13 | November | 2016 | "DESTROY ALL FANBOYS!"

So, what’s a BEVONTULE, you ask? Well, first of all… you’ve very likely pronounced it wrong, so let’s go get that sorted. It’s Bay-von-chu-lay, and you quick thinking speed reading link clickers already know it’s an in-progress Unity 3D engine tactical RPG by a very dedicated team of two Portsmouth, OH natives, Derek Bradley and Andy Fenton. The Unity-powered game has been in development for a while and the recent demo kept me quite busy for a few hours. “Wait, a few HOURS?” you ask? Yep. As no save system was implemented and the gameplay was pretty solid, I kept at it and kept my laptop humming away for about four hours or so.

Granted, the demo can be completed in less time if you’re good at leveling up properly and can survive a pretty nasty boss battle. But my play style leaned heavily on hoofing it all the way back to a village you might not discover when playing the demo unless you turn around and make a beeline for it before you venture too far into danger. The spot has a few shops, an inn to heal up at and some nice treasures to find that help the cross-map journey considerably. You’ll also be able to pick up and turn in a few item fetch quests that make hoofing it back to worthwhile. Finally, heading to town resets the enemies outside, which means you can choose to fight or flee from them.

Yep, more often then not I chose to fight. Hey, a guy’s gotta level up, right?

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Richard Corben’s artwork has always been brilliant, freakish and frightening on a few levels, but his horror work over the last few years has been a perfect blend of caricature and crazed creativity. I rather loved Rat God, his violently hilarious and uniquely stylized love letter to Lovecraft that was one of Dark Horse Comics best mini-series of 2015. Okay, Bunn and Cook’s absolutely brilliant (and I would watch the hell out of a good TV or movie adaptation) Harrow County is flat out scarier. But Corben’s style of stylistic horror is second to none in my book.

Shadows On The Grave #1 is the first issue in a beautiful new miniseries comprised of short stories with Corben going all out in both black and white and grey-toned art that’s simultaneously lovely, twisted and somehow realistic through all the bigfoot layers. There’s his reliable work with the human and unhuman form that makes poring over each panel a joy (yes, even the disturbing stuff is worth a look in all its glory) and his writing is just fun and tight what with all the tonal shifting going on. The man is a master of adding humor to tense situations as his characters get put through their paces by fate and other means, but I shall wisely leave the actual reading of the book to each and every one of you interested.

Issue 1 lands at your favorite comic emporium December 14 ($3.99), Issue 2 is arriving in January, and let’s see now… #3 should be next March. Yep, get this is you’re into the Creepy stuff. You see what I did there? Did you? Yeah, go get that as well.

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