Iron Man 3 Featurette 2: Tony Stark Certainly Doesn’t Buy His Suits At Men’s Wearhouse…

Posted on April 18, 2013 by geelw

Another week, another Iron Man 3 making-of feature bound for the home video release (mark my words). It’s fun seeing Marvel set up their universe through these recent flicks that do an interesting job at condensing that huge history from their comics into two-hour (or less) chunks easily digested by the masses. Granted, for some reason Spider-Man, Ghost Rider and some other heroes haven’t yet gotten that “perfect” reworking as film properties (at least in my opinion), but it’ll be interesting to see how the characters from other films cross over into the more popular ones over time…

Random Film of the Week(end): It’s A Mad, Mad, Mad, Mad World

Posted on April 13, 2013 by geelw

Soon after hearing about Jonathan Winters’ death two days ago, I had the realization that we’re running out of truly great NATURAL comedians that made us laugh without resorting to juggling expletives or putting themselves in the public eye constantly in an ego-feeding frenzy. Granted, trying to get today’s short attention spanners out there to sit down and watch Winters’ best work is going to be a hard sell, but I think Stanley Kramer’s 1963 comedy classic kills a few birds with one stone.

Yes, the movie is too long by today’s standards (hell, it was too long for 1963 standards), but it’s packed to the gills with comedians and comediennes from a huge enough slice of history that you could see the careers of some beginning and ending with this one zany epic. The story of a bunch of wildly assorted strangers chasing down a dead robbery suspect’s stolen loot is still required viewing for anyone who considers him or herself a fan of comedy and the film works so well because no one gets away without taking a few lumps or a pratfall or three… Continue reading →

Iron Man 3 Featurette 1: More DVD Extras Before There’s a DVD To Think About Buying…

Posted on April 10, 2013 by geelw

I’ll bet you a nickel that you see this on the DVD and Blu-Ray when it comes out in, oh… about a year from now (or by Christmas, actually). I’m not psychic, folks – just right (ha ha). You can believe that this video isn’t going to waste and neither are the rest of them Marvel has planned. Of course, when you finally DO buy that DVD or Blu-Ray… you’ll also know which special features to skip because you’ve seen them already. Hey, I’m just trying to save you all some time so you can make more popcorn (or less). Hmm – let me shut up now before Marvel sends The Mandarin after me…

Iron Man 3 Clip #1: Tony Stark Makes You Feel…

Posted on April 8, 2013 by geelw

So much for the “He’s a cool exec with a heart of steel” stuff, huh? When the man gets mad, he gets really mad, so if you’re reading this post and wearing ten rings on your fingers (even if you’re not The Mandarin, which means you also have bells on your toes), you should be shaking in your boots and fancy robe (yeah, you KNOW you have one on right now – I won’t tell a soul). Anyway, let’s see now… 48 seconds… times la, la… carry the one… OK, at this rate Marvel can show the entire movie on YouTube in something like 57 more of these clips and you won’t have to pay a DIME to see it. Unless they figure out a way to may you PAY to use YouTube (cue *JINX!* music)…

Random Film of the Week: Le Mans

Posted on March 28, 2013 by geelw

(Thanks, motorsportzx!)

I still remember seeing Le Mans as a kid and, despite the fancy cars I was so attracted to zooming around that legendary race course, found myself falling asleep before the first hour was up. I think it took another three or four attempts as I got older to get through the entire movie, but today it’s one of my favorite racing films. Granted, it feels like more of a documentary of a particular race day that happens to dip behind the scenes to focus on a few people not talking much mostly about a few things that tie into to the overall story being told. Nevertheless, there’s a story that kicks in if you pay attention that works quite well in its low-key way that sets up a pretty exciting final reel.

Of course, this means as a timepiece of a particular period in auto racing history, it’s really an important work. Where the great-looking and innovative 1966 film Grand Prix got too caught up in its romance triangles and some dramatic sections (and had a poor stunt dummy go flying out of a car in one crash sequence that still makes me laugh), Le Mans is purely and primarily about the race. Continue reading →

Random Film of the Week: STARCRASH (The Adventures of Stella Star)

Posted on March 7, 2013 by geelw

Italian cinema has brought forth plenty of classic films and directors of assorted skill levels from Fellini to Leone, Argento, Bava and more, but Luigi Cozzi (or Lewis Coates, his “Americanized” name) deserves a special place in the hearts of a certain group of cinema fans. Known for doing relatively quick and cheap knock-offs of popular sci-fi and fantasy films, there’s a certain bizarre charm to his “major” genre works that demands repeat viewings. That and hell, if you ever have a toothache and want to forget all about the pain, you can count on a few of Cozzi’s films to make you do just that. Then again, you may just injure some other body part when you roll off a couch or chair laughing. STARCRASH is one such film and for some, the movie they saw in theaters when Star Wars seating was unavailable during that film’s long run (I recall it playing for about a year in some spots) or 1978 reissue. I was one of those people and I don’t think I’ve ever recovered from the experience… but I have gained a bit more appreciation for this offbeat mess over the decades. Continue reading →

Random Film of the Week: Dead of Night (1945)

Posted on March 4, 2013 by geelw

(thanks, scaringeachother!)

