Let’s see now: a serial killer on the loose (meaning a higher body count this season) with the series’ focus on this one case and how it affects everyone on all sides should make for an intriguing story arc provided the show sticks to what made it work in the first place and doesn’t fall into the trap other crime shows have become victims of (changing too much to appeal to a certain base of short attention span viewers for rating’s sake). As with the first two seasons, I’ll be going in expecting nothing so I can actually be surprised when the writers and cast hit me over the head and toss me in a trunk…
Well, you know what I mean, right? I actually don’t advocate hitting anyone over the head and tossing them into a trunk unless they’re trying to do that to you and you manage to beat them to it…

In case you’ve never played it,
1969’s The Valley of Gwangi is a bit of a bittersweet classic for many fans of Harryhausen’s work. By this time, stop motion animated fantasy films weren’t drawing the audiences they did ten years earlier, so this film didn’t get the promotion it deserved. It wasn’t the first cowboy meets dinosaur flick at all – that honor goes to 1956’s 
For some fans of giant monster movies, Godzilla is their gold standard, but I’m a Rhedosaurus man, myself. 1953’s The Beast From 20,000 Fathoms is a smaller-scale picture when compared to Toho’s epic genre entry and it’s also not as sprawling and dynamic as King Kong in terms of impact. On the other hand, Ray Harryhausen’s work here is superb and at a mere 80 minutes, this one goes down easy and doesn’t wear out its welcome one bit.