Under two weeks to go before the RoboCop reboot rolls into theaters and I think it’ll hold its own against the original at least as far as the story goes. Granted, I don’t think that the film is even trying to copy anything directly from the original, so some die-hards will slam it for that. I’ll take it in as a new start and see what happens, as I usually do with these remakes/reboots. Of course, if the film falls into the “too much CG, pointless plot” trap other franchise friendly films frequently fall into, then I break out the knives (which I bought for a dollar, by the way. Seriously, the dollar store nearby sells kitchen knives starting at a dollar) and start chopping away.
Tag Archives: Columbia Pictures
Clip Joint: ROBOCOP (Give It Away, Give It Away, Give It Away…)
So, the clips are rolling out and some would say “spoiling” this reboot, but I don’t quite think so. In fact, I think they go a long way in showing the film is going to be better than some jaded online wags have been saying. Granted, the original is hard to top on a few KEY fronts, but from what I’m seeing here, this doesn’t look bad at all. Heck, I’ll buy THAT clip above for a dollar!
Some are griping about he black suit over the silver/opalescent color from the Paul Verhoeven film, but I think the new flick’s black outfit is pretty cool in its own right. Sure, if this was “real”, a more matte finish would be the way to go for night ops, but that’s only something I’d heard in a conversation and not my own opinion. It was a pretty hilarious discussion, though.
This one’s my favorite clip because we ALL have those dreams that are nice and lovely and getting to the good part and then *BOOM*, you get knocked awake and you’re back in the real world with your day screwed up because your sleep was interrupted. Stupid alarm/hungry pet/cranky kid/spouse/boss/person yelling at you to wake up because you’re napping when you’re SUPPOSED to be steering that bus! Anyway, welcome back to the real world. Now keep those eyes open until you get home, pal.
Random Film of the Week(end): It Should Happen To You!
(Thanks, KaninFamily!)
The lovely Judy Holliday soars as a sort of ditzy but shrewd former girdle model who ends up becoming an instant celebrity thanks to a few simple billboards with her name on them George Cukor’s 1954 gem that shows off some fantastic looks at the New York City of the era. This film is also famous for being the movie debut of Jack Lemmon and here, he’s perfectly cast as Pete Sheppard, a documentary maker who shoots Holliday’s Gladys Glover in Central Park and of course, falls in love with her after some amusing assorted ups and down.
There are plenty of laughs in this classic to spare, many at Gladys’ expense as her sudden celebrity goes other head and she thinks her new found fame means all that attention is positive. While some elements are dated, the film does a very good job at foreshadowing today’s fame-crazy celebrities who do a heck of a lot more than simply toss their names up on a billboard to get attention…
Omnicorp’s CES 2027 Lineup Looks Mighty Familiar…
Yes, these are snazzy viral teasers for the RoboCop reboot in case you were thinking I found the key to a TARDIS somewhere and stupidly ONLY brought back this stuff from the future. I’d actually go back to the past a few times and stock up on old comics and a few Van Goghs plus push a few would be dictators off of high balconies or something like that.
Ahem, any-waaaay, these lead ups are quite amusing for sure… now it’s up to the movie to take off and fly right into that box office stratosphere or something corny like that. My mind is otherwise occupied today, so you’ll need to take what’s served up today, sorry!
RoboCop TV Spot #1: There’s A New Sheriff In Town (Metal Suit Version…)
So, here they come. The first of many TV spots for this upcoming remake. Is it me or are people THAT jaded now that this otherwise fine-looking remake/reboot might not be as big as some on the internet are saying? Eh, not that I pay much mind to what others say on the Internet, mind you. I’m just worried that our new “wait it out” culture will wait it out for the first big early review that merely mentions a flaw, cross their collective arms with a mighty “SEE!,I told you it would suck!” and then go torrent the video off some pirate site only to discover it’s not the train wreck they thought. Of course, trying to get those people to pay for anything entertainment wise is a tough haul, but Hollywood loves to keep trying. Me, I think the film will do just fine when it hits a multiplex near you next month.
Of course, I still CAN’T see any darn movies at all around here now that the two closest movie houses are DEAD. Boo. What kind of crap area is this now? We USED to have five theaters in walking distance not so long ago. My “local” theater is now something like four or five miles away at least. Probably more, as I haven’t checked around for a replacement theater in a while. Eh, small world problem considering REAL issues facing too many these days, right? But hey, little things (like a decent cinema) DO mean a lot to some folks…
Random Film of the Week: Night of the Juggler
(thanks, TaylorHamKid!)
While reminiscing with a guy I hadn’t seen for close to 20 years this week, this flick came up in our conversation and I had to rush out to write about it while the memory was still fresh. After the great 1972 ABC telefilm Short Walk to Daylight and 1980’s compellingly crazy action/drama Night of the Juggler, I still say James Brolin should have stuck around and made a third New York-centric film to complete some sort of unconnected trilogy about an otherwise decent cop who’s having some really bad days in the Big Apple.
