I’d been on the fence about this Sam Raimi film until I saw the trailer and picked out a few fun bits that pay homage to the 1939 film (which, classic status aside, was vastly different from the book it was based on, by the way) as well as a few of L. Frank Baum’s fourteen Oz books. SO, yup… it’s on my list of stuff to see at some point. Man, is James Franco in every other film and TV show these days or what? Of course, he’s great at what he does, so I have zero complaints about his acting skills. March 2013 is when it’s coming out, so I have time to maybe catch up on some reading. Maybe I’ll watch Return to Oz again at some point if it pops up on cable. I never really liked it much when I first saw it during its original theatrical release, but perhaps it’s aged better since then. We shall see…
Tag Archives: Movie Trailers
A Minute Of Dredd Makes For A Good Impression…
It’s so very nice to see that the upcoming film is quite close to the old 2000 A.D. comics in tone and spirit (no Rob Schneider mucking up the works), so that’s a big thumbs up from me. I see from poking around a few other sites that the San Diego Comic-Con screening went well, so good for Lionsgate and all involved. Granted, I’m betting the film won’t touch the box office tallies The Dark Knight Rises will rake in, but it’s great to see Dredd finally getting a film that’s worthy of the name.
Random Film Of The Week: The Flesh Eaters
An old favorite of mine from the days when it was in near constant rotation on Chiller Theater (on Channel 11, WPIX), The Flesh Eaters manages to mix campy humor and skin-crawling (albeit cheesy by today’s standards) shock effects. The script, by DC and Marvel Comics writer Arnold Drake, manages to be weird, funny and unsettling as it tells the tale of three people stranded on a small island after their small plane flies into a bad storm and is forced to land. They meet a German-accented mad scientist working on a rather nasty little project in the form of a massive bacteria colony that can dissolve flesh within a few seconds of contact. Unfortunately for the travelers, the doc has unleashed his experiment into the water around the island, making enjoying a quick swim kind of a no-go.
While the trio is trying to figure out how to get off the island and the doc is scheming away, they run into a shipwrecked beatnik who adds some comic relief to the proceedings. He’s also the victim of one of the surprisingly gory (for the time) death scenes, but I’ll let you check that out yourself. Anyway, things come to a head as the survivors need to deal with the mad scientist AND getting the hell off the island as one of their plans to destroy the microbes actually make it much stronger. Memorable cinematography and extremely well composed scenes give the film the look of a horror comic book, and at a relatively quick 87 minutes, this is one of those films that’s worth checking out if you’re curious about “B” movies of the era, the evolution of special effects or even how well a comic book author could do at scripting a film.
Random Film Of The Week: A Face In The Crowd
While most Americans will be remembering the late, great Andy Griffith from his lengthy stints on two hugely popular CBS TV shows The Andy Griffith Show and Matlock, (both in perpetual reruns somewhere around the country) I’ll always be more fond of his much more compelling movie debut, A Face In The Crowd.
In this classic 1957 Elia Kazan film (which was Griffith’s big-screen debut), his character of Larry “Lonesome” Rhodes explodes onto the scene in a still amazing performance that makes the movie even more enthralling to watch today. What makes the film so important is how precisely it nails Rhodes’ rise from vagrant jailbird to media superstar with his own national TV show (with help from a small town news reporter played by the great Patricia Neal) and later, his fall from fame’s grace are so compelling that for me, nearly all of Griffith’s later TV work pales in comparison.
It’s Nice To See Cable Getting Wiser About The Movies They Run. Keep it Up.
I’ve started to notice that a lot of cable movie channels are FINALLY starting to present most or all of their movies in their original screen formats. This is a damn good thing, as TV edit “pan & scan” versions or VHS-era full screen cuts are pretty lame and hell, just don’t cut it in an age where download services get it right by preserving the true aspect ratio of the films they show. For those out there who still don’t get it, Turner Classic Movies did a wonderful video explanation of “letterboxing” a few years ago featuring some top Hollywood directors that’s required viewing for those confused about those black bars on the top and bottom of their TV screens. If you don’t have or watch TCM (shame on you!), well… courtesy of Guillotinepost.com (and of course, TCM) here you go – and you’re welcome.
New Total Recall Trailer: Arnold Who? Seriously, Is Hollywood Trying To Make Us Forget Him?
