Every so often, the cable company here moves the channels around and it becomes a bit of a chore hunting for formerly favorite stations. What’s worse, is a few times, I’m waiting for the cable box to load the channel guide after a router reboot and I have to fly blind for a few minutes, which in this particular case, turned out to be a pleasant surprise indeed. I was looking to find where TCM went to and found it after some work, but the channel guide wasn’t loading and there was a film I’d never seen before playing. It turns out that it was a Robert Wise-directed film from 1959 called Odds Against Tomorrow and it had me on the edge of my seat until the somewhat explosive finale.
The film is a rather bleak noir with a heist plot, the crooked, disgraced crooked cop who devises the plan (Ed Begley) and the two desperate men he’s picked to assist him.There’s Robert Ryan as Slater, a rather hateful ex-soldier and convict and Harry Belafonte as Ingram, a handsome musician with bad luck with the horses. Both men meet with Burke separately and it’s quite an interesting study in contrasts. Slater insults a little girl, ignores a jovial elevator operator trying to make small talk and is in general, just has a pretty big chip on his shoulder about everything. Ingram rolls up in a flashy sports car a few minutes later, offers a few kids money for watching his car, makes that elevator operator laugh as he rides up, and is generally a pretty nice guy- minus his crushing gambling debt.
Both men have don’t meet until later in the film, but let’s just say, Slater is none too pleased that he’s going to be partnered with a black man and quits the job. Ingram also leaves the job, but his negative dealings with his bookie throw his life into danger and he’s back in on the job after a bit of a breakdown at the jazz club he plays at. Slater’s hiatus lasts until he decides he’s had it with his girlfriend (Shelly Winters!) and wants to get out from under her clutches. The heist goes, in true noir fashion, very awry, to say the least. No more will be said here, save for this is a film well worth seeking out if you haven’t seen it yet. There’s a great score, every actor here is superb, and the bleak ending is about as downbeat as it gets. In a way, this one’s like Raoul Walsh’s classic White Heat, and Kubrick’s The Killing, but this feels like more of a hidden gem. Go check it out on tcm.com or go find it for sale here.