Joke, what joke? Oh, something about how binging on too many horror flicks can lead to tossing one’s cookies afterwards. And NOT because they’re particularly scary horror flicks, mind you. I’m actually not a big fan of these home invasion sub-genre nasties because they tend to be more mean-spirited than actually scary. Anyway, I guess a little star power and solid acting can help any project, but the premise here (and in the rest of this sub-genre) is usually more disturbing than freaky because we already have criminals who act like this running around in some places. Hmmm… I guess that IS scary to most folks at the end of the day. Lock your doors! Cloooooose your windows! Put a bear trap out as a welcome mat! And that’s so you don’t LEAVE your house to go see this one (har, har)…
OK, OK… that was a REALLY terrible (and way too obvious) pun (and only one of a few too many – collect them all!), but I couldn’t help myself. Hell, Sir Ben is practically twirling his mustache as he chews the scenery up and spits out the seeds. Granted, some of you will find this sort of villainy quite appealing (another pun!), but I can see some more of you thinking this guy and his wacky candy rings is really fruity (*zing!*). Of course, I’d bet if he WERE real and standing within eyeball contact, you’d be hard pressed to say that to his face. More likely than not, he’d freshly squeeze some juice from your melon with a few waves of his fingers. OK, let me shut up before the Pun-isher has to come after me (Bwaa-ha-ha!). Good Night, folks…
Oh, this new trailer for the upcoming WB flick is nice and creepy, but just what is this obsession with revisiting elements from The Ring and other scarier flicks these Hollywood horror directors seem to have? Not that I don’t mind a good horror flick that’s influenced by others from time to time, but here’s another one that gives weird little girls a bad name. And don’t get me started on the whole “inspired by actual events” thing that really means “Oh yeah? PROVE it!” to a super jerk skeptic like myself.
Anyway, hey! I think we NEED weird little girls (and boys) who crawl up walls to grow up and become weirder women (and men) with that talent and I bet you’d agree with me (well, a little). That’s where some really great art comes from when that weirdness gets channeled in the right ways. And yep, having an outlet for one’s inside voices is a REALLY important thing. Otherwise, yeah… you get a gal (or guy) that makes YOU crawl up a wall because she’s/he’s wonderfully loopy to a fault (and drives anyone within a certain radius out of their minds for a few not quite good reasons). That 21-way intersection of Crazy Street and Cute Avenue is never a safe street to cross, folks…
After Star Wars was released and hit it huge at the box office, nearly every sci-fi film made afterward during the next decade plus was immediately (and unfortunately) compared to it. This bit of mental short-handing by critics, fans and other detractors with short attention spans may have been correct about most of these films’ characters, visual effects and overall designs being influenced by the art direction and effects found in George Lucas’ movie, but in terms of story, well… that’s where some needed their heads handed to them. That easily digestible tale of mystic good versus mystic evil in an epic fantasy/space opera lite setting was cut from the cloth of Flash Gordon and Buck Rogers serials, assorted WWII movies (The Dam Busters, 633 Squadron and others) and most importantly, a great “little” film by Akira Kurosawa called Hidden Fortress (which SHOULD be a RFoTW, but I haven’t gotten around to seeing it again).
In fact, Kurosawa’s films have formed the basis of a few important American and international film hits, and if you poke around enough, you’ll see (and be surprised) that some of your own favorites started life as Kurosawa projects. Probably his best known film (at least here in the US), Seven Samurai was reworked into a few films over the years as The Magnificent Seven and this particularly cool 1980 sci-fi sleeper produced by Roger Corman and directed by Jimmy T. Murakami. As fun as Lucas’ flick was, as a lower budgeted quickie, Battle Beyond The Stars manages to be its equal in a few small areas and actually surpasses it in at least one surprising manner… Continue reading →
I remember about ten or so years back attending a dinner party where I walked into a conversation about violence in video games affecting society in a few negative ways. Asking around, I found that no one in the group had any actual current video game experience (this was before mobile and tablet gaming became the nickel and dime juggernaut it is now), so it was interesting watching the debate flop and flail around like a fresh fish that’s landed in a boat with the hook still in its mouth. I also remember shutting the conversation down entirely by asking if anyone in the vicinity was a contact spots fan and reminded them that more REAL people have been injured and died from participating (and spectating) in all sports than from playing video games, PERIOD.
