1941 | "DESTROY ALL FANBOYS!"

(thank you, Victor Creed!)

Imagine this as a movie idea today: Snow White and the Seven Dwarfs with Snow being an extremely talented exotic dancer type and those dwarfs a bunch of stuffy but eager to learn elderly eggheads she ends up hanging out with to teach them all the things they didn’t know. Once you get your eyeballs above the obvious jiggle-tease material and plentiful opportunities for modern day humor sixteen writers working together come up with, the results would probably be pretty darn terrible.

I can see the trailer now: two minutes, thirty eight or so of slow-mo cleavage shots and some special guest cameo coot rattling off one-liners, plus someone getting hit in the nether regions with a golf, basket or other ball, maybe a nice pratfall, a fart joke, a fat girl joke and some annoying music on that soundtrack that doesn’t even fit. Yeah, that’s not a movie I’d want to see at all. Fortunately, Howard Hawks’ 1941 film Ball of Fire takes the Snow White and thanks to a wonderfully funny and sassy Barbara Stanwyck helping loosen up those old guys (and an even stuffier Gary Cooper), a great script and plenty of screwball humor, it still holds up today as a total riot.

Continue reading →

I’ve decided to keep things a bit lighter on such a heavy day here and not post reviews of a couple of games just out of common courtesy, Anyway, time for some much-needed comedy:

For his final encore (that’s a little vaudeville joke there, I think), the great W.C. Fields created one of the more surreal comedies of the era that’s just as quirky today as it must have been back when it was originally released. 1941’s Never Give a Sucker an Even Break is the not quite true, but very true story of Fields’ problems in getting his often outrageous for the time comedies past brainless executives and censors who deemed his material too wild for movie audiences. Playing himself, the film is basically Fields trying to sell a screenplay he’s written to a producer at the aptly named Esoteric Pictures with scenes from the script turning into some pretty bizarre and hilarious stagings thanks to some really fun special effects work and plenty of Fields’ comic genius.

Continue reading →