(thanks, tubesoda!) 

How amusing that I had a dream about Zardoz and TCM (Turner Classic Movies) just so happens to be showing it this evening (EDIT: Okay, at 2am Sunday). John Boorman’s wonderfully gorgeous and somewhat, okay, EXTREMELY bizarre follow up to the 1972 smash Deliverance was and is a weird mix of science fiction, black comedy and violence that baffled many critics and moviegoers of the time and while it’s a more popular cult film today with a loyal following, still has a polarizing effect on a few fronts. If anything, the film’s oddball mix of impressive and cheap visual effects and some stunning cinematography go a long way in holding one’s interest as the plot zooms all over the landscape.

From the killer opening sequence with a floating stone head issuing marching orders (“The GUN is GOOD! The PENIS is EVIL!”) to some well-armed men (well, the stone head is the one arming them with PILES of firearms), to one of those well-armed men (Sean Connery!) sneaking aboard that head to do a bit of surprising disposal work (how do you kill a “god”? Here’s one way if you need a hint!), Zardoz continually surprises, even when it’s getting too meta for its own good. Then again, that seems to be what Boorman wanted to do with this film. This is one of those experimental flicks that does an excellent job of making you pay attention right from the start and slowly draws you deeper into its odd characters and world. Granted, your suspension of disbelief is being kidney punched the entire way through, but such is art and films such as this one… Continue reading →