Random Film of the Week: THE DARK

Posted on January 17, 2014 by geelw

John “Bud” Cardos’ one hundred and ten percent wretched sci-fi horror flick The Dark is one of the best reasons for better movie theater security guards and well-caffeinated ticket booth clerks. I paid to see this R-rated waste of time when I was 15 and it was four bucks I still want back. This is one of those “so bad it’s worse” “cult” films that boggles the mind as to not only how it got made, but how it got into theaters. And this is coming from someone who loves crappy movies to death.

Allegedly, Tobe Hooper was in on this mess as the initial director before being replaced by Cardos, but I’d gather he split or was canned because whatever script was presented to him scared him off. Or he was merely killing time before *not* directing Poltergeist a few years later (*ziiiing!*). This won’t be a long and loving look back at this dopey flick, so don’t get too comfortable. In every way possible, this film reeks of people showing up to work just to collect whatever paycheck was promised them (and probably some drugs as well), and that’s a shame…

Continue reading →

Random Film of the Week: Body Parts

Posted on January 17, 2014 by geelw

While flawed, Eric Red’s 1991 horror film Body Parts works for about two-thirds of its running time until it goes to pieces and collapses into a heap. It’s a variation on The Hands of Orlac and other potentially possessed parts flicks that makes for a fairly freakish time thanks to Jeff Fahey’s committed performance, Red’s mostly solid direction and an outstanding score by Loek Dikker that drives the film right from the main title sequence.

Like Oliver Stone’s even more flawed horror flick THE HAND, there’s some good stuff in here, some bad stuff and some flat out crazy stuff. But Red’s film is a lot more compelling and even more interesting on the visual side of things up until the aforementioned belly flop into silly quasi-Frankenstein’s monster/evil scientist with a bizarre agenda territory…

Continue reading →

Random Film of the Week: The Thing

Posted on January 16, 2014 by geelw

So, it’s John Carpenter’s birthday and once more, I find myself writing about The Thing. The last time it was a dissection of that disappointing 2011 prequel and this time, it’s a little look back at what I think is one of the scariest mainstream sci-fi/horror films of the 80’s that still works today thanks to how well it was put together. The overall tone of relentless, deliberate dread the film sets up from the very beginning is claustrophobic and overpowering as you’re sucked into the story about the doomed men of Outpost #31.

I saw this back in 1982 and the film really pushed the envelope of what could be done with practical effects so much that even today most of Rob Bottin’s (and that brief slice of Stan Winston’s) groundbreaking work holds up as believable. Of course, the story and excellent cast also make this one such a killer film to curl up with that I’d even recommend it to those who hate horror movies just because everything clicks so well…
Continue reading →

Random Film of the Week: History Is Made At Night

Posted on January 15, 2014 by geelw

(Thanks, jolaysius!)

Up until I saw all of Frank Borzage’s wonderful History Is Made At Night, the only part I’d seen was a hilarious clip that had me laughing a wee bit too hard because I’d taken it way out of context (it’s not hard to do, people). That “Cleo” gag is used again in the film, but by that time you’re probably going to be caught up in the blend of comedy and melodrama on display that adds a slight dip into disaster movie territory and tosses in a suicide for good measure. Borzage’s film isn’t your run of the mill funny flick at all and that’s exactly what makes it worth tracking down.

The plot is a bit loopy for sure, but the cast makes it work as things move from silly to serious and back again. If you’ve yet to see it, you can walk in on this film at a few different points and think you’re watching two or three different movies. It’s got some screwball elements for sure, but it’s also deeply romantic and suddenly serious as it ping-pongs about the emotional spectrum. Then again, real life is just like that at many times (which is why I like this oldie so much)…
Continue reading →

Random Film of the Week: The Black Hole

Posted on January 14, 2014 by geelw

(Thanks, MovieTrailerGrave!)

I saw The Black Hole on the first day it was released and was pretty darn disappointed because I felt Disney blew an opportunity to make a more cerebral sci-fi film along the lines of a Forbidden Planet or a 2001: A Space Odyssey in favor of what was more or less a hobbled remake of 20,000 Leagues Under The Sea with dashes of Star Wars, Moby Dick, and a few other bits borrowed from other classic and not so classic books and movies. It’s clearly NOT a “family film” despite the sci-fi/western shoot ’em up moments and two stupid trash can robots with big cartoon eyes that can’t be ignored as to how stupid they look mixed in with the more serious elements.

Thanks to the film not knowing which way to go tonally (and sorry, those robots never mesh with the dark mood and doom-filled dialog), what you have is an often grand looking, intentionally gloom-draped but sloppy sci-fi pastiche that’s too scary for the little kids those dopey robots were made for and too full of decent ideas better executed decades earlier to be a “great” movie. Not counting the awful “science” on display (it gets a pass from me because no one should go to a sci-fi flick expecting actual science!) I’d call it “adequate” at best. That said, there’s a niggling buzz in the back of my head that’s never left even after repeated re-viewings as recent as a few months ago. Then again, I was 17 when I first saw this and thanks to a tired ticket seller and a few early showings had already been exposed to Ridley Scott’s still brilliant ALIEN two years earlier, so my wider-eyed and more innocent eight-year old self was long buried by that point…

Continue reading →

Random Film of the Week: Sharky’s Machine

Posted on January 13, 2014 by geelw

Okay, I’ll admit it. I saw Sharky’s Machine with a few friends back in 1981 just so we could see a massive train-wreck in action. Of course, we were all surprised that the Burt Reynolds-directed film was not only quite good and well made, but actually a lot darker in tone than expected. There are also plenty of scenery-chewing funny bits in here as well, but none of them come at Burt’s expense and very few come from him (another surprise!).

