Star Wars: The Last Jedi Trailer – Rey of Hope? Maybe Nope?

SW_TLJ_MP

Yep, as Yoda would say, pretty good, it looks… but I won’t do any big speculation at all on this nifty trailer because it’s useless (at least as far as I see it). Trailers are made to missile guide viewers into overthinking stuff and too many fall into that trap and end up theorizing themselves into corners up until a movie lands in theaters. PROTIP: for a big, honkin’ tent pole film such as this, the less you flop around on the floor like Shemp about stuff you see (that very likely won’t be in the same order in the final cut or hell, not in the film at all) the more you’ll actually enjoy it.

Well, that’s MY personal train of thought about these trailers and it’s yet to fail me.

I guess I’ll confess (once again) that I’m not a “superfan” to the point that I’ll gargle out copious pages of notes based upon watching every second of a trailer every day for a week and end up being disappointed that my 1600 theories have all been proven wrong. On the other hand, I’m a “superfan” who wants to go in totally cold and get my fill based on NOT knowing or wanting to know any more than what I was teased with in that possibly not quite all true trailer. That poster is nice as well, but it’s kind of hard to mess up a Star Wars poster (much).

-GW

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Tripping The Blight Fantastic: Four, Right In The Cinematic Trash Heap

F4 MPI’d actually started this post around two months back, but put it aside to work on other things. It was going to be a really lengthy point-by-point peek at why the film deserved to flop out, but I decided to not be so negative until I maybe saw the final product. It’s a good thing I waited because after seeing the film, everything I thought about writing happened and the movie was even worse than my cynical ass expected. But I don’t blame director Josh Trank (Chronicle) all that much because it very well seems the studio had more to do with the film being such a train wreck.

In my opinion, Fox needs to sell back or hand those rights over to a studio that can actually do something constructive with the characters. Too many hands went into what looks like rushed re-shooting and sloppy editing so what should have been another reliable summer blockbuster for fans has turned into a must-see exercise for film students as to what NOT to do. Or a note to creative types with vision to stay far away from licensed properties and a studio system that demands souls and final cut in exchange for some sort of loyalty. While the film is far from unwatchable, it’s not worth the cost of a ticket at all and more suited to cable or network TV. Then again, on a channel with commercials, trying to make sense of the film will be a total nightmare unless scenes are added back in to help things out. Continue reading