Random Film of the Week (Double Feature II): The Mysterians & Destroy All Monsters!


 

Yep, two more films that influenced Japanese developer Sandlot in their creation of the fan favorite Earth Defense Force series. The former flick can be seem as the main jumping off point for the series, as the Japanese title, Chikyu Boueigun literally translates as “Earth Defense Force”, although there aren’t any giant insects to be found here. Those came primarily from yesterday’s double feature. The aliens do happen to have plenty of advanced weaponry and a giant mole-like robot called Mogera to shake things up for a bit. The film was actually the first part of a trilogy of sci-fi flicks with Battle in Outer Space and Gorath making up the other two parts. I haven’t seen either of those two in decades, so I’ll have to track them down one of these days to check out.


 

As for Destroy All Monsters! (or Kaijū Sōshingeki), it was probably every kid of the 60’s or early 70’s favorite sci-fi flick of the pre Star Wars era thanks to plenty of TV airings at assorted times of the day. Packing in nearly every Toho kaiju monster (it’s more than a simple Godzilla picture, that’s for sure), loads of action and an epic plot, the film is memorable for its wall to wall special effects and not a dull moment from start to finish. I need to dig this one up on DVD one of these days as it’s also been quite a while since I’ve seen it. And yes, it’s part of the inspiration for the name of this little site, but that whole story is a longer and funnier one I’ll get around to telling one of these days. Anyway, go check these films out and prepare to take a step back into some incredible (and campy by today’s standards) sci-fi films that may be ancient, but still pack a punch in terms of being pure nostalgic enjoyment… 

Random Film of the Week (Double Feature Edition): THEM! & Tarantula

(thanks, Tobar!) 

With Earth Defense Force 2017 Portable rolling out on the PlayStation Vita on Tuesday, I figured I’d write up a short column about two of the many “They don’t make ’em like they used to!” sci-fi films that most assuredly influenced Japanese developer Sandlot when they created their cult favorite game series that got its start as a pair of budget PlayStation 2 games (The Simple 2000 Vol. 31: The Chikyuu Boueigun and The Simple 2000 Vol. 81: The Chikyuu Boueigun 2) and a more visually polished Xbox 360 sequel which has been nicely expanded and enhanced for Sony’s portable system. Both flicks are “B” movie classics worth watching if you’ve never seen either previously, with the former film being surprisingly tense and well-acted considering the subject matter and the latter film using some pretty well done matte work to convincing effect in a few scenes.

Yeah, yeah, there’s no fancy CGI here and some implausible moments in both flicks can be eyeball-rolling if you start applying any rules of reality to what you’re viewing. Nevertheless, if you’re in the right mood, you’ll be hooked into both films from the memorable beginnings of each one and stick around to their bitter endings…

Continue reading

Hansel & Gretel: Witch Hunters: When Hollywood Says “You Kids Need Better Books!”

Am I the only one whose eyeballs roll way back in his head when these ads or trailers run for these films that mangle the hell out of the classics? Sometimes I wonder who keeps forcing all this stuff upon those gullible types who snap up opening day tickets as if they’re going to see something as memorable as the source material. Bleh.

Of course, I’ll be a totally contradictory nutcase here and say I’d make a “Brothers Grimm: Screenplay Slashers” film with the ghosts of the Bros. stalking and getting rid of studio pests using methods from their many stories. Hmmm.. then again, that’s too close to the Dr. Phibes remakes I’ve been HOPING Tim Burton would get around to doing already. Eh, whatever – I’ll probably catch this flick on cable a few months after it tanks in theaters. If I’m lucky, it’ll be back to back with that Abe Lincoln: Vampire Killer film so I can kill two birds with one stone (and wish for that time back afterwards)…

Thunderbirds Are Gone – Gerry Anderson (1929 – 2012)

 

If you were a kid or young adult in the United Kingdom, America and a few other lucky locations during the 1960’s and 70’s and had a TV in the house, you more likely than not saw something Gerry Anderson produced and fell head over heels for before the opening credits were done. I happened to grow up watching Captain Scarlet & The Mysterons, Thunderbirds, UFO and Space: 1999 all of which burned their share of memorable images into my brain and are still fondly remembered today. Sure, much of his output might not hold up to the scrutiny of the legions of jaded sci-fi fans that go for flashier effects, more outrageous characters and overall classier writing. Anderson’s shows were primarily geared to young boys (although his wife Sylvia certainly softened things considerably with her unique fashion sense), but there were more women in his series as time progressed, some of whom ended up a more than eye candy thanks to some fine writing and acting.

