Random Film of the Day*: The 7th Voyage of Sinbad

*For the next week or so plus, I’m going to add a random film the great Ray Harryhausen worked on. The legendary special effects MASTER passed away on May 7, 2013 at age 92 in London and yes, the film world owes him more than they can ever repay…

7th Voyage of Sinbad From the moment you hear Bernard Herrmann’s outstanding main theme that sets up the thrilling adventure ahead, director Nathan Juran’s The 7th Voyage of Sinbad sets itself squarely in fantasy film history as a true classic. Of course, having Ray Harryhausen on board and in full charge of the film’s effects work at the height of his talents makes this one an absolute must-see as well as one of the best genre films ever made. It’s a perfect blending of talents by all involved and it’s probably the one film Harryhausen worked on I’ve seen the most times as have many who’ve been influenced by it over the decades. This film was yet another hit for Harryhausen and producer Charles H. Schneer and also introduced the word Dynamation into the movie lexicon (later rechristened “Super DynaMation” and later, “Dynarama”), which amusingly enough, ONLY refers to the stop motion technique the master perfected over time and became an immediate means of letting his fans know who was behind the visual effects in that latest cinematic treat they wanted to catch…
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Random Film of the Week: Spirits of the Dead

spirits of the deadI’d only heard of this horror anthology film a few years back thanks to a friend who saw the restored final third and raved about it. Of course, I never got the chance to check that, nor the rest of this film out until recently when the movie popped up on TCM and after a sluggish first segment, had me glued to the couch taking in the assorted sights and sounds.

Spirits of the Dead (or Histoires extraordinaires if you happen to be French and want an alternate title) is an offbeat selection of three Edgar Allan Poe stories that’s best known today for its incredible (and completely bizarre) final chapter directed by the great Federico Fellini that has to be seen to be believed. I’ll get to that below, but I need to bury one corpse and beat a dead horse for a bit… Continue reading

Random Film of the Day*: 20 Million Miles to Earth

*For the next week or so plus, I’m going to add a random film the great Ray Harryhausen worked on. The legendary special effects MASTER passed away on May 7 at age 92 in London and yes, the film world owes him more than they can ever repay.

20000000_MilesWhile it has some great creature and scenic effects, some terrifically lousy acting and ridiculous dialog plus a few plot elements nearly sink 20,000,000 Miles to Earth like the doomed spacecraft that brings the Ymir into movie monster history.

That said, there are some iconic images in this 1957 sci-fi flick that linger in the memory, all masterfully animated by Harryhausen’s steady hands. His Ymir is at first “cute” and tiny, but as it increases in height and gets poked and pushed into an uncontrollable rage by a cast of idiots who misunderstand the poor creature until the army is called in to blow it off Rome’s Colosseum, you actually feel more sympathy for it by the time the film ends. Of course, if you just hate monsters in general, you’ll be cheering along with the fist-pumping crowd when the creature gets its due. But I’ll bet you a nickel that you’ll still think that Ymir was pretty damn cool…
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Random Film of the Day* Earth vs. The Flying Saucers

*For the next week or so plus, I’m going to add a random film the great Ray Harryhausen worked on. The legendary special effects MASTER passed away yesterday at age 92 in London and yes, the film world owes him more than they can ever repay.

Earth vs. The Flying SaucersWithout Ray Harryhausen’s still impressive special effects, Earth vs. The Flying Saucers would probably have been just another 1950’s “B” movie lost to the ages, only popping up on one of those cheapo compilation DVD’s you see as impulse items at some big box stores. However, thanks to those awesome saucers and some fine destruction of federal property by some rather cranky aliens, the film has been a favorite as well as an inspiration for other flicks from Independence Day to Mars Attacks! and more. The somewhat clunky acting and use of WWII stock footage don’t hurt the film one bit because they’re usually only a few minutes from one of Harryhausen’s cool animated saucers blowing the heck out of something or simply flying across the sky…
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Random Film of the Day*: Jason and the Argonauts (1963)

* Nope, this isn’t a permanent format change, folks. For the next week or so plus, I’m going to add a random film the great Ray Harryhausen worked on. The legendary special effects MASTER passed away today at age 92 in London and yes, the film world owes him more than they can ever repay.

JatA_posterForget about today’s overblown CG effects, many of which make modern movies worse than better. Ray’s best work was all about blending fantasy into the assorted realities of the worlds he created and transporting viewers to places and making them forget about the outside world for about an hour and a half or so.

