I’d never heard of director Jean Grémillon (1898–1959), but thanks to Arrow Academy, I’m now well-schooled in one of his great films. While not flawless, The Love Of A Woman works just about perfectly if you’re a fan of the pot-boiling tear-jerker romance genre. Granted, it also works fantastically as an example of fine film work as Grémillon was a master behind the camera and there are some striking images here to behold.
When Dr. Marie Prieur (Micheline Presle) decides to take over the job from a well-aged doc at the end of his career on the small island of Ouessant, she’s met by wariness from the locals and made fun of by a part of a crew of men working on the island. After a practical joke by the men on their supervisor, André Lorenzi (Massimo Girotti) ends up in a fight where the doc has to show up to fix a broken nose, Lorenzi begins calling the doctor incessantly asking for a date. After some nudging by a never-married older schoolteacher (Gaby Morlay), The good doctor agrees to André’s request, but their date is ruined after a local child falls gravely ill.

Is the Weyland-Yutani Corporation made up of really stupid, willfully ignorant, and incredibly single-minded people hell-bent on burning through piles of money and human bodies every chance they get… or am I missing something here? Every time they try to get an certain cranky, homicidal alien life form for their research or whatever other unsavory purposes, bad things happen and just get worse. I could just blame the robots, but it hasn’t *always* been their fault.