Continue reading

With Some “True” Stories, There’s Always a Hitch…

 

I finally sat down to catch HBO’s “The Girl” and sat through it twice because I didn’t like it the first time and wanted to be sure it was the film and not me.  A second viewing didn’t change much, but it really had nothing much to do with what the director or actors did “wrong” at all. Sure, I knew of Hitchcock’s blonde ambitions and particularly peculiar proclivities from books and magazines I’d read, so that didn’t bother me one bit. I think it’s the general shorthand of the biopic or more precisely, those “based on (or worse, “inspired by”) a true story” films that condense certain elements of a person’s life to easily digestible cookies baked up from a Cliff Notes recipe that leaves the barest aroma of truth and the aftertaste of too many artificial ingredients and cooks in the kitchen…

Continue reading

TCM Remembers 2012: More Stars Shining Down On Film Fans

 

These TCM tributes get longer and harder to sit through each year, that’s for sure. Add Charles Durning and Jack Klugman to this too long list of folks who’ve brought many some great entertainment memories over the decades. I was actually thinking about some Odd Couple episodes this past weekend out of the blue (the one where Oscar calls a square dance and the one that ends with him with two steaks on his face), but I think he’ll be more remembered by certain TV fans for his outstanding performance in the Twilight Zone episode “In Praise of Pip”, one of the best episodes from that show’s fifth season. As for Durning (who was also a decorated WWII veteran), his “everyman” working class face and always solid acting no matter the genre always made him a pleasure to watch. Go rent “Tootsie” just to see his comic chops and Dog Day Afternoon for a bit of his dramatic work.

(Not So) Random Film of the Week: Melancholia

melancholiaQuite possibly the best end of the world movie to date (provided you aren’t expecting something along the lines of an Irwin Allen-style Hollywood blockbuster packed to the gills with overpaid celebrities), Lars von Trier’s Melancholia is also a surprisingly beautiful film despite the fact that everyone dies at the end. Er… Surprise!

Actually, the film spells its not so big secret out in the stunning opening montage and its two acts play out in operatic fashion as things unwind in the lives of two sisters and how they deal with the impending disaster. Even though you know what’s going to happen, von Trier’s focus on the pair and the more intimate events in their small part of the world makes for compelling viewing that keeps you watching until the very end. Even if you don’t like some of the director’s previous films, this is one of those essentials that’s not as depressing as you’d think thanks to some excellent performances all around and some truly gorgeous cinematography.

Continue reading

Random Film of the Week: Soldier in the Rain

(thanks, Mind Hunger!) 

Steve McQueen may have been the “King of Cool” in his prime, but if his performance in 1963’s Soldier in the Rain is any indication, he was also a pretty lousy comedian. On the other hand, the film is all Jackie Gleason’s, and he makes it well worth viewing. The film is one of those interesting comedy/drama hybrids that tends to lean too far into either direction when a more subtle middle ground would have worked better. Despite the flaws, this Blake Edwards-produced film has enough laughs and some fine performances throughout. McQueen plays Eustis Clay as a goofball caricature who’s great at whipping up scams that never net him the fortunes he dreams about. Gleason’s Master Sargent Slaughter (no relation to the 90’s TV wrestler) is a career man, heavyset and aging who humors Clay and his crazy schemes partially because they brighten his usually dull days. Continue reading

Random Film of the Week: Never Give a Sucker an Even Break

 

I’ve decided to keep things a bit lighter on such a heavy day here and not post reviews of a couple of games just out of common courtesy, Anyway, time for some much-needed comedy:

For his final encore (that’s a little vaudeville joke there, I think), the great W.C. Fields created one of the more surreal comedies of the era that’s just as quirky today as it must have been back when it was originally released. 1941’s Never Give a Sucker an Even Break is the not quite true, but very true story of Fields’ problems in getting his often outrageous for the time comedies past brainless executives and censors who deemed his material too wild for movie audiences. Playing himself, the film is basically Fields trying to sell a screenplay he’s written to a producer at the aptly named Esoteric Pictures with scenes from the script turning into some pretty bizarre and hilarious stagings thanks to some really fun special effects work and plenty of Fields’ comic genius.

Continue reading

New G.I. Joe Retaliation Trailer: What, Still No Bulletman?

 

GI_JOE_RetaliationAnd hey, where’s the Intruder? Anyway, after some reworking and a rather long delay (wasn’t this supposed to come out this year?), that G.I. Joe sequel is getting an official release date. It’s definitely much better looking than the first film and as you can see, they’re serious about the star-power on display. Hmmm, I wonder what the paychecks for the principals were? Bruce Willis has another Die Hard flick hitting theaters as well, so I’m guessing he’s saving up for a new boat or something. Or two boats. or a year’s supply of Headblades. I’m so glad he’s not an expensive toupee and Botox-using action guy like some others who will remain unnamed in this post. The man looks better as he is, I say…

OK, OK, I’m not really planning to see this in a theater, but it looks like it would be a heck of a lot of fun to catch on cable on a rainy Saturday or something. Some of these action flicks based on toys and comics are instant classics, but I’m not sure all the writing in the world or Willis and The Rock can save the fact that we’re looking at a film based on toys, er action figures that became a comic and an animated show, all of which were geared to kids who’d probably not be allowed to see it if it were released back when the toys first came out. Yeah, sometimes I think WAY too much about this stuff, but I just can’t take the Joes as seriously as some people who toss them up on a pedestal as some sort of ideal hero figure. Eh, whatever – pass the popcorn. I may as well enjoy the ride when I do get to see it.