Random Film of the Week: Model Hunger

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Oh, I’ll admit right here and now that my eyeballs did a slight roll when Debbie Rochon‘s directorial debut Model Hunger kicked off with a cheerleader squad scene straight out of a Horror 101 how-to film school class. About an hour and twenty minutes later, my eyeballs reflexively rolled WAY back in my head in order to avoid seeing a pretty damn shocking (as in un-seeable) slice of violence that had me put on a pot of coffee at around 4am after the credit roll.

I’m quite sure I saw myself screaming as my eyeballs whipped back into their normal positions, but that’s not important. I wasn’t getting to sleep after that shock, folks. Amusingly enough, it was with that pot that my old coffeemaker gave up the ghost as it malfunctioned, leaking coffee all over the counter and floor. I think it was an emphatic reaction or something even though it was two rooms away in the kitchen. Guess who had a four tea bag cup of tea instead?

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But I digress. While not perfect, Model Hunger delivers the goods and gore horror fans expect while making for a truly weird as hell experience when all is said and done. While it’s a low-budget “B” at heart, Rochon very cleverly lets the horror and resulting carnage (done via practical effects) build with each kill until that eye popping climactic moment mentioned above. Actually, the eye-popping comes after that climactic moment, but you’ll see for yourself what I’m babbling about because you’ll definitely want to check this out with a few like-minded horror fiends.

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Film Review: Memory Lane

Memory Lane MPPacking in a compelling story that’s part thriller and murder mystery with a supernatural bent into seventy minutes is a tricky thing to do well. Nevertheless, Memory Lane is one of those odd yet impressive little indie films deserving of a wider audience. Director Shawn Holmes gets some decent mileage from his ridiculously small budget of $300, making a flawed yet powerful, emotion packed ride. While the film has echoes of Memento, Flatliners and oddly enough, Groundhog Day, that small amount of money spent doesn’t exactly buy you always stellar acting or prime locations to shoot in.

The cast of eager unknowns does what they can with the melodramatic material, but some are better than others in conveying the dense but compact script. The brief running time means some plot points get slimmed down or booted in the logic balls to make way for story advancement with the clock ticking away. But if you go in with no expectations, you may end up enjoying this one a lot more than you thought. When Nick (Michael Guy Allen), a PTSD afflicted Afghanistan veteran decides to end his life after his girlfriend Kayla (Meg Braden) takes hers, he sees a vision of what looks like her being murdered. Brought back to life by some friends, Nick realizes he “needs” to die again and again in order to find out what actually happened to the love of his life… Continue reading

Memory Lane Trailer: Be Still, My Beating Heart (Once More)


 

Question of the day (or at least the very second you’re reading this): Would you kill yourself (and a few times at that) in order to solve the murder of someone you love? That’s the somewhat shocking premise of Memory Lane, a thriller coming to Blu-Ray/DVD on March 24, 2015 courtesy of MVD Visual and Wild Eye Releasing.

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How’s this for a plot:

“When PTSD-plagued war vet Nick returns home and finds that his finance Kayla has committed suicide, he decides to take his own life, but what he sees in flashbacks moments before he is resuscitated leads him to believe Kayla was murdered. Now Nick must travel back and forth between our world and the afterlife in a search of her killer – but to do it, he will need to die over and over again.”

Memory Lane has already been compared to films such as Memento, Primer and Pi, and that’s some pretty decent company, I’d say. Of course, I’d probably add in references to everything from Flatliners, Jacob’s Ladder and Groundhog Day (minus the humor, of course), but I haven’t yet seen this flick. I want to, though. The premise is intriguing enough to get me to want to sit down with this from start to finish, something not a lot of modern horror-like films do.