Detour Takes a Turn To 4K

(Thanks, Film Forum!)

Detour_MP

Well… it’s a more of a one-way ticket for a few of the less fortunate folks in this flick.

 

If you’ve somehow never seen Edgar G. Ulmer’s absolutely mind-blowing 1945 noir Detour (or even if you have via a few public domain channels) and live in the NYC area, you’re in luck. The Film Forum will be showing a newly restored 4K version from November 30 to December 6, 2018. If I’m not mistaken, I saw this on the big screen way back in 1992 (I think it was at the Film Forum or one of the other downtown NYC indie theaters) when it got a re-release alongside the Wade Williams remake that was okay (albeit not as great as the original) and added scenes not found in the original film.

It’s probably a given that this one will indeed pop up on a disc at some point and even though it’s a film I’ve seen maybe 25 or so times since, I think it’s a good chance this will get added to the library here just to have the best version available. Sure, the ratty quality of the original print lends a certain vintage “charm” to the film. But hell, it’s the 21st century and being able to see this cleaned up and maybe with some minor gaps fixed will be a real treat.

-GW

Advertisements

Random Film of the Week: Detour

(thanks, TheVideoCellar!) 

detour_xlg“Whichever way you turn, fate sticks out a foot to trip you.”

I’ve seen Detour so many times since I first discovered it back in 1992 that I sometimes have dreams about it that stick to the plot but play from different viewpoints. If you thank that’s loopy, guess what? I’ve actually dreamed numerous times about writing a review of this and posting it here to the point that I even wrote a post last year saying I thought I did. Yeah, I got it bad for this one. Sure, it’s got its technical issues and every print I’ve seen from film to tape to DVD over about thirty years looks as if it’s been dragged under a bus going cross country on four flat tires. But the combined efforts of writer/screenwriter Martin Goldsmith, director Edgar G. Ulmer, actors Tom Neal, (the aptly named) Ann Savage, Edmund MacDonald, Claudia Drake along with composer Leo Erdody, editor George McGuire and cinematographer Ben Kline all add up to what I think is one of the greatest American film noir movies ever made (warts and all).

Granted, if you’re picky or looking for perfection and haven’t see this before, as an exercise in Moviemaking 101 this may not wow you much thanks to its numerous technical flaws and what could be called a one-note performance by the lead actor. On the other hand, the film’s simple story and how it’s told hits that sweet spot in the brain as it delivers its karmic blows to its principals and leaves the residue of cheap diner food, cheaper booze, cigarettes and bile swirling around in your skull. “Poverty Row” budget and short shooting schedule aside, the film’s impact is immediate and lasting thanks to the short run time and every shot meaning something (yes, even the bad ones). I bet you’ll get it bad when you see this for the first time, too… Continue reading

It’s Tuesday, Right? Time To Take A Little DETOUR…

(thanks, TheVideoCellar!) 

Yeah, you had a bad day at work, right? You look like you could use a break from that grumbling and mumbling about chasing your boss around the office with a blunt object as well as a little lesson in karma. Here’s probably the best cure for your troubles in one of the most amazing film noir gems you’ll ever hit your eyeballs with. I think I did a Random Film of the Week on Detour previously, but I’m too tired to check.

EDIT! Nope, I did NOT do one – this will be rectified soon!)

Anyway, pull up a seat, Pete and feast your eyeballs on this dusty jewel that still packs quite a punch. Watch out for Ann Savage as Vera here – she’ll cut you if you don’t watch your back… or worse… maybe.