Loominoodle: Let There Be (Ambient) Light

Posted on October 8, 2017 by geelw

“Hey, kids! Take care of your eyes… OR ELSE!”

loominoodle As someone who’s done plenty of TV viewing and gaming at night for ages in near dark to pitch black rooms, I’m at that ripe older age where a few things needed to change. For one, a bit of ambient lighting was something I’d looked at for a while on and off, but never quite committed to in that “Oh, I’ll check this out more later” manner us professional procrastinators do so well. Well, not getting any younger and a nice email out of the blue from the PR guy from Power Practical got a Luminoodle Bias Lighting strip sent my way to try out. Before you even ask if it works, yes indeed it does and my eyes are now happier when camped out in front of the TV these days.

The basic Loominoodle ($9.99) comes in white and is fairly simple to install within about three to five minutes (not counting if you need to move your TV off a mounting to dust off the rear panel first or need to remove a few things close to it like a game console or three so you can turn your TV around). All your HDTV needs is a rear USB port to connect to and you’re golden. Note to pet owners: you’ll absolutely want to gently escort them from the room your TV is in into a closed one for a few minutes before you install the strip. Hey, you try to explain to a over-eager dog or cat that the thing you’re unrolling isn’t a new toy. Notice they aren’t giving a hoot as they try and ruin your installation process?

Anyway, all you do is turn your TV on, look down at the instruction sheet, plug the Loominoodle into the rear USB slot and get to rolling out the strip according to the pattern you’ve chosen. It’s got a very sticky 3M double-sided tape backing that adheres to your set yet is flexible enough for you to overlap edges in order to make perfect corners. Once you’re all done, get that flat screen back in place and get ready to see the difference a little ambient light can bring. In short, my eyes are in love with my Loominoodle and I’d say the rest of me is pleased as well. There’s also a Luminoodle Color Bias Lighting strip ($19.99) that comes with a remote control unit and allows for a number of customization options, so I’m putting that down as a gift suggestion for a few folks I know could use a little extra (ambient) light in their lives.

-GW

Review unit courtesy Power Practical (thanks, Ben!)

Symphony of Eternity VS My Old Eyes

Posted on October 6, 2017 by geelw

Grrr. I like a few of Kemco’s old-school style JRPGs, but I avoid the mobile versions because I hate playing games on a phone and having ads pop up every five minutes because I’m a complete cheapskate who doesn’t like buying additional content if a game says it’s free to play or has a budget price point.

Amusingly enough, I’ve picked up a few of their PSP, Vita and Nintendo 3DS releases over the years and for the most part, like what I’ve played. That said, their latest Nintendo 3DS/2DS game, Symphony of Eternity, ($7.99, Nintendo eShop) is making me go cuckoo because while I like it so far, warts and all… it’s hard to see the darn game thanks to a kooky design choice.

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Blu-Ray Review: Don’t Torture A Duckling

Posted on October 4, 2017 by geelw

Toss the name Lucio Fulci into a decent horror film conversation and it’s quite possible it may turn into some sort of cranky debate about a few of his more outrageous films that feature copious amounts of gore and violence (often against female characters). There’s an excellent video essay by Kat Ellinger called Hell Is Already In Us included on the fantastic Arrow Video restoration of Fulci’s Don’t Torture A Duckling that drives home the point that the director was merely holding up a mirror to some of society’s madness and letting his camera do the dirty work. While not as relentless as his later work, what’s here is a pretty effective blend of thriller and pointed social commentary that’s still got a mean bite all these years later.

Considered by the director to be one of his personal favorites, Duckling’s blend of Italian countryside setting, shocking (off-screen) child murders and handful of suspects where everyone has either a direct motive or abnormal/amoral proclivities that can be seen as motives makes for a pretty unsettling experience. Adding to the film’s grim tone, Fulci also skewers his faith but good here with some knife-twisting fierceness and a killer finale that’s either going to make you cringe or crack up laughing (or preferably, both). This is a film that’s tough to watch, but extremely well made and even thought provoking in its own manner.

