11 | June | 2015 | "DESTROY ALL FANBOYS!"

Atlus and developer ACE team are going to make some of us well-aged “B” movie fans really happy soon. The Deadly Tower of Monsters is coming to PC and PlayStation 4 soon and it looks like a total camp classic that captures the weird spirit of plenty of well-aged flicks that made for some fun weekends in front of the tube way back when. I’m gathering the humor will be lost on the more jaded gamers of today or those expecting new games to all look the same with super-shiny realism all over the place.

Nope, you’re not getting that here at all. TDToM seems to be presented from a mostly isometric perspective so comparisons to something like Diablo III or Gauntlet will no doubt be made by some. I’m liking the wires on that rocket above, the intentionally choppy stop-motion dinosaur and the super-colorful graphics while hoping there’s an optional black and white mode in the mix somewhere.

As I won’t be at E3 this year, I’m not going to be getting any hands-on time with the game (boo!). But I’ll keep an ear to the ground and keep an eye peeled for videos of gameplay because this one sure looks like something I’d play to death and beyond. Now, if only it was coming to more consoles. But I guess we’ll see what happens if it does well enough to expand onto more systems. As usual… we shall see.

Another light goes out and if you knew the man’s rather astounding body of work it was one of the brightest lights you’d ever seen. While he was known primarily for his work in the horror genre, the late Sir Christopher Frank Carandini Lee was so much more than a one-note performer. Whether or not you liked some of the films he appeared in, he always gave his best even in the worst “B” flicks (Castle of Fu Manchu, anyone?). Some of us recall his films made with the late, great Peter Cushing (I’m partial to Horror Express) while younger viewers will know him from his work in The Lord of the Rings and a few Star Wars films.

I’d pick The Wicker Man (above) as my favorite Lee film because it’s a great flick that challenges viewers who come in expecting a standard horror tale. It’s a surprisingly intelligent genre film that works on a few levels and seeps into your bones for about a week or so after viewing. Go track it down (and don’t bother at all with the horrible remake) along with a few other Lee classics. I’m sure Turner Classic Movies will be running a marathon of his work shortly. But if you’re a film fan with room in your library you should think about adding a few of the man’s always re-watchable works to your collection.