Even though it’s almost 60 years old, for my money, Dead of Night is still an effectively scary horror anthology as well as one of those classic movies worth tracking down. It’s also a decent comedy when it needs to be and even a bit of drama and mystery gets tossed into the mix. Four different directors (Alberto Cavalcanti, Charles Crichton, Basil Dearden and Robert Hamer) worked on the five stories that make up the film (Dearden directed the framing sections that make up the beginning and ending as well as one of the stories), but it’s a seamless production where no style overtakes another. Of course, being an Ealing Studios release means there’s a huge amount of that British film quality that studio managed to make standard issue and a sort of Good Housekeeping Seal for film buffs who want no junk tossed at them from the balcony. Of course, most film buffs sit IN that balcony, but Ealing’s films were always fit for both stuffy critics above the common folk and those cheap-seaters below tossing popcorn and balled up paper napkins upward…

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Random Film of the Week: Soldier in the Rain

Posted on December 20, 2012 by geelw

(thanks, Mind Hunger!)

Steve McQueen may have been the “King of Cool” in his prime, but if his performance in 1963’s Soldier in the Rain is any indication, he was also a pretty lousy comedian. On the other hand, the film is all Jackie Gleason’s, and he makes it well worth viewing. The film is one of those interesting comedy/drama hybrids that tends to lean too far into either direction when a more subtle middle ground would have worked better. Despite the flaws, this Blake Edwards-produced film has enough laughs and some fine performances throughout. McQueen plays Eustis Clay as a goofball caricature who’s great at whipping up scams that never net him the fortunes he dreams about. Gleason’s Master Sargent Slaughter (no relation to the 90’s TV wrestler) is a career man, heavyset and aging who humors Clay and his crazy schemes partially because they brighten his usually dull days. Continue reading →

Random Film of the Week: Deadlier Than The Male

Posted on March 17, 2012 by geelw

(thanks, ohwhatamindblast!)

OK, I know I haven’t been keeping you guys and gals up to date in terms of this feature, but that’s what happens when one tries the world domination thing – you end up with too much stuff on your plate and some things get dropped. Speaking of world domination and dropping things, this fun to watch James Bond pastiche from 1967 happened to pop into my head as a film I haven’t seen in ages that’s worth tracking down. Sure, it’s not perfect, but it’s great for a laugh or three and some excellent set pieces keep things quite cool. Even better, in terms of all the Bond spoofs on that landed in theaters during the period, it’s one of the more polished efforts.

Granted, Hugh “Bulldog” Drummond is NOT a spy, but an updated version of the classic British detective for the swingin’ 60’s set and thus, sure as heck looks and feels like a fun Bond knockoff. Richard Johnson ably plays Drummond as a Bond not so lite tough guy insurance investigator (that’s longhand for detective for hire) who’s good with his fists, pistols, a snappy quip or two and the ladies (not necessarily in that order). He’s put on the case of a dead oil company executive and soon finds out that there are some sexy female assassins (the drop-dead gorgeous Elke Sommer and Sylva Koscina) and a mastermind behind the whole thing to deal with in his particular (albeit Bond-like) manner…

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Random Film Of The Week: A Matter Of Life and Death (Stairway to Heaven)

Posted on January 13, 2012 by geelw

(thanks, littleiceage!)

I’d heard about this classic 1946 British film from a few people over the years (it was released in the US as “Stairway to Heaven”, a title disliked by the directors), but thanks to TCM, last night I finally got the chance to see this Michael Powell/Emeric Pressburger gem and it’s about as perfect a movie as I can recommend to anyone. This isn’t a review at all, but more of a quick recommendation.

Check out the great sequence above and track down a copy somewhere, add it to your Netflix or other (LEGAL) film download queues and give it a look as soon as possible, I say. As with Powell and Pressburger’s other films for The Archers, the visual style, use of color (the amazing Technicolor work and scene transitions from color to black & white are flawless) and of course, the story and acting are all on point. Additionally, the stunning cinematography by Jack Cardiff makes for some memorable artistic moments where it counts.

(BTW, Powell’s The Red Shoes also comes highly recommended if you’ve never seen it and makes a stellar companion piece to Darren Aronofsky’s Black Swan, as both contain similar thematic elements)