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Blu-Ray Review: Erik The Conqueror

Posted on October 4, 2017 by geelw

Mario Bava, again. Watching his films or more precisely, rediscovering them after a few decades is turning into a revelation on how insanely creative he was as an all-round filmmaker. Writing/co-writing, directing, designing and a special effects whiz working on limited funds and more. While not all of his work is great, there’s a lot of greatness to see in how well a lot of it came together.

1961’s Erik The Conqueror might in spots be a too-close for its own good reworking of Richard Fleischer’s 1958 hit The Vikings. But Bava makes it well worth watching thanks to great use of color, a more fantastical tone and yep, that Bava touch that gets one smiling because the illusions created onscreen do a fantastic job in transporting one into the past (albeit a past that never took place as shown here). Arrow Video’s recently released 2K remastered Blu-Ray/DVD combo is a great way to check out this colorful near-epic, although it’s light on special features.

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Dragon’s Dogma: Dark Arisen – The 4th Time’s The Charm (Hopefully!)

Posted on October 3, 2017 by geelw

With the PS4 and Xbox One versions of Capcom’s Dragon’s Dogma: Dark Arisen now available (go buy it, I say), I’m trying to figure out how to get the most out of this version of the game before something else weird happens in terms of stuff going haywire on the tech front here. It seems my luck is pretty damned rotten when it comes to seeing everything the land of Gransys has to offer despite my spending something around 200+ hours with the game across every platform it’s previously been released on.

I initially started the game on the Xbox 360 and got about 3/4 through, but both the systems here died (Red Ring of Death!). Then I snapped up the PS3 version of the original and later, the Dark Arisen expansion and got through most of the game on the PS3 (acquiring one of the not so good endings) until that system expired (Yellow Light of Death!) and was stolen by the guy I sent it to for repair. After it launched, I ended up buying the enhanced Steam version only to have my laptop die before I got much time into that one and now I have a copy of the PS4 version on the way, so “what the heck is going to happen now?” has been a mantra of sorts whenever I’ve watched a trailer or other video content Capcom has posted about it.

If I didn’t have a few medical appointments coming up this month, I’d stay at home quietly holed up with the game until I completed it. But yeah, that stuff needs to be tackled so I can indeed get to work enjoying my purchase without worrying so much. Not that I’m prone to paranoia or anything, but it does make me walk a lot more carefully when I’m out and about.

Back in a bit.

-GW

The Bard’s Tale: Remastered and Resnarkled (PS4/Vita): Not A Review (Yet)

Posted on October 2, 2017 by geelw

A few years back, when I liked certain games I tended to go mildly berserk and buy a few versions of it (if it made it to multiple platforms). Hey, don’t look at me like that! I’m far from the only one who dis/does this (although I’ve cut down on that significantly over time thanks to me not exactly rolling in dough these days). Anyway, InXile Entertainment‘s The Bard’s Tale from 2004 was one of those games I snapped up on anything it appeared on thanks to its use of Snowblind Studios’ wonderful game engine and often hilarious parodying of RPG tropes including subtle nods to the original game.

Flash forward to late last month when The Bard’s Tale: Remastered and Resnarkled appeared without fanfare as a digital-only release on PSN. Ten bucks for a cross-platform HD remaster (PS4 and Vita) with a cross-buy/cross-play feature that allowed players to take the game on the road and use cloud saves to continue at home? SOLD. I didn’t hesitate at all or bother to even bug InXile about a review code. This was certainly going to be the best version of the game to date and yep, the ability to play anywhere and go home to continue was going to keep me grinning long into the wee hours. What could possibly go wrong?

Well… a few things folks. Thankfully, cross-play and cloud saves are flawless, but in terms of other things on the technical front, this version of the game (done by Square 1 Games) needs patching. Badly. I was initially going to write up a full review, but have decided to wait a few days to see if the problems can be fixed as the older console versions were great overall and this remaster needs to be as good or better in terms of consistent performance. Right now, it’s not.

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