A few years back, The second thing I thought of when Facebook snapped up “virtual reality” headset maker Oculus was this flawed but still incredible 1983 sci-fi film directed by Douglas Trumbull. Unfortunately, Brainstorm slipped into theaters under the dark cloud of Natalie Wood’s mysterious off-set death as a work that some at the time debated should have been scrapped entirely. At the time, I liked Trumbull’s technical mastery more than the cast’s straightforward performances. Upon seeing the film again recently, I liked it more, but I also think it’s one of the few films where a modern remake would fix a few things such as sofa-sized and room-sized computers and those super-bulky tapes and that huge headset helmet prototype. Then again, that old tech is kind of what makes the film so effective, as it sure looks like all that wiring and doodads do something.
Despite some workman-like performances from its cast, Trumbull’s direction and his blending standard 35mm camerawork and outstanding widescreen shots of real life vistas and indoor locales plus assorted visual effects that predated IMAX in its use of dynamic screen ratio changes. The often stunning widescreen sequences were shot in Super Panavision 70 with an aspect ratio of 2.2:1 are the real stars here. Still, there’s an air of gloom that hangs over the entire film thanks to one character’s on-screen fate that makes you wish the thought-capturing device in the film actually existed, but had a ‘rewind life’ function added. As dry as the pedestrian plot is, the imagery is at times, some breathtaking stuff that mixes in mundane to high flying activities as the assorted fantasy to nightmare sequences play out.