Jason and The Argonauts was the sixth collaboration between Harryhausen and producer Charles H. Schneer and for many (including Ray), his best film. As a kid, this was one of the stapes of my TV diet, and as I grew older, finding out just how much work Harryhausen sunk into each film he worked on made me realize the man deserved his “legend” status as well as a the director’s credit denied him by Hollywood’s arcane rules… Continue reading

Random Film of the Week: The Window

the windowI remember seeing The Window as a kid on TV and probably laughing a wee bit too much because the lying wolf-crying brat who no one believed about the murder he finally DID see was getting his just desserts when all those chickens came home to roost. Seeing it a few times more as I got older (and thankfully, wiser) revealed a pretty sinister film noir thriller with probably the best child performance I’d ever seen in a film that old.

Granted, I’m not advocating the already generally creepy “Child in Danger!” flick or that entire sub-genre of flicks made throughout cinematic history as a “must-see” collection of films if you’ve got a very soft spot for your own brood of lovable lamp-breaking, cookie stealing ankle-biters. However, as a chilling little classic film that’s never been remade properly (at least in my humble opinion), it’s a total spine-shaker right from the beginning…

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Random Film of the Week(end): Beneath the Planet of the Apes

BtPotAI usually avoid sticking my nose into other people’s conversations, but I had to poke and sniff lightly into a heated debate this week about Alien 3 being the “only” major sci-fi movie where a main character dies in a “really dumb” manner. For starters, warts and all, there’s a pretty decent (albeit as bleak as rollerskating all the rings of hell in a day) first film in David Fincher’s often negatively discussed sequel/”finale”. I did a RFotW on that a while ago (note that link above – go read it if you’re still one of those who despises the film and maybe it will help out a bit).

And second,Ted Post’s 1970 film, Beneath the Planet of the Apes definitely did its killing off of many major characters (and an entire planet) during the last reel in an even more shocking (and some would say, “really dumb”) manner. It’s actually not a bad film at all, but by upping the shock value of the original classic by obliterating the earth it was definitely a film you didn’t walk out of the theater feeling happy and bouncy after viewing…

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Random Film of the Week: Peeping Tom

peeping tom poster Based on what transpired after it hit theaters back in 1960, one could almost say that career suicides don’t come any better or more stylish than acclaimed director Michael Powell’s Peeping Tom. Controversial immediately upon release in the UK, the film was banned for many years from public showings in some countries, but took on a life of its own as the years passed and is seen as a genre classic by many horror fans today.

Despite its age, there are some extremely intriguing psychological themes and visual elements some easily upset types will probably find shocking. That said, it’s not as if Powell planned on his directing life in Britain going down the drain with this film. He was simply applying his well-honed talents all too well to a screenplay that happened to be extremely well-written and precise in its portrayal of a very troubled photographer and his special camera…
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Random Film of the Week(end) 3: MAGIC


magic posterIf you were an impressionable young lad or young lady of a certain age growing up in the 1970’s, the TV commercial for this film probably scared the piss out of you and more than once at that. I was 14 and at the time this came out and man, it freaked the hell out of me, especially when it popped up late at night.

That meant I just HAD to see it back then, even if it meant sneaking into a theater playing it. Of course, being the more carefree 70’s, that bit of stealth action wasn’t necessary at all, So I managed to get in with a friend from school and ended up being a bit disappointed that the film, while good, wasn’t as chilling as the TV spot. Of course, a few years later I saw it again and got a new appreciation for it, so I’m probably just like a few of you who also caught this back in the day.
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Random Film of the Week(end): Tales From The Crypt

 

TALES FROM THE CRYPT posterNo, it’s NOT my autobiography (ha ha), but the classic 1972 horror anthology (one of six released by Amicus Productions) with the poster I hated seeing in the subway as a kid. Hey, when you’re something under four feet tall or whatever, a HUGE ass skull with an eyeball following you around makes quite a memorably negative impression. Anyway, Freddie Francis‘ flick became a long time favorite after the first time I finally saw it on TV a few years after being scared to death of that poster.

Based on five great EC Comics horror stories, this film and the other Amicus EC anthologies can definitely be seen as successful comic book adaptations and in fact, can also be seen as scarier than some of today’s far gorier flicks that just toss body parts and nudity in a mixing bowl and let some overeager editor have at it until you end up with a jumbled forgettable mess. TFTC works as a horror flick and “or else” morality play of sorts where you’ll get your scare on without that grimy feeling most modern flicks leave you with afterward… Continue reading