So far, Warner Bros. has been considerably tame with these super-looking Man of Steel clips and trailers, but it looks as if that bubbling enthusiasm is slowing but surely going to be ramping up significantly as the weeks go by. As far as the film goes to some initially skeptical fans (yours truly included), we’re now at the color coded “This had better be REALLY good… or else, grrrr!” stage, but I think Snyder can handle any criticism at this point, as can the cast.
Hmmm.. Let’s see now, there’s going to be something like what, fifteen to twenty TV spots to go? Well, as long as the “less is more” approach is taken, I think we’ll see just enough to tempt us into theaters…
For some fans of giant monster movies, Godzilla is their gold standard, but I’m a Rhedosaurus man, myself. 1953’s The Beast From 20,000 Fathoms is a smaller-scale picture when compared to Toho’s epic genre entry and it’s also not as sprawling and dynamic as King Kong in terms of impact. On the other hand, Ray Harryhausen’s work here is superb and at a mere 80 minutes, this one goes down easy and doesn’t wear out its welcome one bit.
From the moment you hear Bernard Herrmann’s outstanding main theme that sets up the thrilling adventure ahead, director Nathan Juran’s The 7th Voyage of Sinbad sets itself squarely in fantasy film history as a true classic. Of course, having Ray Harryhausen on board and in full charge of the film’s effects work at the height of his talents makes this one an absolute must-see as well as one of the best genre films ever made. It’s a perfect blending of talents by all involved and it’s probably the one film Harryhausen worked on I’ve seen the most times as have many who’ve been influenced by it over the decades. This film was yet another hit for Harryhausen and producer Charles H. Schneer and also introduced the word Dynamation into the movie lexicon (later rechristened “Super DynaMation” and later, “Dynarama”), which amusingly enough, ONLY refers to the stop motion technique the master perfected over time and became an immediate means of letting his fans know who was behind the visual effects in that latest cinematic treat they wanted to catch…
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