For the three boobs out there who wanted to see that three-boobed lady of the evening in the new film: here you go. Actually, I like Colin Farrell’s reaction and the way the scene is played in the trailer, so hopefully it’ll be as brief in the final cut. The one thing I’m concerned about is I can pretty clearly see who the bad guys are in this remake because the trailer gives them away or hell, the casting is just too obvious. Then again, I’ll prepare to be surprised if I’m wrong. Maybe.
Hmmm… Let’s see now… Swarzenegger Negation Remake Project tally: Conan, Total Recall, (some would say) Predators. At this point, all we need are reboots of The Running Man, The Terminator and maybe one or two of his better action films. Commando and Raw Deal are high comedies with gunplay to me, it’s too early to remake True Lies (which is too much fun to remake anyway) and no, Twins, Kindergarten Cop, Eraser or Collateral Damage reboots I’d not even want to see no matter who made them. Of course, I’m kidding (but then again, maybe Hollywood isn’t)…
Film Review: A Ghost of A Chance (Once Upon A Blue Moon)
One of the best films I saw in 2011 wasn’t the usual big-budget Hollywood ego piece cooked up to win award after award, but a great and often laugh out loud funny comedy from Japan that’s worth tracking down even if it’s never released in English. That said, I’ll bet writer/director Koki Mitani wants a time machine for his next birthday. I know one of the first things he’d probably do is go back and meet Billy Wilder, Michael Powell and Frank Capra for dinner somewhere expensive where they’d smoke cigars, drink good whiskey and talk movies until the sun popped up like a fresh piece of perfect toast.
I say this because Mitani’s latest film, A Ghost Of A Chance (or Once Upon a Blue Moon if you happen to live in Japan) manages to get in nods to Wilder, Powell, Capra and a few other famous directors while also being as fresh and funny as Mitani’s other inspired comedy work. While a bit overlong, the film is funny (often hilariously so), touching (you’ll probably shed a few tears at some point) and despite a few flaws, is well worth watching a few times. With a plot that’s part crime story, ghost story, courtroom intrigue and romance (for starters), there’s a lot here to keep cinema buffs happy.
DREDD 3D Trailer: It’s Got The Look Down, So My Fingers Are Uncrossed…
Very nice stuff here, but I still want “I Am The Law” confirmed, no matter what it costs to get that song playing over the end credits. Anyway, I like that the trailer instantly reminded me of some of the comics in terms of the tone and visual style, Dredd keeps his mask ON throughout and it looks as if it will be dark to the core with not much in the way of stupid comic relief. Yes, like a few other folks out there, I was reminded of The Raid: Redemption (what with the plot point about a small force trapped inside a huge building packed with people wanting to kill them), but I’m smart enough to know this is an OLD theme that’s been done many times and goes back to the days of classic movie westerns. Which means you can tell the “aha!” crowd Internet to shut it with the lazy “rip-off” chatter. This one looks good, so let’s see what else they’ve got…
Random Film of the Week: F for Fake
OK, I’ll admit I fell asleep the first two times I saw this astounding “documentary” (and final directorial effort) by the late, great Orson Welles… but not because the film was boring. Hell, Welles’ own “trailer” for the film clocks in at over nine minutes… for a film that’s under an hour and a half long. Even more amazing, it’s not even a trailer, but a separate film shot around the same time that ended up not being shown to promote the film before it vanished for a bit and was later found and restored (*whew!*).
Um, where was I again? Oh yeah: On the contrary, dear readers, I’d been really looking forward to seeing this film each time, but in both cases, it was shown very late at night (actually, very early in the morning) and I’d been awake both times for a bit longer than I’d expected. The third time wasn’t the charm, either, as it was on again at a very late hour and I took a nap in front of the TV so I’d be refreshed and ready to go. Of course, guess who slept through the first hour of the film? Did I mention that I don’t have a TiVO or other fancy (or dated) video recording device? *Sigh*…
And so it went until attempt number four…
The Dark Knight Rises TV Ad #2: And Then, What Happened?
Sus-pense! At this point, if this film isn’t as long as Lawrence of Arabia, I’ll be very disappointed. Just kidding, but. that said, director Chris Nolan has pretty much pulled out all the stops here and I’m almost convinced that staying home and hunkering down for the inevitable Blu-Ray box set release with all three of his Batman films might be a better idea than running out and seeing this in a theater. Granted, I’ll more likely than not do both, but I want to see what got left out of the theatrical release, as Hollywood likes getting asses in seats like clockwork, sometimes killing a director’s true vision until the home versions hit retail. As always, we shall see…