That said, are there plenty of truly disturbed people in this world who use what they see or play in modern games as some sort of template? Sure there are. But throughout every era, there have been many more very unbalanced people who’ve maimed or killed using what they’ve interpreted in their own minds and sometimes from media of their own time as springboards for violence. Murder as a means of handling things incorrectly has been around before any media, so trying to argue that we’re more violent today despite proof otherwise is a rather extreme case of denial. Additionally, misinterpreting and misappropriating fiction into one’s own reality and twisted world view seems to be a common trait amongst those who think killing is a “solution” to a particular “problem” (and it’s something that predates video games by many thousands of years).
Anyway, back to fiction for a bit. Bobby Thompson (played by Tim O’Kelly) the main character in Peter Bogdanovich’s debut film, TARGETS, certainly wasn’t influenced by video games, as they weren’t commercially available until a few years after the film was shot. He seems to be a Vietnam veteran, but this doesn’t seen to play into his madness at all. In fact, the film is fascinating because it doesn’t even attempt to explain what’s happening inside Bobby’s damaged mind at all and while hard to watch at times, it’s a compelling viewing experience right from the beginning… Continue reading →
Soooo… I just now decided to poke around and peek at some early reviews and impressions and… *ding!* it looks as if it’s up…. annnnnnd… it’s good! Actually, that Redband trailer had me convinced a while ago (although I wasn’t going to do a silly reaction video at all) – particularly the part with the knife and tongue (eek!). Anyway, go see this one if you want to jump all around the theater holding the arm of the person next to you as a handy club. They’ll miss that arm only for the few seconds it takes them to bleed out, but at least you have a weapon now.
OF COURSE… the problem with all this over-hype is will the actual film scare anyone who hasn’t been all over the internet gobbling up every trailer, screen capture, feature, cast interview and so forth and so on? The original film and its more comedy-focused sequel were memorable to me because they came out of nowhere as “Midnight” movies without a ton of fanfare. I still recall seeing the trailer and initially being freaked out by it back in the day and I think there was even a brief commercial for the original film popping up very late at night that was pretty effective in a “Oh, I really don’t want to see that, but…” manner. I ended up not being that scared at all by the original film because of what I considered too much hype back in the day, so this new version didn’t get my attention until I noted how it took a more serious angle to things, which works well from what I’ve seen.
Now, every big genre film gets SO much attention that it’s hard to be surprised because you’ve seen half the film on TV or the internet or it’s one of those smaller flicks that’s too weird to show much of and eventually turns out to be less frightening and more disgusting (Yeah, YOU, Human Centipede 2). Eh, as always… we shall see. Except you with the missing arms out there. You’re all dead (but you just might come back for the inevitable sequel)…
… Oh, just they all WAIT until they have to start paying back those student loans. Mua-ha-ha-ha-haaaaa! Yeah, who’s REALLY peeing their pants NOW, huh? I bet some of your parents will be watching you scream in this video and wonder if that’s all the hell you did for four (or more) years. Damn kids. OK, maybe I’m jealous that I never get invited to these screenings like the over-privileged youth of to-day. Bleh. All kidding aside, I’m glad this reboot is freaking people out, as it makes me want to see it sooner than later. THAT said, I’ll probably stick it out for the Blu-Ray set with all those juicy behind the scenes bits, as I just hate leaving the theater thinking I’m missing something. Then again, a few pints of pee are never missed and I won’t need to bring a change of underwear to the theater. Or something like that. April 5, people. Go get in line somewhere and defend that spot with your lives. I have the feeling that if you don’t go see this movie… it will come looking for you.