The former film was about survivors of an earthquake (in New York City of all places!) trying to make it out of some deadly subway tunnels with Brolin’s cop leading the way and the latter has his divorced ex-cop now truck driver character chasing after the maniac that’s mistakenly kidnapped his daughter. Neither is legally available on DVD (and it’s a darn shame, I say), but if you’re clever and know how to use the internet, there are ways to snag both gems for your viewing pleasure… Continue reading
Random Film of the Week: The Big Heat
(thanks, MJmichand!)
Sergeant Dave Bannion has absolutely ZERO luck with attractive women in Fritz Lang’s absolute classic 1953 noir The Big Heat. Granted, our initially 100% by-the-book cop (ably portrayed by Glenn Ford) IS a married man with a young daughter, so he doesn’t need to be around the ladies he ends up getting into trouble at all. Unfortunately, in one way or another they’re part of the case he’s working on, so he’s like a black cat in a suit here. Nearly every lady he comes across in this film goes through some sort of hell when and after he’s around that makes him some sort of magnet for bad luck and worse outcomes.
It’s a wonder he makes it through the film in one piece at all despite the efforts of some bad men to keep him off their cases and yes, far away from those doomed dames. For its time, the amount of violence and even some language was probably considered shocking by some viewers, and in at least one respect the film still packs a wallop. That wallop being Gloria Grahame’s portrayal of Debby Marsh, girlfriend of Lee Marvin’s overly brutal gangster-type, Vince Stone. But Stone is the least of Bannion’s problems when he investigates the suicide of a fellow police officer and gets wrapped up in some other things a wee bit over his head… Continue reading
Robocop Trailer #2: “He Has a Program. He’s Product!”
Well, here it is, folks – the new RoboCop trailer in all its glory. For me, the jury is still out as the film LOOKS good (in that “we used a LOT of CG!” manner) and it definitely shakes up the original’s origin story significantly in terms of how Murphy gets his metal suit and why it’s now black in the new flick.
On the other hand, it also shares that very similar (and yes, slightly long in the tooth) thematic stuff many of these sci-fi remakes are afflicted with where it’s one man (or many) against the evil, rotten corporate scum who don’t give a rat’s ass about the little people. Cue dramatic music, explosions and bodies falling off stuff. But in PG-13 instead of R-rated violence because that gets more asses in the seats at the end of the day. That and yup, expect this to clock in at under two hours because less time means more showings per day as well. Any bonus footage is coming in the “Unrated” home video version, I’d bet you a hot nickel… Continue reading
Random Film of the Week(end): MAROONED
While Alfonso Cuarón’s GRAVITY is raking in its massive weekend box office bank and garnering all sorts of critical accolades and yes, awards potential, I thought I’d crack open the vaults and take a look at the first major Hollywood hit about a crew of astronauts lost in space. Granted, the doomed crew of 1950’s Rocketship X-M got lost, ended up somewhere scientifically implausible and came back down to Earth in the worst way possible first. And yes, yes… the crew of the Discovery from Kubrick’s epic 2001: A Space Odyssey don’t quite count because they were done in by a very confused computer in such a low-key manner that by the end their deaths are forgotten in that film’s grander cosmic scope.
But John Sturges’ 1969 film (which won an Academy Award for its visual effects) has the benefit of some much better actors performing in lead and supporting roles, although the film’s science and yes, now dated “by today’s standards” visual effects don’t hold up all that well these days. It’s worth a viewing these days when it pops up on TCM just to see how Hollywood was trying hard to make a timely sci-fi film while chasing (and not coming close to) the higher level of quality Kubrick and his team of SFX technicians spent years crafting…
Random Film of the Week(end), Too: Abandon Ship! (Seven Waves Away)
(thanks, S250385!)
“Save as many as you can …”.
I’ve been on a grand total of two cruise ships, plus a bunch of ferries and other boats raging in size from canoe to schooner, but after seeing Abandon Ship! (or Seven Waves Away if you’re in the UK), I’ll probably restrict my watercraft enjoyment to playing with toy boats in a bathtub filled with maybe five inches of water.
This 1957 British drama is probably one of the more depressing sea disaster films I’ve ever seen. Clocking in at just over an hour and a half, this harrowing tale gets off to a start as a luxury ocean liner, The Crescent Star hits a stray World War II mine that sinks the ship, killing most of its passengers and crew. There only time for a single lifeboat to launch before the ship goes down and that lifeboat can only fit nine people. Unfortunately (or even MORE unfortunately), twenty seven people end up in and around that lifeboat and soon, you’ll feel as if you’re in that boat with the doomed, the dying and the soon to be dead.
