Bass title sequence, Preminger’s strong direction, some powerful performances from Frank (One Take) Sinatra, Kim Novak, and a bunch of very familiar faces, the simple fact is the film hasn’t aged well at all (but that’s a good thing).

What may have been seen as a deathly serious subject for a cautionary tale almost 60 years ago can now be enjoyed as a nearly non-stop riot of scenery chewing performance art with two of the funniest demises in a “serious” film. Granted, if you’re in a totally unfunny mood, the film still has its story and dramatic pacing to keep you hooked in. On the other hand, it’s hard not to get in a laugh at the film’s expense in a few spots…

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