In regards to every well-worn fairy tale, “It’s not the tale, but how it’s told” is the order of the day. Parents and other creative adults well-versed in story time voices and acting have this mantra branded on their brain cells and know how to make any yarn they spin keep kids at rapt attention. Still, for many of his longtime fans, Ray Harryhausen’s incredible stop-motion versions of Mother Goose stories and five classic fairy tales are some of the most memorable versions ever created.

Save for The Tortoise and the Hare (which was incomplete until its 2002 premiere), I can recall some of these films along with his earlier Mother Goose shorts being shown during assembly hall sessions or in the occasional class where a regular teacher was out sick and the substitute called in hadn’t time to whip up a proper lesson plan. While most of these 16mm shorts were part of my childhood, I’d imagine plenty of today’s little (and more tech savvy) whippersnappers haven’t a clue who Harryhausen was or what made (and still makes him) him great and such a huge inspiration of countless filmmakers and visual effects artists to this day.

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