Hmmm… Shouldn’t it be “College Screening Reaction”? That sounds more correct (and I never went to college!)
OK, SIDE CHOSEN! Now that I’ve teamed up mimoco to go completely EEEEEVIL… I’m being nice and giving something cool away. Er, that’s HOW it’s supposed to be! Long live COBRA! Anyway, here’s the deal: I have ONE of these awesome Cobra Commander MIMOBOT USB Drives to send ONE lucky (and EVIL!) reader, so you need to be really creative and sneaky to get this excellent goodie. How creative and sneaky? Well, actually tracking down the other followers of this site and arranging for their untimely demises is a bit too extreme (and HEY, silly evil person – I need MORE readers, not LESS, grrr!), but I’m sure you can some up with something that will surprise everyone. As some inspiration (sort of), here’s some Cobra Commander fun from G.I. Joe: Retaliation:
(BIG, FAT Hint: NOT wasting time sewing up a fancy costume or putting on makeup to make that “winning” video when simply being a follower of the site, hitting the Leave A Reply button and posting that you’re interested works extremely well and in FACT, will actually surprise everyone expecting a more elaborate means of entry!) Anyway, I’ll RANDOMLY select one winning post, contact you via email for your mailing address, which MUST BE IN THE U.S. of A. grrr! (Seriously, though) and ship your prize out next week. The Cobra Commander MIMOBOT features 8GB of storage and comes packed with loads of classic G.I. Joe stuff (comics, videos, wallpapers and MORE). You’ll also get a $10 emusic card you can redeem (that’s up to 20 songs, kids) at the emusic shop and two mimoco stickers you can put anywhere you like (not the cat or dog, though!). And hey, if you don’t win, you can always poke around the mimoco site and BUY something. They may now be EEEEVIL, but that’s hard work and they deserve to take your money in exchange for quality fun stuff you won’t find elsewhere!
I still remember seeing Le Mans as a kid and, despite the fancy cars I was so attracted to zooming around that legendary race course, found myself falling asleep before the first hour was up. I think it took another three or four attempts as I got older to get through the entire movie, but today it’s one of my favorite racing films. Granted, it feels like more of a documentary of a particular race day that happens to dip behind the scenes to focus on a few people not talking much mostly about a few things that tie into to the overall story being told. Nevertheless, there’s a story that kicks in if you pay attention that works quite well in its low-key way that sets up a pretty exciting final reel.
Of course, this means as a timepiece of a particular period in auto racing history, it’s really an important work. Where the great-looking and innovative 1966 film Grand Prix got too caught up in its romance triangles and some dramatic sections (and had a poor stunt dummy go flying out of a car in one crash sequence that still makes me laugh), Le Mans is purely and primarily about the race. Continue reading →
Eh, do we REALLY need this flashy-looking new version of the classic book at all? Baz Luhrmann’s at it again? Oh, well then – that changes everything. My brain is still recovering from Moulin Rouge, though. I’m more of a classic musical and film guy, despite all the efforts to make these new movies look and sound “vintage.” Well, there’s NO doubt this sure looks amazing and will rake in the loot for a while. That said, sure, it’ll rope in the rubes who flock to theaters on those lonely weekends looking for some solace in the virtual arms of superstar hunky type actors (and who don’t know a penny’s worth of the plot) and those dragged-along spouses who trade in “Date Night” deals. That said, I think F. Scott Fitzgerald’s angry ghost would be rolling up yellowed, crumbling newspapers from the era or filling dirty socks with stones so he could do a day’s worth of REALLY old school drive-bys on those expensive movie sets.
OK, it might be really good, but my eyebrow is still up on this one. Well, as long as it’s not “Based on a True Story” or “Inspired By Actual Events…” Those films almost always stink under closer scrutiny…