Those bits of comic relief come primarily from the supporting cast made up of some of those “Where do I know HIM from?” actors (Bernie Casey, Brian Keith, John Fielder and Charles Durning among others) while Burt underplays Sharky as a moody and determined cop out to make the best of his earlier demotion who discovers love, death and dismemberment in a few strange places. Only two of those things actually happen TO him during the film, but I’ll keep you in suspense here (for the most part) just because I want you to check this one out at some point…

Continue reading →

Random Film of the Week: My Life to Live

Posted on January 13, 2014 by geelw

You know all those easily forgettable modern quasi-romantic melodramas that try so hard to pull at the emotions at every turn and only fool the easily manipulated thanks to the usual tired plot points repeated over and over again? Well, Jean-Luc Godard’s 1962 masterpiece Vivre Sa Vie: film en douze tableaux STILL spits all over their graves thanks to the director’s remarkable technique and the simple, powerful performance given by Anna Karina as a young woman trying and failing to achieve anything resembling a happy life.

Presented in twelve scenes, each one chock full of what looks like first take genius, this look at one woman’s life and fate isn’t at all your run of the mill tearjerker at all and in fact may almost seems like a documentary at times. Karina’s naturalistic acting is flawless as she plays a character who uproots her own life in the pursuit of some kind of evolving dream that devolves as the film progresses to its abrupt finale. This is one you’re not going to walk away smiling about, but it sure as heck makes for a greatly depressing conversation piece… Continue reading →

Random Film of the Week: Legends of the Fall

Posted on January 9, 2014 by geelw

I may be a hopeless romantic (okay, okay … only sometimes!) but even I’m not a sucker for the big budget blockbuster romance film. Still, I sit through a few when I have the time to kill or get trapped and its the only damn thing to look at that won’t get me in trouble. Edward Zwick’s great-looking Legends of the Fall made me laugh out loud many times when I first saw it on a long airplane flight and it still makes me laugh today.

I laugh more now because I believe the airplane cut was a tiny bit shorter than the theatrical version, but back on that trip, I laughed louder because I’d fallen asleep during the screening and woke up a few hours later only to find the film replaying again almost exactly from the same spot as if it were waiting for me like a long lost love. Burning up the screen with more testosterone and scenery chewing from about everyone in the cast, this is one of those films that may have led to a few breakups among couples where one dragged the other to see this expensive pot-boiled turkey and the aftermath was about as wild as the fast-motion/freeze frame bear fight that pops up near the ending.

Yeah, you read that correctly. Read on for more… Continue reading →

Random Film of the Week: Across 110th Street

Posted on January 9, 2014 by geelw

No, it’s NOT “Blaxploitation Week” here at DAF because believe it or else, Across 110th Street isn’t really an exploitation film at all. Sure it’s got sudden (but VERY expected) bursts of violence, plenty of (way too brightly colored) blood spilled, swearing out the wazoo, hard drug usage, funky fashions and Afros all wrapped in very palpable sense of dread that lurks around from the moment the film gets underway until its inevitable conclusion. Oh, and that urban gangster theme, stereotypical I-tal-i-an mobsters getting needlessly brutal, an equally racist white cop (Anthony Quinn) and the fresh to the precinct black detective (Yaphet Kotto) who has to work with him on his first major case may all make you THINK you know what you’re getting into.

But then a funny thing happens after the title credits roll… the film surprises you with a surprisingly well shot and tense crime action/thriller with a deliberately relentless tone that escalates as things spiral out of control. Stealing drug money from the mob is a bad idea in any dramatic film, but this film lets you watch the doomed men pull off their dirty deed successfully while letting you see all too clearly that they’re not going far with their ill-gotten gains… Continue reading →

Random Film of the Week: HIT MAN

Posted on January 8, 2014 by geelw

While watching 1972’s HIT MAN on TCM last week and in between bouts of nearly falling off the couch laughing a few times at the unintentional comedy gold, it hit me that I’d see this film’s story elsewhere. Granted, you get what you pay for with most “blaxploitation” flicks in the form of a reworking of older (and often, superior) films, but there was something here under all the massive afros, copious nudity and violence that seemed pretty familiar.

That something happened to be Get Carter, the classic 1971 British gangster film from director Mike Hodges that was an early showcase for Michael Caine as well as a pretty darn great and mature killer of a movie. A year later, director George Armitage pretty much piled on the T&A, beefing up the sexy time and violence to racier American levels of shameless acceptability and the cast here does a pretty awesome job at making this one of those absolutely memorable (but yes, gloriously bad on so many levels) “B” flicks that’s going to have your head shaking and spinning simultaneously… Continue reading →